Warwick Arts Centre

Artists’ Plans for Sustainability – June 5th at Warwick Arts Centre

Wednesday 5th June 2-4.30pm

beuysimageOne of the Creative Spaces’ research focuses has been the role of the arts and artists in developing sustainable cities. Following our curiosity, we would like to take the opportunity of Mead Gallery’sexhibition “Artists’ Plans for Sustainability” to invite three artists to give 15-minute presentations of their work. This will be followed by a roundtable discussion with Warwick academics, addressing the question of:

The Role of Art in Developing the Sustainable City’

Visitors attending the roundtable will have the opportunity to comment or ask questions.

The event is free but places are limited, so please reserve a place in advance by phoning Warwick Arts Centre box office: 024 76524524.

Artists:

  • Nils Norman, Ion Sørvin (N55) and Carolyn Deby (sirenscrossing)

Academics:

  • Dr Nicolas Whybrow (chair, Theatre and Performance Studies)
  • Dr Cath Lambert (Sociology)
  • Dr Jonathan Vickery (Cultural Policy Studies)
  • Dr Ria Dunkley (IATL and Cardiff University Sustainable Places Institute)
  • Dr Susan Haedicke (Theatre and Performance Studies)
  • Nese Tosun (PhD candidate, Theatre and Performance Studies)

Creative Spaces is a network member of the AHRC-funded ‘Making Sense of
Sustainability’ arts and social sciences collaboration based at Cardiff
University.(PDF Document)


Creative Spaces Research at the moment focuses on two main areas:

The Role of the Arts in Developing Sustainable Cities

For Rosalyn Deutsche urban space is not only socially-produced but agonistic. Thus, the practices of urban societies – that which its various constituencies do or are allowed to do – defines or creates the space of the city, and such space is dependent for its very condition of existence on that which is produced by ‘conflicting interests’. As Henri Lefebvre puts it with regard to the abstract space of modernism and capital: ‘Inasmuch as [such space] tends towards homogeneity, towards the elimination of existing differences or peculiarities, a new space cannot be born (produced) unless it accentuates differences’ (1991: 52).

Read more (PDF) >  (PDF Document)

Venice and Sustainability

The city of Venice conveys an impression of sinking. It is known to be doing so literally – some twenty-three centimetres in the last century – with the fabric and foundations of buildings gradually dissolving and the seasonal floods of the acqua alta on the increase, whilst figuratively the sheer weight of tourists – estimated at 16.5 million annually – can be said to be forcing the city down and its citizens to ‘jump ship’ in a desperate bid to save their futures.

Read more (PDF) > (PDF Document)

Minutes of the previous meetings are available here:

24.10.2012 (PDF Document)

30.01.2013 (PDF Document)

My Last Car – final showings

This post comes to you from Ashden Directory

My Last Car, commissioned by Tipping Point, I Move, and the Warwick Arts Centre, has its final performances today through Saturday at the Warwick Arts Centre.  Everyone remembers their first car; what if their present car were their last car?  The show looks at the influences the motor car has had on people’s lives, and issues of sustainability.

The star is a soft-top Rover 216 broken down to its component parts.  My Last Car is both a gallery installation and a performance.  Information and tickets here.

My Last Car – Alan Dix, the man behind the wheel from imove on Vimeo.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory