Time And Space

Andrew Rogers: Time and Space

Andrew Rogers, a leading contemporary artist based in Australia, is primarily a sculptor.  His large works may be found in plazas and buildings around the world.  He is also the creator of the world’s largest contemporary land art undertaking.

Derived from an early sculpture, the Rhythms of Life project is composed of 47 land art structures, which can be found in 13 countries and on 7 continents.  The project is the result of 13 years of work, and the collaboration of 6,700 people from around the world.

The work is particularly unique in that Rogers has incorporated a great civic vision.  The structures represent a process, and local collaboration.  At many sites, a common Rhythms of Life piece is not far from a work that is local and unique to the community it represents.

For the first time, images of these works are on exhibition at the 18th Street Arts Center in Santa Monica, California.  68 large scale photographs of Rogers’ Rhythms of Life project will be on display at the gallery until May 28, 2011.  You can also view the work online at www.andrewrogers.com/landart.

Rhythms of Life / Chile

Rhythms of Life / Chile

Rhythms of Life / Antarctica

Rhythms of Life / Antarctica

EcoArchive: Mediations on Time and Nature at Intersection 5M

(Found oak burl painstakingly covered with individual strokes of a soft graphite pencil by Chris Sicat)

Co-curated with Patricia Watts, founder and West Coast Curator of ecoartspace

EcoArchive: Meditations on Time and Nature is a group exhibition including artworks that articulate contemplative environmental perspectives and time-based narratives in photography, sculpture, and video. In our rapidly advancing world of technology where perception of time and space is distorted by the immediacy of text messaging and instant streaming of content on the internet, these artists respond to the use and consumption of natural resources by “naming the parts” in ways that slow us down. Their work challenges us to step outside of our daily experience, to consider on a deeper level the range of human activities that shape the natural world, and how time collapses as we move into the future. Some of the art works are intentional archives documenting the environment and landscape; other art works are poetic or aesthetic manifestations of nature, providing another lens with which to view our role in helping to maintain nature’s balance in this new century.

Includes Tamara Albaitis, Mark Baugh- Sasaki, Karl Cronin, Sam Easterson, Cynthia Hooper, Chris McCaw, Matthew Moore, Chris Sicat and Jessica Skloven.

At Intersection 5M at 5th and Mission in San Francisco, California through January 22, 2011.

SF WEEKLY Review HERE

Harvest #35 from Karl Cronin on Vimeo.

Go to EcoArtSpace

A-ha! Program: Think It, Do It – 2010 Recipients

NEW YORK—MetLife Foundation and Theatre Communications Group (TCG) have announced the third round of recipients for the A-ha! Program: Think It, Do It, which encourages TCG member theatres to think and act creatively. Six theatres were awarded grants, totaling $225,000, to either research and develop new production ideas or experiment and implement innovative concepts in the theatre field. The total award amount is a 50 percent increase from last year’s total of $150,000.

“In light of these uncertain economic times—when many arts organizations are wary of taking risks or seeking to create work through unproven methods—the A-ha! Program is a beacon to draw our member theatres to experimentation,” said Teresa Eyring, executive director of TCG. “This program allows them to strive for new ways of thinking and development and testing new models, without having to shoulder all the financial responsibility.”

The A-ha! Program has two components: Think It grants ($25,000), which give theatre professionals the time and space for research and development, and Do It grants ($50,000), which support the implementation and testing of new ideas. The program aims to discover and disseminate best practices that can benefit the field by supporting risk-taking, reflection, experimentation and the development of creative strategies in theatres.

“MetLife Foundation is proud to continue its partnership with TCG to support not-for-profit theatres seeking new ways to create and develop work and practices that strengthen local communities and the field in general,” said Dennis White, president and CEO, MetLife Foundation. “We believe the A-ha! Program is essential to participants in building models of creative strategy.”

The 2010 A-ha! Program recipients are:

Think It

  • Pillsbury House Theatre (Minneapolis, Minn.) will develop its transformation into a Cultural Community Hub. The project will focus on assessment and metrics planning that will define and measure organizational success.
  • Curious Theatre Company (Denver, Colo.) will explore innovative opportunities for reinventing the resident artistic company model for the 21st century American theatre, by re-centering artists within producing organizations.
  • Center Theatre Group (Los Angeles, Calif.) plans to conduct focus groups and interviews with students, academic administrators and theatres to explore an internship model that pairs graduate students in arts administration with Los Angeles theatres.

Do It

  • Southern Rep (New Orleans, La.) will establish Youth Onstage New Orleans, LA (YO NOLA) as a pilot program to bring the arts to the underserved population at a New Orleans elementary school, via a student-run theatre company. This program includes mentoring, workshops and building life skills.
  • Northlight Theatre (Skokie, Ill.) is building Northlight On Campus, a two-year, comprehensive residency program in one underserved suburban middle school featuring after-school drama programs, artist visits, student matinees and a commissioned play for students.
  • Dad’s Garage Theatre Company (Atlanta, Ga.) will create their first season of online content in tandem with their live work. This ongoing initiative will be self-sustaining and will redefine them from a theatre company to a creative company.

The process and progress of these recipients will be chronicled on the TCG website, www.tcg.org, and the A-ha! blog, http://aha.tcg.org/.

The grant applications were reviewed by an independent national panel of theatre and technology professionals comprised of Polly Carl, director of artistic development, Steppenwolf Theatre Company (Chicago, Ill.); Brad Carlin, development director, Guadalupe Cultural Arts Center & board member/consultant, Salvage Vanguard Theater (New Braunfels, Texas); Ian Garrett, executive director, The Center for Sustainable Practice in the Arts (Los Angeles, Calif.); Thomas O. Kriegsmann, president, ArKtype (New York, N.Y.) and Marilyn Tokuda, arts education director, East West Players (Los Angeles, Calif.).

For more information about the MetLife Foundation, please visit its web site at www.metlife.org.

For more info about TCG, please visit www.tcg.org.

via Stage Directions.