Theatre Critic

The tide could turn with ‘Ten Billion’

This post comes to you from Ashden Directory
Wallace Heim writes:

Theatre critic Kate Abbott in today’s Guardian joins Michael Billington in reporting a life-changing experience watching Ten Billion at the Royal Court.

Like the facts that Stephen Emmott presented, Abbott can recite the well-polished instructions to “help us out of this hole”:

“Never buying a car, iPod, or cotton T-shirt again … stopping our addiction to fossil fuels, starting a mass-desalination programme, building green energy power points on every strip of land, harnessing every scrap of wind, and every turn of the tide …”

But one change is missing. What about demanding that theatre itself changes? What about demanding that mainstream theatre no longer turns away from the compelling emotional, moral and intellectual questions of how humans can continue to live in a time of climate instability? Theatre is more than science, more than facts, more than an instruction manual. What about demanding that theatre takes on its full life-changing role, somewhere between fiction and fact, and becomes the place where audiences wrestle with their future?

See ‘Ten Billion’ from another side.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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dramas missing in action

This post comes to you from Ashden Directory

Kellie Gutman writes:

With War Horse coming to the end of its run in Boston, the theatre critic for the Boston Globe, Don Aucoin remarks on the dearth of war dramas on stage.  He writes:During a decade when the United States was mired in two wrenching, costly, and divisive wars, the only combat drama to win a Tony Award as best play was a heartwarming, puppet-driven tale about a British lad and his beloved steed in World War I: War Horse… In fact, if you scan the list of plays, musicals, and performances nominated for Tonys in the past ten years, you’d barely know we were at war at all.

Until recently, much the same could be said about plays on climate change.

See british playwrights have “blithely ignored” climate change

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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The Contingency Plan: Bush Theatre

Later today I’ll be putting up our own review of Steve Waters’ new double-bill of plays about climate change The Contingency Plan, but in the meantime take theatre critic and environmental blogger’s Robert Butler of the Ashden Directory’s word forf it. These plays, he says, are “terrific”.

If there’s one line I had to choose from The Contingency Plan, Steve Waters’s terrific new double-bill of plays about climate change, now on at the Bush Theatre in London, it’s the moment when Will Paxton (Geoffrey Streatfeild), a young glaciologist, explains the concept of displacement to the new Tory minister for climate change. Having spelled out that ice is ‘basically parked water’, Will warily predicts that the enormous West Antarctic Ice Sheet may well melt (much like the smaller Larsen B ice shelf).

‘But this is thousands of miles from us,’ chuckles the smooth Old Etonian minister (David Bark-Jones), whose schoolfriend, David Cameron, has become prime minister. Will replies with patience, ‘If you pour water in the bath, it doesn’t stay under the tap.’

Read Robert Butler’s review of The Contingency Plan at The Economist’s Intelligent Life.

Read the Ashden Directory blog on The Contingency Plan.

 

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