Sound Recordings

Etienne de France – Tales of a Sea Cow

This post comes to you from Cultura21
2012, March 30 to June 24 – Parco Arte Vivente, Torino (Italy)

Curated by Annick Bureaud – Opening: March 29 at 6.30 pm

In a finis terrae like scenery – rarefied, cold and blurring – takes place the story of a scientific team engaged in a field research across the seas of Iceland and Greenland, in order to prove (at least in the form of sound recordings) the survival of some specimens of the “Steller’s Rhytine” – a marine mammal declared extinct. Science or science fiction?

Chronicle of an adventure as well as methodological exercise, the multimedia project by Etienne De France (living in Paris and Reykjavik) blurs reality and fiction, retracing and reshaping the traces of a world both virtual and potential, a plausible Otherwhere, which is mirror and metaphor of the Real.

Opening hours: from Wednesday to Friday, 1 pm – 6 pm ; Saturday and Sunday, 12 am – 19 pm
PAV – Parco Arte Vivente, Via Giordano Bruno 31.

Events:

  • Inner focus: March 28th, 5 pm, Accademia Albertina delle Belle Arti, via Accademia Albertina 6.  Speakers: Etienne de France, Massimo Melotti (ethics of communication) and Maria Teresa Roberto (phenomenology of contemporary arts).
  • Press conference: March 29th, 11 am, PAV – Parco Arte Vivente

Background

Collaborating with paleo-zoologists and biologists, the artist retraces every tiny detail concerning the existence of Steller’s rhytine and reconstructs its world – its habitat, the routes it used to follow, its behavioural patterns – trying to fill the void created by the animal’s extinction. Exploiting the latest scientific methods and techniques, De France imagines and follows a team of experts engaged in checking reports of some unexpected sightings, looking for confirmation, at least in the form of sound recordings, to prove the survival of some specimens of the long-lost Sirenian.

The result is a blend of science and fiction, a return to the atmosphere beloved of Jules Verne, in which elements of the real are interwoven with the dimension of the possible, perhaps with that of dreams.

Within the framework of PAV Educational and Teaching Activities, curated by Orietta Brombin, Tales of a Sea Cow becomes the starting point for the workshop Gulliver’s Travel, dedicated to exploring in depth the theme of otherness through the curious eyes of the traveler of the eighteenth-century literary genre.

In the area of education for young artists and adults in general, on Saturday June 2nd the theme will be taken up again by Piero Gilardi in a public workshop entitled Noi come animali (Us as animals).

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

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Wasteland Twinning

This post comes to you from EcoArtScotland

Glengarnock on a road trip, 2004

Wasteland and stalled spaces are important.  This new project connects wasteland in different places as well as offering some suggestions for ways to explore those on your doorstep – join in and be twinned with places in Indonesia, Australia, England, Germany, the Netherlands, Malaysia, India (interestingly there are no US or Canadian partners).

Glengarnock (all that's left) 2004

Most of the ideas suggested involve spending time with your own wasteland, making sound recordings, putting up signs, doing surveys, finding sit spots, discovering what’s edible, and then inventing your own responses. 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland