Science Teacher

EMOS 2015 – Call for Scripts

This post comes from Chantal Bilodeau’s Artists and Climate Change Blog

Earth Matters On Stage

EMOS ~ Ecodrama Playwrights Festival & Symposium ~ 2015
Hosted by the Department of Theatre and Dance
At the University of Nevada, Reno in May 2015

CALL FOR SCRIPTS

First place Award: $1,000 and workshop production
Second place Award: $500 and possible workshop production
Honorable mentions: public staged reading

Deadline for Submissions is April 1, 2014. 

The mission of EMOS’ Ecodrama Playwrights Festival is to call forth and foster new dramatic works that respond to the ecological crisis and that explore new possibilities of being in relationship with the more-than-human world.  The central questions EMOS asks are “when we leave the theater are things around us more alive? Do we listen better, have a deeper or more complex sense of our own ecological identity?”[i]  If your play does, send to us!

The EMOS Festival includes workshop performance/s of winning script, readings, talkbacks and discussions of the scripts that are finalists in the Playwrights’ Contest.  A concurrent Symposium will includes speakers, panels and discussions that advance scholarship in the area of arts and ecology, and help foster development of new works.

Past EMOS Winners:

  • 2012– Sila, the first play of The Arctic Cycle, by Chantal Bilodeau, in which “a climate scientist, an Inuit activist and her daughter, two Canadian Coast Guard Officers, an Inuit Elder, and a polar bear—see their values challenged as their lives become intricately intertwined.”
  • 2009 – Song of Extinction, by Los Angeles playwright EM Lewis, in which a musically talented teen and his father whose mother/wife is dying come to understand the deeper meanings of “extinction” from a Cambodian science teacher.  Song of Extinction premiered in Los Angeles and was recently published by Samuel French.
  • 2004 – Odin’s Horse, by Chicago playwright Rob Koon, in which a writer learns something about integrity from a tree sitter and a lumber company executive, went on to premier in Chicago in 2006.

Judges: A panel of distinguished theatre artists from the USA and Canada will choose the winning plays from five finalists.  Finalist will be read by past EMOS festival directors, Larry Fried, Theresa May and Wendy Arons, as well as EMOS artistic staff at the University of Nevada, Reno.  Past judges have included:  Robert Schenkkan, playwright; Martha Lavey, Artistic Director, Steppenwolf Theatre, Chicago, IL; José Cruz González, playwright; Ellen McLaughlin, playwright; Timothy Bond, Artistic Director Syracuse Stage, NY; Olga Sanchez, Artistic Director, Teatro Milagro, Portland, OR; Diane Glancy, playwright; Marie Clements, playwright, British Columbia.

Guidelines for Playwrights

Scripts must be original works which have not been published and have not had an Equity or “premiere” citation production.  (Readings or informal workshop productions are okay.)

Thematic Guidelines

We are looking for plays that do one or more of the following:

  • Put an ecological issue or environmental event/crisis at the center of the dramatic action or theme of the play.
  • Expose and illuminate issues of environmental justice.
  • Explore the relationship between sustainability, community and cultural diversity.
  • Interpret “community” to include our ecological community, and/or give voice or “character” to the land, or elements of the land.
  • Theatrically explore the connection between people and place, human and non-human, and/or between culture and nature.
  • Grow out of the playwright’s personal relationship to the land and the ecology of a specific place.
  • Theatrically examine the reciprocal relationship between human, animal and plant communities.
  • Celebrate the joy of the ecological world in which humans participate.
  • Offer an imagined world view that illuminates our ecological condition or reflects on the ecological crisis from a unique cultural or philosophical perspective.
  • Critique or satirizes patterns of exploitation, consumption, or other ingrained values that are ecologically unsustainable.
  • Are written specifically to be performed in an unorthodox venue such as a natural or environmental setting, and for which that setting is a not merely a backdrop, but an integral part of the intention of the play.

Submission Process

We are looking for full-length plays that are written primarily in English (no ten-minute plays, please; one-act plays are okay if 30+ minutes in length; no musicals, please).  Submitted plays should address the thematic guidelines as listed above. Deadline: April 1, 2014  ~ Early submission highly encouraged. / Electronic submissions may be sent; see #2 below for instructions.

  1. All submissions should include a cover page with:
  2. Two blind copies of the FIRST 30 PAGES OF THE SCRIPT ONLYPlease do not put the author’s name on the script, only on the title page.
  3. A synopsis of the play and cast requirements.
  • Play Title
  • Author Name
  • Contact Information
  • Additional requirements for Electronic Submissions:
    • Files must be saved in PDF; cover page may be a separate PDF file
    • Send to Jonathon Taylor at emos@unr.edu by April 1, 2014

Paper submissions must be received by April 1, 2014 to:

EMOS Festival
Jonathon Taylor, Department of Theatre and Dance,
University of Nevada, Reno
1664 North Virginia Street / MS 0228
Reno, NV 89557-0228

Evaluation Process

After reading the first 30 pages of all submitted plays, we will narrow the pool of submissions.  We will then request two full paper copies be sent to us by July 1, 2014.  Winners will be selected from this smaller pool.

Questions?  See our FAQ on the EMOS Website.  If you still have a question, email: emos@unr.edu.

Artists and Climate Change is a blog by playwright Chantal Bilodeau that tracks artistic responses from all disciplines to the problem of climate change. It is both a study about what is being done, and a resource for anyone interested in the subject. Art has the power to reframe the conversation about our environmental crisis so it is inclusive, constructive, and conducive to action. Art can, and should, shape our values and behavior so we are better equipped to face the formidable challenge in front of us.

Go to Chantal Bilodeau’s Artists and Climate Change Blog

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