Ronald Feldman Fine Arts

Global Mapping: Helen Mayer Harrison and Newton Harrison

This post comes to you from EcoArtScotland

Ronald Feldman Gallery Home PageSierra Nevada, 2011
(installation view south gallery)
aerial photograph, digital mapping, pastel, oil, and ink
42 feet long x variable width

If you are in New York in the next month, this is a ‘must see’ show.

Press Release:

January 11 – February 8, 2014

[The Harrisons’] work is a prime example of the potential of ecoart to create knowledge that promotes cultural change. Ruth Wallen, Leonardo XLV, no. 3, 2012

Helen Mayer Harrison & Newton Harrison are the first recipients of the Corlis Benefideo Award for Imaginative Cartography, presented at the Annual Meeting of the North American Cartographic Information Society (NACIS) on October 9, 2013 in Greenville, South Carolina.

Ronald Feldman Fine Arts will exhibit Global Mapping, an overview of the life-long work of Helen Mayer Harrison and Newton Harrison, pioneers of ecologically-oriented art, whose visionary proposals have influenced long-term public policy in the United States and abroad. For more than forty years, the Harrisons’ expansive practice, realized in collaboration with experts from other disciplines and often commissioned by government and art institutions, has been to map out specific geographical areas at ecological risk to encourage public discourse and community involvement. Their impassioned works serve as both a meditation on global ecology and also as a futuristic vision, often with proposals for environmental change and recovery.

The Harrisons’ mapping – on large wall panels and synthesized with aerial photographs and narrative text of Socratic reasoning – dominates the exhibition space. The artworks are selected from large-scale installations of projects from the early seventies to the present. Similar in appearance to the wall panels, a floor panel allows the viewer to walk on a topographical map of the Sierra Nevada mountain range, a work from Force Majeure, the Harrisons’ current on-going series which addresses the effects of global warming on an unprecedented scale.

Earlier works, From The Lagoon Cycle (1974-1984), Law of the Sea Conference from the 1976 Venice Biennale, and Baltimore Promenade (1981), focus on watershed restoration, agricultural and forestry issues, and urban renewal, as well as providing a history of the Harrisons’ engagement with the topic of global warming.

Reflecting the Harrisons’ international perspective and the scale of their research, the exhibition includes projects that study the eco-systems of large bodies of water from around the world: the Sava River in former Yugoslavia, the Yarkon River in Israel, and the Salton Sea and the Bays at San Francisco in the state of California. Their titles often incorporate visual metaphor to define and unify the large geographical areas under consideration: A Vision for the Green Heart of Holland, Peninsula Europe, Greenhouse Britain, and Tibet is the High Ground.

Helen Mayor Harrison and Newton Harrison, Emeriti Professors in the Visual Arts at the University of California at San Diego and currently research professors at University of California at Santa Cruz, have been represented by Ronald Feldman Fine Arts since 1974. The recipient of numerous awards, they delivered the convocation address at the College Art Association 100th Year Anniversary Conference in 2011. They have exhibited internationally, and their work is in the collections of many public institutions including The National Museum of Modern Art, The Pompidou Center, The Museum of Modern Art, and The Chicago Museum of Contemporary Art.

Ronald Feldman Gallery Home Page.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Mierle Laderman Ukeles at Grazer Kunstverein

This post comes to you from Cultura21

01Maintenance Art Works 1969–1980 – On show until May 19th 2013

This is the very first comprehensive European solo exhibition of the artist’s earlier work. Originally organized in 1998 by Ronald Feldman Fine Arts gallery in New York, the exhibition presents a body of work spanning over a decade of significant production.

In 1969, following the birth of her first child, Ukeles wrote “Manifesto for Maintenance Art” as a challenge to the binary systems of opposition that draw the line between art/life, nature/culture, and public/private. The manifesto proposed undoing boundaries that separate the maintenance of everyday life from the role of an artist in society. Ukeles was interested in how artists could use the concept of transference to empower people to act as agents of change and stimulate positive community involvement toward ecological sustainability.

Grazer Kunstverein
Palais Trauttmansdorff
Burggasse 4
8010 Graz, Austria
Hours: Wednesday–Sunday 11–18h
www.grazerkunstverein.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Collapse: The Cry of Silent Forms

This post comes to you from EcoArtScotland
BRANDON BALLENGÉE
Collapse: The Cry of Silent Forms
May 5 – June 16

Vertical fall in the Winter call that dances in the spring nocturnal…, 2010/2012 from “A Season in Hell Series, Deadly Born Cry” unique digital chromogenic print 64 x 56 inches In scientific collaboration with Stanley K. Sessions Title from a poem by KuyDelair

Ronald Feldman Fine Arts 31 Mercer Street | New York, NY 10013 | 212-226-3232 | www.feldmangallery.com

Brandon Ballengée, a visual artist and biologist, will exhibit sculptural installations and photographs at Ronald Feldman Fine Arts in his first major solo exhibition in New York.  The exhibition, Collapse: The Cry of Silent Forms, consists of three bodies of work that explore the effect of ecological degradation on marine life and avian and amphibian populations.  Synthesizing scientific inquiry with art-making, Ballengée transforms his field research into metaphors that reduce life to its essentials.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland