Rana

Maya Lin: Here and There

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Apr 26, 2013 – Jun 22, 2013, at Pace Gallery, in New York (USA)

New work by Maya Lin exploring her longtime interest in environmental issues, including rising currents and climate change, and expanding her engagement with natural and geographic forms.Click here for the gallery’s website

An article on the exhibition was published in the New York Times (on April 25th):

“…in a sense, Hurricane Sandy also woke up Ms. Lin. Soon after the floodwaters receded, she decided she wanted her latest show at Pace — her first conceived specifically for a commercial gallery — to fix on Manhattan and its surrounding landscape, environmental history and waterways.“I really wanted people to understand more about literally what’s right under their feet,” she said. “I wanted to really focus on revealing aspects of New York, which we might not be thinking about from a natural, topographic, environmental point of view.”

Read the full article here, by Carol Kino.

Her website, mentioned below, is well worth visiting:

“…the show’s most unexpected aspect is a space devoted to her Web site What Is Missing?(whatismissing.net), begun in 2011 as part of a larger memorial to vanishing species and habitats worldwide. “I see it as a guerilla artwork,” she said.”

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Call for participants: Case Pyhäjoki – Artistic reflections on nuclear influence

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nuclearCase Pyhäjoki – Artistic reflections on nuclear influence
Transdisciplinary expedition, production workshop and events

Location: Pyhäjoki, Finland
Time: 31.7. – 12.8.2013
For whom: artists, activists, scientists, thinkers and doers + everything or opinion in between.
Deadline to apply: 5.5.2013

‘Case Pyhäjoki: Artistic reflections on nuclear influence’ is a transdisciplinary artistic expedition, production workshop and presentation events in Pyhäjoki, North Ostrobothnia, Finland 31st of July to 12th of August 2013. The sixth nuclear power plant of Finland is planned to be built at Hanhikivi Cape in Pyhäjoki.

The aim of the project is to explore artistic perspectives on the vast changes planned in Pyhäjoki, through the planning of a nuclear power plant at the site, and this way of considering energy production and consuming in the world. Artists can not only reflect upon and depict social phenomena and socio-economical relations, but can also situate themselves in between politics, activism and science. Can art make changes? If so, what would be the creative tools of activism? Life itself has become increasingly politicised in the new millennium and obviously this reflects on us all. There are plenty of art works that comment on issues seen unethical or wrong, revealing different kinds of world views. Also, there are community art projects that comment for example social condition that involve participants from different fields. But can the border in between art and activism be blurred more? Could it be involving yet aesthetical? Aren’t we all activists? What are other ways of activism in addition what we are used to think? And what is the change we are after? The nuclear power plant in Pyhäjoki is a concrete project that connects many aspects from NGO-activity, politics, local and global economical situation to energy production and consumption expectations as well as decreasing natural resources.

The local situation in Pyhäjoki, and the planned nuclear power plant, is a case example for the workshop. People have formed strong opinions about the plant. The small community in the area has divided into those who are for and those who are against the power plant project. The aim of the expedition is to familiarise well with the current conditions in Pyhäjoki and try to collaborate with the local community, although many questions may be raised with are not easy. What kind of political process leads to the power plant plan? What does it mean to a small, agricultural community like Pyhäjoki or Ostrobothnia area? What does it mean at the national and global level? Can nuclear power mitigate climate change? What are the alternatives to nuclear power i.e. zero growth or new means of renewable energy production etc? Pyhäjoki is an excellent case study during the times of continuing ecological, social and economical crisis of the different path choices which humankind can take in order to flourish.

The first days of the expedition are for discussions, presentations (both local, national and international researchers, activists and artists), getting to know the area and its’ people with trips and excursions. The rest of the days are dedicated for independent or group work that can lead to e.g. a project demo, plan, performance, artistic action tools, discussion event, intervention etc. locally or creating overall action structures that can be implemented elsewhere. There will be a final public presentation and if needed a small exhibition for demos, ideas and documentations in the end of this production workshop. The aim is to have something concrete in our hands in the end to continue the work in the future.

PRACTICAL DETAILS

Please send your letter of motivation to Mari Keski-Korsu mkk[-at-]katastro.fi by 5th of May 2013.

Case Pyhäjoki -project covers the participants travel, accommodation and per diems. There is also a possibility for documentation fee in the end. We will accommodate in a cozy Holiday Village Kielosaari and utilise some other spaces in Pyhäjoki.

The travel dates are 31st of July and 12th of August.

The selected participants will be contacted in May 2013.

ORGANISERS AND SUPPORT

Case Pyhäjoki was initiated by artist Mari Keski-Korsu and is now a collaboration in between artist-organiser and researcher Andrew Paterson/Pixelache, musician and artist Antye Greie-Ripatti/Hai Art and Finnish Bioart Society. Please read more about the organisers in the end of this post.

Case Pyhäjoki is funded by Kone Foundation and Arts Promotion Centre of Finland.

BACKGROUND INFO

The actual building location of the nuclear power plant is Hanhikivi Cape. 65% of the area is nature preservation with rich marine flora and fauna. It is also a rare land lifting shore where the land is still rising up from the sea due to processes of the last Ice age. There is no industry or energy production at the cape. The infrastructure for the nuclear power plant will be build as new in a so called greenfield location. Even thought the building of the plant will last for years, we are living the last moments to experience Hanhikivi as it is now. More information www.hanhikivi.net

The nuclear power plant is hoped to bring prosperity to the local community but there are still many people against the building plan. People are scared to loose their land, homes and all the risks the nuclear power production brings. Recently, the company responsible of the project Fennovoima Oy announced the plan to store the nuclear waste materials also at the Pyhäjoki plant, as the Finnish long-term nuclear waste material storage ‘Olkiluoto/Onkalo’ may not be able to store all the country’s nuclear waste. In autumn 2012, the German energy company E-on resigned from the Pyhäjoki Nuclear Power Plant project. It was the biggest investor in the project and was considered to have the best know-how of the building process. Other international nuclear energy partners have been approached to replace E-on.

The biggest town close to Pyhäjoki is Raahe and the neighbouring municipalities including Pyhäjoki have been very much dependent on one big employer, steel factory Rautaruukki Oy, established in Raahe in 1960. It was seen as an answer to economical despair after the local shipping companies declined, and now that Rautaruukki has been laying off people. Hence, the nuclear power plant is seen to bring new jobs and basically repeat the economic promise that Rautaruukki brought to the area previously. Another point of view is also that the plant can produce energy for the needs of the steel factory.
www.raahe.fi
www.pyhajoki.fi

MORE INFO ABOUT THE ORGANISERS AND PARTNERS

Mari Keski-Korsu (Artist, initiator of the project, organiser, born in Raahe)
Mari Keski-Korsu (mkk) is an transdisciplinary artist. She explores how ecological and socio-economical changes manifest in people’s everyday life. Her works have a political nature with a humorous twist. The basis of the work is in location, a place and people’s relations to it. Keski-Korsu started her artistic career with photography and then started to work with internet live streaming in the mid 1990′. This lead her to work with live video visualisations as well as net and video art, interventions, documentary, installations and location based art. She is interested in relations in between art, politics and science. The works has been exhibited in Europe and in several other countries around the world. She collaborates with artist groups, researchers as well as organises and curates different types of projects.

Pixelache (Contact person and participating artist Andrew Paterson)
Pixelache, based in Helsinki, is a transdisciplinary platform for experimental art, design, research and activism. Amongst our fields of interest are: experimental interaction and electronics; renewable energy production/use; bioarts and art-science culture; grassroot organising and networks; politics and economics of media/technology; alternative economy cultures; VJ culture and audiovisual performances; media literacy and engaging environmental issues. Pixelversity, its outreach and education programme since 2010, aims to be a ‘learning bridge’ between practitioners, cultural and non-profit organisations, interested individuals and larger institutions, and an outreach programme extending beyond Helsinki. Consideration is given to the relationships between the different activities, and how they may build up accumulative knowledge and skills towards future Pixelache events. The CasePyhäjoki project is part of the Pixelversity 2013 programme’s ‘Techno-ecologies’ theme.
pixelache.ac/pixelversity

Hai Art (Contact person and participating artist Antye Greie-Ripatti, director of Hai Art)
Hai Art is an artist ran international art platform with focus on contemporary art forms such as new media, sound art, environmental, ecological and participatory arts with crossover to science and education to intertwine international and local programs in Hailuoto/ Finland. The main activities of Hai Art include public sound choir KAIKU, international The Wilderness Art Conference, national and international artist residencies as well as courses and workshops for children and youth. Hai Art occupies unused spaces, beaches, a ferry, forests, fields and public spaces etc. in Hailuoto.
www.haiart.net

The Finnish Bioart Society (Contact person Erich Berger)
The Finnish Bioart Society, established May 2008 in Kilpisjärvi, is an organisation supporting, producing and creating activities around art and natural sciences, especially biology. The Finnish Bioart Society is creating public discussions about biosciences, biotechnologies and bioethics. Additionally it is the Finnish contact node in international networks of bioart and art&science.
The Finnish Bioart Society has currently 60 members, representing different art and research fields and other expertise – bioart, theatre, film, music, video, performance art, art&science, fine arts, media art, sculpture, environmental art, design, zoology, botany, ecology, environmental sciences, animal physiology, genetics, philosophy, cultural production, art history, engineering, etc.
www.bioartsociety.fi

Pro Hanhikivi Ry (Contact person Hanna Halmeenpää)
Pro Hanhikivi is a non-governmental organisation found in 2007 at Parhalahti village to preserve Hanhikivi Bay as a nuclear power free nature and amenity area. The organisation has 300 members (autumn 2012). Pro Hanhikivi activists collaborate with the officials both in Finland and in EU, organise Hanhikivi Days festival and other smaller event as well as try to affect in many ways to stop the nuclear power plant plan in Pyhäjoki.
www.prohanhikivi.net

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

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Proposals for creative art+science, participatory and open environmental education in the Gulf of Finland / Baltic Sea Region

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800px-Record_sea_ice_in_Gulf_of_Finland_2003_bw_660x440PROPOSALS FOR CREATIVE ART+SCIENCE, PARTICIPATORY, AND OPEN ENVIRONMENTAL EDUCATION IN GULF OF FINLAND / BALTIC SEA REGION

Six proposals are introduced below for creative art+science, participatory and open approaches to environmental education and awareness in the Gulf of Finland Year 2014- / Baltic Sea region. They were first presented by Andrew Gryf Paterson at the Gulf of Finland Year Trilateral Environmental Education seminar, Tallinn, 28.2.2013, and are part of an ongoing dialogue and cooperation with Russian NGO Friends of the Baltic, based in St. Petersburg.

The aims of the proposals are to invigorate previous cultural association and environmental NGO work in the region, including recent Luonto-Liitto -led Itämeri-lahettilas toiminta (Baltic Sea Ambassadors activity); promote the role of trans-disciplinary collaborations, open solutions and systems-thinking; connect younger and experienced generations of environmentalists, combine old+new commons perspectives; and insist on ecological conservation+knowledge sustainability. It is also hoped they contribute to expanding the scope of the emergent Open Sustainabilitymovement, by integrating OpenGLAM (in Finland) and Open Education Resources initiatives.

 

  1. Create new educational materials with participants, using creative participatory methods, for example using ‘sprint’ model, i.e. doing things fast, together, during the 2-3 days camps organised by trilateral environmental NGOs.
  2. Offer creative art-science workshops in cooperation with trilateral environmental NGOs, based on shared-interests, for example ecological, river-water basin, agriculture and renewable energy issues, etc.
  3. Educational training/mentorship for Environmental NGOs in Gulf of Finland / Baltic Sea Region to learn more about Open -Data, -Education, -Sustainability, and -GLAM (Galleries, Libraries, Archives & Museums, ie. Culture)
  4. Make accessible previously-made educational materials in digital formats, including graphics, diagrams, texts, and other data by negotiating with makers/copyright holders. This can be a selection from over a period of years, or a particular project or publication. Can be done in stages, testing & getting feedback in the process of what is useful and needed.
  5. Contribute media (photos, videos, audio interviews and commentary) to commons-oriented repositories which promote open access, sharing and download of media materials.
  6. Investigate & implement peer-to-peer ecologically sustainable ICT solutions for sharing materials.

If you are interested to contribute to the proposals, see elaboration, or add constructive comments, visit the related etherpad document.

Contact: Andrew Gryf Paterson | andrew [-at-] pixelache.ac

Note: Paterson, in addition to working for Pixelache, is also a member of Finnish Bioart Societysince 2011, and a new member of Open Knowledge Foundation Finland since 2013.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

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Mierle Laderman Ukeles at Grazer Kunstverein

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01Maintenance Art Works 1969–1980 – On show until May 19th 2013

This is the very first comprehensive European solo exhibition of the artist’s earlier work. Originally organized in 1998 by Ronald Feldman Fine Arts gallery in New York, the exhibition presents a body of work spanning over a decade of significant production.

In 1969, following the birth of her first child, Ukeles wrote “Manifesto for Maintenance Art” as a challenge to the binary systems of opposition that draw the line between art/life, nature/culture, and public/private. The manifesto proposed undoing boundaries that separate the maintenance of everyday life from the role of an artist in society. Ukeles was interested in how artists could use the concept of transference to empower people to act as agents of change and stimulate positive community involvement toward ecological sustainability.

Grazer Kunstverein
Palais Trauttmansdorff
Burggasse 4
8010 Graz, Austria
Hours: Wednesday–Sunday 11–18h
www.grazerkunstverein.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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The Fargo Project: Jackie Brookner at TEDxFargo City 2.0

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For humans to survive, ecological artist Jackie Brookner says it is not enough to change the ways we fuel, feed, entertain and shelter ourselves. Something much more basic has to happen. We need to mainstream a different understanding of who we are, as individuals and as a species. She calls this “the being of human,” and says it is about the “verbing” of our existence.

Within this context, Brookner introduces The Fargo Project, the recipient of a prestigious “Our Town” grant from the National Endowment for the Arts. The Fargo Project is transforming a functioning 18-acre storm water detention basin into a prairie commons, through a community driven process that fosters collective creative agency.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Green Mobility Guide for the Performing Arts

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JBsustainingcreativity.102840Research dossier available in 5 languages

Commissioned by On The Move to creative industries environmental experts Julie’s Bicycle, the Green Mobility Guide offers practical recommendations for professionals across the performing arts, case studies and resources, including the Julie’s Bicycle “IG tool” for tracking carbon emissions while on tour.

Available since 2011 in English language, and now also in: Chinese, French, German, Italian.

To find out more and download the guide in all 5 languages, click here.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Exhibition: Burnt Stars by Jenny Brown

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statt-berlin-invitation-JBAustralian Artist Jenny Brown, currently residing in Berlin, Germany on a DAAD scholarship, is inviting to her exhibition Burnt Stars  – Meditations on resistance, resilience and systems, curated by Adam Nankervis atstattberlin, an art space (in Berlin) dedicated to new forms of artistic expressions.

The opening event is on Thursday 17 January 2013 at 7 pm and the exhibition will stay open until Sunday 20 January from 2pm until 7pm.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Call for Papers: Media and Climate Change

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Papers are welcomed for a special issue of the journal Environmental Communication: A Journal of Culture and Nature (Official Journal of IECA) to be published in March 2014 on the topic ofMedia Research on Climate Change.

Acknowledging the vast amount of academic research done over the past decade on the media coverage of climate change and its various results, questions of how to continue in this research field have risen. What conclusions can be drawn from the existing works and how can the research move into the next phase? In which direction should the field orient itself, theoretically and empirically speaking?

Possible themes papers may address include:

  • The development of theoretical and conceptual frameworks for media studies on climate change
  • (New) methodological procedures for media studies on climate change
  • Particularly important empirical aspects of future media studies on climate change, such as online representations and/or the role of communications campaigns/persuasive communication
  • Ways in which media studies on climate change can be integrated into interdisciplinary collaborative research aimed at mitigating and adapting to climate change impacts

Deadline for submissions: 28 February 2013

For more detailed information on the journal and how to submit the paper, click here.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Call for Program Planner – Pixelache Helsinki 2013 Festival

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The Pixelache Helsinki Festival 2013, a festival of electronic art and subcultures, organized in Helsinki since 2002 is looking for organizations, groups or individuals who would like to organize a seminar and an exhibition for the Facing North – Facing Southprogram of Pixelache in Helsinki in 2013, with the hope that the program will bring interesting insights and points of views to the question of North-South relationships.

The selected organization, group or individual will be given a production budget and a fee for the realization of the Facing North – Facing South seminar and exhibition.

Application deadline: 5.12.2012

More information & the application form: http://www.pixelache.ac/helsinki/festival-2013/

This year, the Pixelache Helsinki Festival is organized as a dual-city event, both in Helsinki, Finland and Tallinn, Estonia during 16-19 May 2013, representing their overall theme Facing North – Facing South.

With this theme, Pixelache expands it’s on-going Signals from the South program, that has focused on presenting media, art and technology projects from Africa, South America and Asia since 2009. It further explores the relationships between South and North, looking at these notions from various perspectives, including geo-political, cultural, economical, both on global, regional and local levels.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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COAL Prize Art and environment 2013 – Call for proposals

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Theme: Adaption

The Coal Prize Art and Environment rewards each year a project by a contemporary artist involved in environmental issues. Its goals are to promote and support

upport the vital role which art and creation play in raising awareness, supporting concrete solutions and encouraging a culture of ecology. The winner is selected out of ten short-listed by a jury of well-known specialists in art, research, ecology and sustainable development

The 2013 Coal Prize will reward entries that focus on adaptation issues.

The award of the 2013 Coal Prize will take place in spring 2013 at Le Laboratoire, a private art center specializing in the blending of art and science.

Application deadline: February 28th, 2013

For more information, click here.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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