Public Art

EAL/LA Creative Conversations

This post comes to you from Green Public Art

Lessons from Social Entrepreneurs: How to Add Value to Your Organization and Career

Emerging Arts Leaders/Los Angeles presents its day-long 2012 Creative Conversations Event

Tickets Available Now!

Social entrepreneurs seek to satisfy unmet needs within the community by growing an organization that often has a heartfelt and unprecedented mission that aligns with the founder’s personal values. At Emerging Arts Leaders/Los Angeles, we represent a groundswell of young professionals coming up in established organizations or looking to start our own. Often our members have a young, fresh perspective on social/community needs that no one else is addressing. Indeed, many older arts organizations often find themselves behind the curve when it comes to spotting new trends or opportunities for growth in the community.

April’s Creative Conversation will give us insights from entrepreneurs as to how we can identify unmet needs in our community or organization, and show us how we can shape our work to meet those needs. We will explore challenges our speakers have faced and the creative and logistical know-how they drew upon to face those challenges. By looking at our work through an entrepreneurial lens, even if it’s just an exercise for those who do not seek to build our own organizations, we will make ourselves and our points of view invaluable to our organizations and community, and find opportunities to advance our careers.  We’ll have the opportunity to join one another in group discussions and activities – who knows, you could meet your next collaborator on an entrepreneurial venture!

Saturday, April 21, 10:15am-3:30pm
Plaza de la Raza
Cultural Center for the Arts & Education
3540 North Mission Road
Los Angeles, CA 90031

PARKING: Use the lot directly in front of Plaza de la Raza or nearby street parking.

A catered lunch from Panera Bread is included in your ticket price. Within your purchase confirmation email you will be provided with an email address in case you need to indicate any dietary restrictions.

Finally, we hope you’ll join us afterward for Happy Hour at: Barbara’s at The Brewery
620 Moulton Avenue #110
Los Angeles, CA 90031

Driving directions to our Happy Hour location will be provided at the event.

10:15-10:30am: Registration

10:30-10:45am: Opening Remarks

10:45-11:45am: Keynote

Terence McFarland, Chief Executive Officer, LA Stage Alliance

11:45am-12:45pm: Lunch & Youth Mariachi Ensemble Performance

12:45-2:05pm: Your Arts Career Through an Entrepreneurial Lens

  • Rebecca Ansert, Founder & Principal, Green Public Art Consultancy
  • Edgar Arceneaux, Executive Director, Watts Tower Project
  • Molly Cleator, Owner/Founder, A Place to Create
  • Judy Tatum, Independent Non-Profit Consultant

2:05-2:45pm: Applying Entrepreneurial Thinking to Your Personal Goals: Small Group Discussions

2:45-3:15pm: Right Brain Entrepreneurism: Creative Collaborative Activity

Molly Cleator will lead us through a fun and energizing creative activity.

3:15-3:30pm: Final Wrap-Up & Depart for Happy Hour at Barbara’s at The Brewery!

Tickets Available Now!

 

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.
Go to Green Public Art

Talk & Opening: In Context: Public.Art.Ecology – Food Edition – I

This post comes to you from Cultura21

Friday, 13th April, 2012 - 6:00 pm onwards – New Delhi

Khoj Studios , S-17 Khirkee Extension

Works on view till 18th April, 2012  – 11:00 am – 7:00pm

In Context: Public.Art.Ecology, Food Edition I is an International Residency with art projects and interventions in public spaces exploring the intersection between art and ecology through the politics of food.

Can Art be Tasted? – A talk by Ryan Bromley
6:00 pm followed by the opening
This talk is a critical examination of issues surrounding the sense of taste and flavor in art, utilizing modernist cuisine and flavor chemistry as materials for artistic communication.

Artists-in-Residence

Julian Abraham, Indonesia
In Collaboration with Rabindra Patra, India
Mechanical installation involving an experiment in fermented alcohol production

Shweta Bhattad, India
Sculptural installation, video and performance

Alfonso Borragán, Spain
Fosfofagias: fluorescent beverage and food interfaces

Frame Works : Ruchika Negi & Amit Mahanti, India
Video installation

Andrea Caretto & Raffaella Spagna, Italy
Installation and interventions in public space

Critic-in-Residence: Ryan Bromley

 

More Info: www.khojworkshop.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

- Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
- Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
- Hans Dieleman (based in Mexico-City, Mexico)
- Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Inspired Garden Created by Students & Tammy Bird

This post comes to you from Green Public Art

Recently I was invited to speak about my work to an Environmental Studies class at Carson High School. As one might expect, I think they taught me more then I them.

Over the past 6 years the students at the high school, under the guidance of Tammy Bird, have transformed a neglected lot on school grounds into a thriving educational garden. The project has been fully funded by small grants or donations. Organizations like Tree People donated over a hundred fruit trees to the neighborhood, many of which found homes in the Carson High School Garden. The organization has also hosted tree pruning events to teach the students how to maintain their orchard. Kellogg Garden Products has donated soil and organic fertilizer.

Tammy likes to operate under the radar which allows her a certain amount of freedom. She encourages the students to take ownership of the projects that take place in the garden. Some recent inventions include re-purposing discarded industrial materials (AC fans, trash cans, a tractor, many of which are found in their schools “graveyard”, a place adjacent to the garden where discarded materials remain until they are taken to the dump) into planters, functional wind machines, and a slow roast pit. Tammy and the students proudly showed off their newly installed windmill (the first in the neighborhood!), functional solar panels (recycled from CAL Trans) to circulate the pump in their micro-climate pond, composting bins, and plans for a green wall and mosaic art wall.

Thanks to maverick teachers like Tammy Bird a population of children in Los Angeles is being introduced to nature in a meaningful way. I am hopeful that there are more stories like this one out in our broken education system. **I failed to take any pictures during my tour (big fail!) but have included these which I found in a google search.

 

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.
Go to Green Public Art

Plunge by Michael Pinsky

This post comes to you from Ashden Directory

Michael Pinsky’s Plunge, on three monuments in London

In a collaboration among LIFT, Artsadmin., and IMAGINE 2020, artist Michael Pinsky was commissioned to create a new work of public art in central London.  Today the project is launched and will remain on view through 4 March. Blue circles of LED lights have been placed on the Seven Dials Sundial Pillar, the Duke of York Column, and the Paternoster Square Column indicating the height of the sea level one thousand years from now, if climate change continues unchecked.

Though thousands of people pass these monuments every day, Pinsky’s art allows people to see them in a new (blue) light.

Together, the Plunge monuments create an arc across central London, following the line of a future Thames that has swallowed much of the capital in its wake.

Plunge on Twitter
Plunge on Facebook
Plunge website

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Michael Pinsky LIFT unveiling 7 February

This post comes to you from Ashden Directory

To celebrate thirty years of groundbreaking international theatre across London, LIFT  partnered with Arts Admin., as part of the IMAGINE 2020 network, to commission a new piece of public art work in central London.  Michael Pinsky, a renowned British artist, who has created artworks in public spaces and galleries across Europe, won the commission.  His work will respond to the issue of climate change.  This secret project will be launched 7 February 2012.  Stay tuned for more details.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Urban Sustainability by Jessica Kimmel, ecoartspace intern 2011-2012

This post comes to you from EcoArtSpace

The Urban Sustainability program at Antioch University in Los Angeles encourages a multi-disciplinary approach to solving issues of scientific and societal importance. The core requirements for the degree include courses in systems thinking, environmental literacy, social justice and a hands-on approach to fieldwork. The program also provides graduate study in urban ecosystem science, activism and advocacy, environmental education, sustainable practices, and research methods. A large component is our fieldwork studies– contributing an opportunity to explore and develop skills to our rigorous studies and the experience to prepare for our ambitious futures. In my first semester of fieldwork in 2011, I selected two site projects including ecoartspacewith Patricia Watts and Green Public Art with Rebecca Ansert, both out of Los Angeles.

During the 36-unit degree program, I am participating in a series of residencies that consist of classroom instruction, guest lectures and elective seminars. Antioch has a long-standing commitment to social justice in the community that has allowed me to consider utilizing methods and theories of social sciences toward solving complex sustainability related concerns. The class has toured the port of Los Angeles, examined L.A.’s publiclands struggle the beach in Malibu and hiked through Ramirez Canyon, toured Venice on bikes with Bikerowave, and visited the Burbank Recycling Center and Puente Hills Landfill. These tours have created a really valuable platform for the free exchange of ideas pertaining to making our contribution more sustainable.

Antioch’sUrban Sustainability program will operate as a vehicle for the study of urbanization and its ecosystemic impacts. As social scientists, educators and communicators, I believe we must similarly examine how environmental hardship is socio-economically distributed. Environmental justice, climate change and land use provide us with excellent context. In the multi-disciplinary tradition, I have long studied and admired leading environmental artists suchas Ansel Adams and Eliot Porter. I applaud how progressive-intellectuals have successfully used various mediums to communicate complex ideas in accessible terms. Adams used photography to capture the beauty of the American landscape and bring awareness to the necessity of its protection. Photography is one of my academic and personal concentrations and as a master’s student my hope is to create an intersection of creativity and activism to initiate lasting changes.

This year was also my first experience curating an art show. I was the student organizer of this years annual ArtisticUprisingat Antioch, which took place on November 18, 2011. It was such an incredible experience for me to have and has allowed me to grow in ways I never dreamed of. Working on a project of such importance to the campus and AULA community, continuing the tradition as the fourth annual exhibit, and leading my peers through a successful show has given me a sense of fulfillment and validated the direction I’ve chosen. The art show was started by Cindy Short in 2008. Proceeds from art sales and other activities at the event benefit The Bridge Program. Bridge provides a college education for low-income adults in the Los Angeles area, at no cost to the student. The program pays their tuition for 15 college credits with all other necessary expenses included: books,supplies, bus tokens, and even meals on the evenings of classes.

Through the opportunities Antioch has given me, I have been able to witness first-hand the impacts and influence art can have in support of a sustainable existence on the goals of urban sustainability. It is my hope to contribute my efforts to mobilize artists in the pursuit of spreading the message of environmental consciousness. I will also be exposed to professionals outside of science and academia that are working to promote the goals of sustainability by participating in the environmental movement. My goal is to encourage environmental discourse in the local community and solidify artists as relevant stakeholders in the environmental dialogue. Through project management, artist interaction and social media, I have a unique opportunity to contribute toecoartspace’s operation, success and continued legacy as an invaluable and effective environmental resource. I admire what ecoartspace stands for and am thrilled by their initiatives for promoting and reaching sustainability. I am excited to be a member of their team and hope that our efforts together can transcend social, economic and political boundaries.

 

ecoartapace is one of the leading international organizations in a growing community of artists, scientists, curators, writers, nonprofits and businesses who are developing creative and innovative strategies to address our global environmental issues. We promote a diverse range of artworks that are participatory, collaborative, interdisciplinary and uniquely educational. Our philosophy embodies a broader concept of art in its relationship to the world and seeks to connect human beings aesthetically with the awareness of larger ecological systems.

Founded in 1997 by Tricia Watts as an art and nature center in development, ecoartspace was one of the first websites online dedicated to art and environmental issues. New York City curator Amy Lipton joined Watts in 1999, and together they have curated numerous exhibitions, participated on panels, given lectures at universities, developed programs and curricula, ad written essays for publications from both the East and West Coasts. They advocate for international artists whose projects range from scientifically based ecological restoration to product based functional artworks, from temporal works created outdoors with nature to eco-social interventions in the urban public sphere, as well as more traditional art objects.

ecoartspace has been a project of the Social and Environmental Entrepreneurs in
Los Angeles since 1999.
Go to EcoArtSpace

New on our news page

This post comes to you from Ashden Directory

In Nottingham, there’s a three-day celebration of the apple.In Edinburgh, David Abram, author of The Spell of the Sensuous, and Being Animal: An Earthy Cosmology,  gives a public talk.

In London, Arcola’s Green Sundays return with a focus on recycling and upcycling.

In the bookshops, David Rothenberg’s Survival of the Beautiful investigates why nature is beautiful and how it has influenced science, Brendon Larson explores how metaphors entangle scientific facts with social values and Mojisola Adebayo’s Plays One includes ‘Moj of the Antarctic: An African Odyssey’.

There’s a new funding stream for public art by Creative Scotland, and a call for runners to participate in NVA’s Speed of Light at the Edinburgh Festival.

On the international scene, Conversation between Trees  uses sensors and mobile phones in the forest canopies in Brazil and the UK to communicate the light and colour of the trees and the changing climate around them.

Closer to home, Culture and Climate Change: Recordings is available as an online pdf and publication.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

CURATING CITIES: SYDNEY TO COPENHAGEN CONFERENCE

Drawing on case studies from around the world, the Curating Cities project assesses the ongoing and potential contribution of public art to eco-sustainable development and the benefits to Sydney and cities in general.  The project provides a rubric for public art in relation to the fundamental domains of sustainable planning: energy, water, food and waste.

A vital part of the project, the Curating Cities: Sydney to Copenhagen Conference will address the demands on the cultural sector in the face of climate change; namely the need to develop sustainable cities and raise questions about the role of public art in urban ecology. Bringing together artists, designers, curators, educators and creative thinkers the conference will propose new strategies of change toward the fundamentals of urban sustainability.

The conference organized by the National Institute for Experimental Arts, UNSW in association with the City of Sydney, the Danish Arts Agency and the Visual Arts and Design Educators Association. The conference will be opened by Sydney Lord Mayor Clover Moore and Lord Mayor of Copenhagen Frank Jensen. For more details and full list of speakers please visit http://curatingcities.org/conferences/curating-cities-sydney-copenhagen

CURATING CITIES: SYDNEY TO COPENHAGEN EXHIBITION

The Curating Cities: Sydney to Copenhagen Conference is held in conjunction with a keynote exhibition that highlights the fundamentals of sustainability: carbon reduction, consumption, and food production. The exhibition (17 Nov – 18 Dec 2011) will be a showcase five influential projects that evoke the city as part of an ecology affected by human action. For more info please visit http://curatingcities.org/exhibitions/curating-cities-sydney-copenhagen

Our project website is: www.curatingcities.org.

Co-Producing PAR+RS

This post comes to you from EcoArtScotland

Creative Scotland has just formally announced that I have, along with Trigger (Suzy Glass and Angie Bual www.triggerstuff.co.uk) been appointed as Co-Producers for PAR+RS www.publicartscotland.com, Creative Scotland’s public art development project.

So I’ve got a provocative question to start the ball rolling, is public art a subset of visual arts or is it everything across all artforms that takes place outside the temples of art?

Creative Scotland’s press release is here.

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

CALL FOR PROPOSALS: Re-envisioning Art, Technology and Nature

Re-envisioning Art, Technology and Nature

516 ARTS announces the extended deadline for proposals to November 15, 2011

In the fall of 2012, a group of New Mexico and regional organizations will present ISEA2012 Albuquerque: Machine Wilderness, a symposium and season-long series of public events exploring the discourse of global proportions on the subject of art, technology and nature. The prestigious ISEA symposium is held every year in a different location around the world, and it is an international honor for Albuquerque to be selected as the first host city in the U.S. since 2006. This project will draw a wealth of leading creative minds from around the globe, and engage our local community through in-depth partnerships.

CONFERENCE:
September 19 – 24, 2012

EXHIBITION: September 20, 2012 – January 6, 2013

REGIONAL COLLABORATION: September – December, 2012

Apply online: www.isea2012.org

Visual & Performing Arts

Artist-Scientist Residencies

Site Projects

Presentations, Panels & Workshops

Youth Programs 

The theme of ISEA2012 – “Machine Wilderness” – references the New Mexico region as an area of rapid growth and technology alongside wide expanses of open land, and aims to present artists’ and technologists’ ideas for a more humane interaction between technology and wilderness in which “machines” can take many forms to support life on Earth.

ISEA International defines “electronic art” as art that cannot be created without electronic means. This includes both visual and performing arts, and it means that technology, such as computer software, the Internet, databases, wireless devices, electronic components or physical computing, has played a role in the creation of the work. This does NOT mean that the work itself must contain a screen, projector, embedded computer or electronic components.

Check out the new opportunity for a Public Art Design Competition for ISEA2012 sponsored by The City of Albuquerque Public Art Program!

Visit www.isea2012.org for submission guidelines and more information about themes and focus days, descriptions of venues, the international conference and the season-long, regional collaboration.

Please direct any questions to: info@isea2012.org

ISEA2012 is organized by 516 ARTS, and hosted with The University of New Mexico, The Albuquerque Museum and 65+ participating organizations including museums, colleges, nonprofit art organizations, environmental organizations and the scientific and technological communities.

For more information about 516 ARTS, please visit www.516arts.org