Promotional Materials

PUBLIC ART and LEED – Innovation & Design

This post comes to you from Green Public Art

continued from … PUBLIC ART and LEED – Materials & Resources and Indoor Environmental Quality


The purpose of this LEED category is to recognize projects for innovative building features and sustainable building knowledge. Projects are allowed 5 ID points. I personally have found it challenging to convince my building PMs to use one of their ID credit points for art…its not to say that it cannot be done but usually these points are spoken for pretty quickly.

Ways to achieve ID points include:

  • Artist is a LEED-accredited professional
  • In my opinion, Educational Outreach is the easiest ID point available to any project. Basically you need to do two of the following three:
  1. make the building actively instructional – signs, displays, kiosks, etc.
  2. provide promotional materials – brochures, web sites, etc.
  3. develop an outreach plan – tours, presentations, web site, etc.
  • ID Credits are awarded for exceptional performance such as doubling the credit requirements and/or achieving the next incremental percentage threshold.
  • Credits can also be achieved for comprehensive strategies which demonstrate quantifiable environmental benefits.
  • I highly suggest reading through the ID Credit Catalog as a brainstorming exercise to see what other project have achieved.

To go back to the beginning of the PUBLIC ART and LEED conversation go here: Green Building: Where Does The Art Fit In?


Chrysalis Arts Public Art Sustainability Assessment Toolkit – The Public Art Sustainability Assessment (PASA) is a set of guidelines and an assessment method being developed by Chrysalis Arts, an artist-led public art company in the UK. PASA is intended as a tool for use at any point during the development, creation, maintenance and decommissioning of a public art project.

Arts:Earth Partnership – is an official green certification for cultural facilities, art galleries, performing arts companies and individual artists. The Los Angeles based program, founded in 2006, is forming a coalition of certified artists and facilities committed to achieving environmental sustainability.


concept proposal for Land Art Generator Initiative (LAGI)

Climate Clock – The Climate Clock is a unique educational public art project sponsored by the City of San Jose and San Jose State University. The project challenges artists to conceptualize a 100-year public art project to help measure climate change, make the process more visible, and engage and inspire the community to personally explore and modify their individual carbon footprints. The realization of the Climate Clock landmark will be the result of combined resources from partnering organizations and private philanthropy. To date, SJSU and the City of San José have contributed more than $150,000 toward the incubation of the Climate Clock concept.

Land Art Generator Initiative (LAGI) – In 2010 the Land Art Generator Initiative, which is based in Dubai, challenged artists, architects, engineers and the like to design public art installations to continuously distribute clean energy into the electrical grid, with each having the potential to provide power to thousands of homes.


Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.
Go to Green Public Art


About the Exhibition:

TPS Reports: Performance Documents is an exhibition of the “stuff” that results from performances: detritus, photographs, drawings, sculptures, videos, etc.  We are not interested in the documentation of the performance itself, just the results. We are mostly looking for the items that were made as the primary goal of the performance.

About The Theme:

How does this stuff live on after the performance? Is it possible or necessary to understand the performance based on what is created through it?


Open to all artists worldwide.  Work is limited in size to no more than 1x1x1 meter.

How to Submit Your Work:

Please submit the following items in one email to

  • Up to 5 artworks
    • You may include up to 3 views of detailed or 3D work)
    • JPG or PDF for non-moving work
    • MP4, WMA, or Quicktime for video or other time based work
  • Artist Statement about the work
  • Artist Biography, 3rd person
  • Artist Resume or CV
  • Image List including size, media, date, and sale price (if for sale)
  • List of special instructions/requirements for installation
    • Please include your name in each file title (i.e. Jane Doe, Resume.doc)
    • Messages are limited to 25MB
    • Links are acceptable for large video files
    • All documents must be in either Word or PDF format.
    • Any accepted work may be used in promotional materials such as show cards or on the website.

      Review and Selection:

      Work will be reviewed by the curator. Artists will be contacted by November 15, 2010 and informed what works are selected for the exhibition.  Work will be due to the gallery by January 15, 2011.


      There is no submission fee to enter or participate, but artists are responsible for shipping both directions. Artists will receive 70% of the sale price for anything sold during the show.

      Dates to Remember:

      • Submissions due: October 5, 2010
      • Artists informed of artwork selected for exhibition by: November 15, 2010
      • Work received by gallery: January 15, 2011
      • Exhibition: February 2011
      • Opening Reception: First Friday February 4, 2011
      • Artwork returned: End of February

      About the Location:

      SpaceCamp MicroGallery is a small contemporary arts gallery located in the Murphy Arts Building in Indianapolis, Indiana. SpaceCamp is dedicated to bringing small (size wise) but large (idea wise) national and international art to Indianapolis. The co-gallerists are Flounder Lee, Paul Miller, and Kurt Nettleton. 

      The Murphy is a collection of galleries, studios, and restaurants. It is also the temporary home of the Indianapolis Museum of Contemporary Art. The Murphy and SpaceCamp are located in the Fountain Square Arts District near Downtown Indianapolis. 

      About the Curator:

      Flounder Lee is an artist/curator/educator living in Indianapolis, Indiana. He has curated several recent shows such as Double Vision: A Dual Channel Video Festival and One Performative Night. He is an Assistant Professor of Photography at Herron School of Art and Design at IUPUI. He received his BFA from the University of Florida and his MFA from California State University Long Beach.