Procession

The Celebrated Trees of Nashville: Ecological Performance Action

On November 1st, Plantable (made up Meghan Moe Beitiks, Bronwyn Preece and Lisa Woynarski) performed an ecological action on the streets and state capitol of Nashville, Tennessee. As part of the American Society of Theatre Research (ASTR) conference, the performance began with a procession through the streets of downtown Nashville. Carrying large red buckets full of red wiggler worms, the performance proceeded to the grounds of the State Capitol where we surrounded a tree and “planted” the worms at the base. Red wiggler worms are prized for their fertilisation qualities and their ability to enrich the soil, providing nourishment for the tree. In conversation with State Capitol maintenance staff, we learned of previous, but not current, usage of RoundUp on these trees – necessitating further remediation, and equally not jeopardizing the life of the worms. Amidst curious looks and questions from onlookers, the performance sought to bring the research questions of the ASTR Ecology and Performance Working Session to a form of praxis, asking what the intersection of an ecologically positive action, performance and intervention would look like.

See video of the performance action here:

Collected Works 2012

From EcoArtScotland/Reblogged from Liberate Tate Blog:
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Floe Piece (2012)

Arctic ice, canvas, light, water

“The fact that BP had one major incident in 2010 does not mean we should not be taking support from them.” Nicholas Serota, Director, Tate.

On 14 January 2012 Liberate Tate carried out another unofficial performance highlighting Tate’s complicity in BP’s ongoing controversial oil extraction practices around the world. At 6.30pm at the Occupy London protest camp at St Paul’s Cathedral four veiled figures dressed in black lifted a 55kg chunk of Arctic ice onto a sledge and walked it in procession across the Thames on the Millennium Bridge and into the Tate Modern Turbine Hall.

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ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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