Pocock

Shifting Baselines exhibition close Feb. 6th, 2013

This post comes to you from EcoArtSpace

The Santa Fe Art Institute has extended Shifting Baselines with installations by Cynthia Hooper and Hugh Pocock through Feb. 6th, 2013. Here is a sneak peak of the exhibition:


ecoartapace ecoartspace is a nonprofit platform providing opportunities for artists who address the human/nature relationship in the visual arts. Since 1999 they have collaborated with over 150 organizations to produce more than 40 exhibitions, 100 programs, working with 400 + artists in 15 states nationally and 8 countries internationally. Currently they are developing a media archive of video interviews with artists and collection of exhibitions ephemera for research purposes. Patricia Watts is founder and west coast curator. Amy Lipton is east coast curator and director of the ecoartspace NYC project room.

A project of the Social and Environmental Entrepreneurs since 1999

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Shifting Baselines Residency and Exhibition Project

This post comes to you from Cultura21

Gallery Talk & Exhibition Opening
Monday, January 7, 2013 – 6pm @ Santa Fe Art Institute

Shifting Baselines Exhibition
January 8 – 25 – Monday – Friday, 9am – 5pm @ Santa Fe Art Institute

Shifting Baselines, an exhibition curated by ecoartspace founder Patricia Watts, opening on the 7th of January, 2013,  will show existing and new work from installation artist Hugh Pocock and painter Cynthia Hooper, a Northern California painter and video artist who teaches at College of the Redwoods in Eureka.

Shifting baseline is a scientific term used to describe the way changes in the environment can be measured against previous reference points (baselines) that represent significant changes from the “original state.” For example, places that swarmed with a particular species hundreds of years ago may have experienced long-term decline, but it is the level of recent decades that are considered the appropriate reference point for current populations. In this way large declines in ecosystems or species over long periods of time were, and are, masked. There is a loss of perception of change that occurs when each generation redefines what is “natural.” This term has become widely used to describe the shift over time in the expectation of what a healthy ecosystem baseline looks like.

The exhibition will also be the inaugural event of the Santa Fe Art Institute’s 2013-14 season of programming – Contested Space, focusing on arts role in communicating and exploring new territory in an already mapped out world.

To learn more about the Shifting Baselines residency and exhibition, please go to the Santa Fe Art Institute blog.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

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Shifting Baselines: The NEW NORMAL

This post comes to you from EcoArtSpace

A Report from the residency and exhibition titled Shifting Baselines including artists’ Cynthia Hooper and Hugh Pocockat the Santa Fe Art Institute in New Mexico, curated by ecoartspace founder Patricia Watts. Opens January 7th, 2013.

Shifting Baselines is my third show in the last year focused on water issues, and Cynthia Hooper has been in all of them. Actually, I also curated her video work in a show in 2010 titled EcoArchive in San Francisco. Needless to say, I think she is brilliant and is very informed about highly complicated political and economic issues around water distribution.

Hooper captures human interventions with video, mostly agricultural, in the landscape with an epic style of a romantic landscape painter. Although her landscapes are very luscious, they are also filled with montage of disruptions that can ironically be seenas poetic. And, she is also an talented painter who depicts very small realistic scenes that she paints with printed text on large sheets of watercolor paper to both inform her viewers visually and intellectually with her writings of the many layers of politics involved in water management.

I first met Hugh Pocock in 2004 at the Santa Monica Museum of Art where he created a salt evaporation garden in their project room that appeared like a laboratory setting for a scientist. It was the first installation I had seen at a museum that appearedaesthetically intriguing, as well as interactive, and educational.

Pocock works with materials such as water, dirt, wind, air in his performative installations. For Shifting Baselines he decided to build on similar installations he has done in the past that address where water comes from and how it relates to ourselves, our bodies, including a work he performed for the Contemporary Museum in Baltimore in 2009 titled myfoodmypoop.

Since his arrival in New Mexico, Pocock has been collecting buckets of snow from the Sangre de Cristo Mountains outside of Santa Fe, which he then filters after it melts to make bottles of drinking water available for participants in the exhibition space. –>

The great thing about this project is that as a curator it is the first time that I have been invited to be in residence along with the artists as they create their work in the gallery before the exhibition opens.

To learn more about the Shifting Baselines residency and exhibition, please go to the Santa Fe Art Institute blog HERE.

Cynthia Hooper

Hugh Pocock

ecoartapace ecoartspace is a nonprofit platform providing opportunities for artists who address the human/nature relationship in the visual arts. Since 1999 they have collaborated with over 150 organizations to produce more than 40 exhibitions, 100 programs, working with 400 + artists in 15 states nationally and 8 countries internationally. Currently they are developing a media archive of video interviews with artists and collection of exhibitions ephemera for research purposes. Patricia Watts is founder and west coast curator. Amy Lipton is east coast curator and director of the ecoartspace NYC project room.

A project of the Social and Environmental Entrepreneurs since 1999

Go to EcoArtSpace

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