New exhibition by Caroline Dear comprising 100 ropes from 50 plants.

“make a rope a day…. These ropes are an exploration of plants, of place, and of my personal responses to these through the making of them.”

Find excellent documentation on the blog as above.

9th July – 6 August 2011 at Inverness Museum and Art Gallery (the entrance is round the back, go up the hill beside the town hall the gallery is through the double glass doors and then up the stairs).

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Bring what you don’t want and take what you do! 

What can you give? Baby equipment, books, toys, children’s bikes, kitchenware, paint (reusable), plants, garden tools and equipment and even small electrical goods and furniture (side tables, shelves, cots etc).  

What can you take? Anything you need.  And you don’t have to give to take but please do try!

Please do not give clothes, hazardous or toxic items or second hand child car seats.

Go to Arcola Energy

The Aldrich is pleased to announce the opening of a new exhibition

Fritz Haeg: Something for Everyone

June 27, 2010, to January 2, 2011

Experience Fritz Haeg’s unconventional exhibition, Something for Everyone, a series of participatory projects for plants, animals, and people presented in the Museum’s grounds and atrium. One component, Edible Estate #9, places a productive garden on the Museum’s pristine front lawn in Ridgefield’s historic district, where the Museum staff will grow their own food and create compost, transforming this longstanding symbol of the “American Dream” and questioning definitions of agriculture and art. For updates about programs and events related to the exhibition, as well as time-lapse photographs of the installation, please visit:

www.fritzhaeg.com/studio/projects/aldrich.html

Exhibition Opening

Sunday, June 27, 2010; 2:30 to 5:30 pm

Join us at the reception; explore the work on view; and meet the artist!

New Exhibition at The Aldrich Contemporary Art Museum! Fritz Haeg.

Natalie Jeremijenko, an aerospace engineer and environmental health professor at New York University, came up with a rooftop design to solve these common problems for urban farming. Her fixtures may be more economical than other urban farm concepts because they take up real estate that otherwise goes unused, and unlike other urban farm designs, they can pack in the plants, because everything, from the integrated systems to their bubble shape, is a slave to efficiency.

Natalie Jeremijenko (born 1966) is an artist and engineer whose background includes studies in biochemistry, physics, neuroscience and precision engineering. She is an active member of the net.art movement, and her work primarily explores the interface between society, the environment and technology. She is currently an Associate Professor at NYU in the Visual Art Department, and has affiliated faculty appointments in Computer Science and Environmental Studies.

Check out the full article here:

Future of Urban Agriculture in Rooftop Farms – Vertical and Rooftop Agriculture – Popularmechanics.com.

Mel will be in Los Angeles next week to give a talk on his Fundred Dollar Bill Project in New Orleans. If you have never heard him speak, you should go, with the promise that you will be entertained and educated. Being an artist should be so much fun!

For more information go the FarmLab website HERE

Go to EcoLOGIC LA

“I think it’s time we went gay bashing again!” Grovesnor Street, Manchester by Paul Harfleet

I like the bald poignancy of this ongoing work which I just stumbled on. Paul Harfleet at The Pansy Project plants pansies at the sites of homophobic attacks. Each pansy is named after the incident involved. In his online gallery where the memorials are collected together, the simple images of vulnerable bedding plants sit alongside jarring titles like “Let’s kill the Bati-Man” or“Faggot! Pouf! Bender!” The most poignant of all are the ones with names as titles: For Dwan Price, For David Morley.

The Pansy Project will be at Shout Festival, Birmingham in November 2009.

Go to RSA Arts & Ecology

Here’s what the flowers looked like a few minutes ago when I did a google search to turn the light on:

These plants look like they need a little love…why not help this guy out by doing some google searches? As a fellow graduate student in art, I can understand the need and desire to get your name out there. Guess that’s why I’m enjoying playing right into his project by making a blog post about his project.

Since this is grad student work, I’ll also jump right in with my critique: I need more transparency. What kinds of flowers are there? How long does the light switch on when his name is searched or blogged? Do different searches/posts/etc result in more or less time? Won’t the plants be all fucked up if they are not controlled for some semblance of normal daylight hours? (However, I do like the immediacy of turning the lights on immediatly….)

Check out the Publicity Plant at www.sndrv.nl/publicityplant/

Go to Eco Art Blog