New Art

Emergence Presents: Doin’ Dirt Time at WSD2013

Emergence_DoinDirtTimeFri 13 Sept 13.30

Caird Studio

Doin’ Dirt Time by Suzi Gablik

Based on a transcript of an astonishing interview by internationally renowned arts commentator Suze Gablik, Doin’ Dirt Time raises questions about the traditional role of the arts in society, as two artists dedicate themselves to a radical new art form: living life as a sacred act.  An experiment in future-oriented, stripped-back theatre performanced by Fern Smith, Philip Ralph and guest artist.

“Seek not the ways of men of old, seek instead the ways they sought”

Open to all.

Price: £6

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Cultivation Field

This post comes to you from EcoArtScotland

 Cultivation Field is a Postgrad exhibition and symposium at the University of Reading (thanks to RANE for circulating) deadline for abstracts 29 July – exhibition and symposium end September 2011.

The premise for this Symposium and accompanying Exhibition is that cultivation is leading to new art practices deserving of critical inquiry and articulation. Whether in the garden or allotment, the soup kitchen or the road, on wasteland or the tower block, or wherever there are cracks in the system, cultivation provokes questions about human being’s relation to and encounter with the earth and its growth systems and operations. The purpose of this Symposium and Exhibition is to encourage discursive exchange and productive encounter between art practitioners and researchers within the cultivation field.   more…

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Nevada Museum of Art|Artists | Writers | Environments: A Grant Program

Teams of visual artists and writers who are U.S. citizens working on art + environment projects anywhere in the world from July 2010 through August 2011 will be eligible to apply for the first A | W | E Grant. Letters of interest must be received via e-mail on or before Friday, April 16, 2010 with invited applications due on or before June 22, 2010. The grant recipients will be announced on or before July 6, 2010.

A | W | E Grants

In 2010 the CA+E is piloting a grant program for visual artists and writers working together in the field. The purpose of the program is to encourage the creation of new art + environment projects that seek to address environmental challenges rather than simply comment on them, to foster deeper and more immediate public awareness of art + environment projects, and to encourage unique field reports of lasting value to scholars and other artists. The intent is for the writer(s) to document, report upon, and/or analyze the work of the artist(s) and its environmental context, not to provide creative responses such as fiction or poetry.

During this first year, one grant of $10,000 will be awarded to a team of artist(s) and writer(s) engaged in art + environment projects. Of particular interest will be those proposals addressing communities stressed by global change. Publication venues by writers can include articles in magazines, journals, or online, and chapters or essays in books, but significant public outreach will be favored.

Eligibility

Eligible teams will include at least one visual artist working in the field and one writer to accompany the artist into the field during the project. Artists can work in any medium, and the writers range from journalists to art historians. The total amount of the award may be divided between the artists and writers in any way they see fit. Funds may be used for travel, per diem, materials, equipment, and other costs, including time to work.

Applications during this first year are open only to artists and writers who are U.S. citizens, although they may work anywhere in the world. In future years we hope to broaden eligibility to artists and writers from other countries.

Application Process, Deadlines, Timeline

Interested artists and/or writers should submit a two-page letter of interest by e-mail on or before Friday, April 16, 2010. Letters should include a brief project description, budget and biographies of the artist(s) and writer(s). Please identify your letter of the artist(s) and writer(s). Please identify your letter of interest in the subject line of the e-mail when submitting as “AWE letter.”

Finalists will be selected by July 6, 2010 and invited to mail in a physical application that will include a longer narrative, budget, documentation of citizenship and previous works, and resumes.

Applications will be due on or before June 22, 2010 with the award announced on or before April 16, 2010. Finalist proposals will be posted on the Museum’s website, as well as that of the award recipient, upon awarding of the grant.

Archives, Exhibitions, Presentations

Finalists’ application materials will not be returned, but become part of the CA+E Archives. Although the artworks and writings of the grant recipients will remain property of their creators, the CA+E will collect related project materials of the funded project for its archives.

Results of the funded project will be exhibited at the Museum, and the recipients of the grant be invited to present their work.

FAQ’s

We strongly suggest that applicants visit the Nevada Museum of Art website and navigate to the Center for Art + Environment pages, and in particular the A | W | E FAQ page for more information. The FAQs may be updated periodically as we receive questions.

Contact

Letters of interest sent via e-mail with the subject line “AWE letter,” as well as any questions, should be directed to Rosalind Bedell, CA+E Manager at Rosalind Bedell or 775.329.3333 ex. 252

Funding

The A | W | E Grant is supported by the The Andy Warhol Foundation for the Visual Arts.

New Life Copenhagen: hospitality as art

new life copI am soon to be assigned to a guest house in Copenhagen by the remarkable New Life Copenhagen art project. For five days people I don’t know, who don’t know me, will put me up durng my stay in Copenhagen.

Everything I hear from them, while I wait, makes me more and more admiring of this enterprise.

The Danes feel they have a reputation for being an unhospitable place. New Life Copenhagen has decided to turn this reputation on its head with a phenomenal act of generosity, opening the doors of their homes to 3,000 activists, NGO workers and delegates who are arriving in Denmark over the coming weeks to attend the pivotal COP15 conference.  It’s a spirit of openness you can only hoped will be matched by the governmental delegates.

In this act alone,  Woloo.org’s  Sixten Kai Nielsen and Martin Rosengaard, who created New Life Copenhagen may have already created the most significant artwork to align itself with the COP15 process:

The explain themselves: Instead of inviting artists to contribute art for a traditional museum exhibition, we have chosen to utilize hospitality and the human encounter as an exhibition platform. The purpose of the festival is to create a breeding ground for alternative ways of living together. Individual solutions are not enough. In order to stop climate changes, we have to rethink our way of life collectively.

The artists SuperflexSigna and Marisa Olson are also creating work as part of New Life Copenhagen. Olson will host a live event at Copenhagen’s City Square, Signa are going to produce a guest book in which we can all evaluate each others’ lifestyles, and Superflex are going to ask all of us to commit to a climate-friendly burial in the case that we die during our visit to Copenhagen.

Which is one of those committments I kind of hope I’m not going to have to live up to.

Go to RSA Arts & Ecology