Multimedia Artist

Sun. October 28: The Nomadic People of Kentifrica

LOS ANGELES – Look for our 1951 Spartan trailer at the Leimert Park Art Walk on Sunday, October 28 where multimedia artist Kenyatta A.C. Hinkle will present “Kentifrican Travel Narratives,” a performance piece exploring  the nomadic cultures of Kentifrica, a continent where the history of Kentucky and the ancestral heritage of West Africa converge. The event will feature a concert with Kentifrican songs for safety on the road and other music performed on instruments made from and inspired by Kentifrican culture.  A café with Kentifrican food will offer food to the public.

Kenyatta Hinkle (Cal Arts, M.F.A. ’12) was the youngest artist to participate this summer in the Hammer Museum’s  “Made In L.A.”  Her work is currently on display at a group exhibit, “BAILA con Duende”at Watts Towers (September, 2012 – January, 2012. )  In October, she will be at the Bindery Projects in St. Paul, MN.  In November her work will be shown at another group exhibit at  The Studio Museum in Harlem.

 Kentifrican Travel Narratives: Transversing Boundaries                                    Leimert Park Art Walk                                                                                                                Leimert Park Village, Los Angeles, CA 91804  map                                                               Sunday, October 28 – 12 pm – 4 pm                                                                                               This event is a co-production with Ben Caldwell’s Kaos Films

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

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Getting Off the Planet

This post comes to you from EcoArtSpace

ecoartspace is proud to present the first in a series of site-based residencies happening throughout the state of New Mexico (2012-2013), a unique project curated by ecoartspace founder and west coast curator Patricia Watts and independent curator Jenée Misraje in collaboration with the Santa Fe Art Institute (SFAI), titled Getting Off the Planet.

A digital dome video work with surround sound titled CARBON X created by New York artist Charles Lindsay in collaboration with visual effects specialist Eric Hanson of RezX in Los Angeles, will be presented to the public Saturday, September 22nd at 2pm at the Institute of American Indian Arts (IAIA) Digital Dome in Santa Fe, New Mexico. An addition viewing will take place on Tuesday at 9am for the annual ISEA conference during their Santa Fe Day.

Lindsay, a multimedia artist, has been refining his camera-less photographic process for over ten years and was invited by the curators to be in residence at the Santa Fe Art Institute in June 2012 to explore how his imagery could be applied in the fully articulated dome at IAIA. Lindsay spent several months in 2011 and 2012 working out of Los Angeles with Hanson rehearsing the 5 min video and while at IAIA this past summer he worked with Ethan Bach the dome director to edit and apply sounds from the region. The content is other worldly you could say, and offers viewers another realm to consider what it means to live in a world where other forms of extraterrestrial intelligence potentially exists. What might they look like, how might their presence be known.

In 2010 Lindsay was selected by the SETI Institute to be the first official artist-in-residence, and has been provided with the opportunity to work with the famous Dr. Jill Tartar at the SETI Radio Telescope in Northern California.

Getting Off the Planet is a concept that Patricia Watts conceived of as an exhibition in 2008. In 2010 she partnered with Jenée Misraje to research artists and identify funding, then decided to focus on residencies instead. Watts has recently made five trips to New Mexico visiting sites and potential collaborators. It is the curators vision that the invited artists will spend at least a month in New Mexico at a site of their choice, to create work either in the landscape, or derive imagery and ideas from their time in New Mexico to create work later at their home studios. The works will speak to our relationship with the universe and how it informs what it means to be here now on planet Earth from an ecological and spiritual perspective.

The curators are seeking funding to commence residencies with Taro Shinoda (Japan), Aleksandra Mir (UK), Vincent Lamouroux (France), and Roman Keller and Christina Hemauer (Switzerland), as well as five other artists out of 15 artists currently under consideration.

Patricia Watts will present the GOTP project at ISEA on Thursday September 20th at 9am at the Natural History Museum Planetarium in Albuquerque, and will moderate a panel discussion including Charles Lindsay, along with other panelists, in the afternoon at 1:15 in the special events room at the Albuquerque Museum.

A completion exhibition will take place Fall 2013 at the Santa Fe Art Institute gallery.

See you in New Mexico!!!

http://www.gettingofftheplanet.org

 

ecoartapace ecoartspace is a nonprofit platform providing opportunities for artists who address the human/nature relationship in the visual arts. Since 1999 they have collaborated with over 150 organizations to produce more than 40 exhibitions, 100 programs, working with 400 + artists in 15 states nationally and 8 countries internationally. Currently they are developing a media archive of video interviews with artists and collection of exhibitions ephemera for research purposes. Patricia Watts is founder and west coast curator. Amy Lipton is east coast curator and director of the ecoartspace NYC project room.

A project of the Social and Environmental Entrepreneurs since 1999

Go to EcoArtSpace

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NOMADS Mix It Up, Make It Up On Human Rights Day

The NOMAD Lab Art Project for children celebrated Human Rights Day on December 10 by envisioning a world – real or imagined – that they would like to live in. Multimedia artist Kenyatta A.C. Hinkle and musician/composer Kevin Robinson led the event, held in an apartment complex at the Valle del Oro Neighborhood in Santa Clarita, CA., where the children live.  The Trailer Trash Project organized the event in collaboration with NOMAD Lab founder Evelyn Serrano, who uses art to encourage children to work together build a peaceful, tolerant multi-cultural neighborhood.
Musician/Composer Kevin Robinson with NOMAD kids

Tenor Saxaphonist Kevin Robinson, who is a firm believer in the power of music to heal, demonstrated how the sound that comes out of his instrument is influenced by his stance, breath, emotions – even the rate of his beating heart.  He showed how musical instruments can be fashioned from found objects such as hat stands, lamp stands and shades. Even the voice, hands and feet can be effective instruments, he said. A lesson in learning about how the music becomes one with your body came with Kevin encouraging the kids to clap their hands to a set beat, while he riffed and a NOMAD kid repeated sounds to a tune.This winter, the Kevin Robinson Ensemble (KREation) will be on tour in New York City and Baltimore this Winter (see dates)

For her part, Kenyatta A.C. Hinkle recounted tales from her Kentifrica homeland, providing maps and drawing of the people who live there and the instruments they play.  She encouraged the NOMADS to draw maps of their own home country (real or imagined) and then asked them to describe what life was like there.

Artist Kenyatta A.C. Hinkle's shows her portrait of a fellow citizen of Kentifrica to kids with the NOMAD Lab Art Project

Kevin Robinson, Kenyatta A.C. Hinkle and the NOMAD Lab Art Project collaborate with Sam Breen’s Trailer Trash Project in its mission to foster creativity and a sense of community through a program of art performances, exhibits and residencies in local Los Angeles neighborhoods.

NOMAD Lab founder, artist and CalArts faculty member Evelyn Serrano

In recognition of Human Rights Day, two international human rights lawyers based in Geneva, Switzerland joined the group.  Tom McCarthy and Anna-Lena Svensson McCarthy who were in California on a family trip, provided an opportunity to explain to that shelter is a human right.

Everyone has the right to a standard of living adequate for the health and well-being of himself and of his family, including food, clothing, housingand medical care and necessary social services, and the right to security in the event of unemployment, sickness, disability, widowhood, old age or other lack of livelihood in circumstances beyond his control.” (article 25(1))  Universal Declaration of Human Rights

Thanks to Whole Foods of Valencia and  Steve’s Valencia Florist for their donations. 

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

On The Subject Of Freedom

“On The Subject of Freedom” performed at the Arts In The One World Conference, 2011. Directed by Mersiha Mesihovic, Created with and performed by following: Lindsey Lollie, Amanda McNussen, James DiBrandon Lewis, Andy Robert, Etienne Rivera, Max Mendoza, Javier Gonzalez, Miriam Connor, Jahcobie Cosom and Matt Schumacher.

Growing up under a communist regime in the Former Yugoslavia, CalArts student Mierisha Mesihovic never really felt free. Her life became even more restricted when civil war broke out in her country.  Although her childhood may seem unimaginable to many of her fellow students at CalArts,  she thinks the gap between them is not all the wide.

Multimedia artist Mierisha Mesihovic

“Many of us struggle with being truly free.  We are afraid to express ourselves, to put ourselves in certain situations,” she says, explaining people often feel at war with themselves. “The conscious self confines us to what we should be and our subconscious self tells us to act on who we really are.”

Mierisha started out as a dancer at CalArts but switched her major to multimedia art in work with a broader palette. “As an artist interested in social justice, I felt I needed more tools than dance to express myself.”

A shared sense of community has helped her find her voice, take risks and break through boundaries.

“On the Subject of Freedom,” performed at Arts In The One World 2011 was a collaborations between Mierisha and fellow students. An exploration of the restraints on freedom, the piece combines dance, live music and projected images. It begins in a conflict zone with a duet about the oppressive atmosphere of war.  The dancers gradually learn to carry on their lives with dignity in spite of the fear and hate surrounding them.  They begin to confide in each other, questioning whether the war is just. The piece ends with liberation, resolution and peace.

Dancer and choreographer Lindsey Lollie

CalArts dancer Lindsey Lollie was one of the collaborators on the dance; she and Mierisha have been friends for three years. Lindsey says the piece is about some of the restrictions people face based on their nationality, gender, race, religion or personality.

“Not everyone is free to walk outside if they are in a war zone,” she writes in an explanatory note to the piece.  “Not everyone is free to speak up and address real issues. “We need to believe in something that is not forced upon us but discovered within our soul.  Everyone deserves to live in the comfort of their own thoughts…”

Mersiha seems clear about the direction she wants to take her art: “My wish is to make the audience part of my work.  I would like to inspire people to act. A sense of community can help us jump over boundaries.  We are many and we are stronger that the fear. The positive always prevails over the negative.”


This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

Trash Piles On the Acts

Musicians James Brandon Lewis and Erinn Horton play on the Spartan's outdoor stage while multimedia artist Kenyatta A.C. HinkleHinkle works on a current piece.(Not pictured: musician Kevin Robinson)

Dancers Ariana Daub (right) and Erin McCarthy (left)

Events at Sam’s trailer kept on coming throughout the Arts In the One World Conference, January 27-29. Some artists were so happy with the space they retruned

Graffiti artist Jose Estrada

for repeat performances. Acts included  jazz, salsa, multimedia presentations involving old time movies and country hip.  Graffiti and mixed media artists were in residence along with filmmakers and videographers who screened their productions at night inside and outside the trailers.  Two playwrights presented reading with actors.

Students, teachers, working artists and others gathered on the lawn by the entrance to the main building at CalArts.  Arts In the One World is a gathering of artist-activists interested in using their art can help bring about social change.

First convened in January 2006 by Erik Ehn, AOW at CalArts is linked to it’s sister Arts in the One World conference at Brown University.

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.