Monsanto

Monsantra

This post comes to you from EcoArtSpace
Patricia Watts, ecoartspace founder and west coast curator was recently invited to write a short essay for a gallery exhibition catalogue titled Monsantra published by TNG Gallery in Calgary featuring the work of Canadian artist Wendy DesChene and American artist Jeff Schmuki. The essay is online HERE. Since 2006 when she curated Hybrid Fields at the Sonoma County Museum, there have been numerous exhibitions and many artists creating work that explores our food systems. Most recently at the Smart Museum is Feast: Radical Hospitality in Contemporary Art curated by Stephanie Smith, which closes June 10th in Chicago, and upcoming Fall 2012 Green Acres at the CAC in Cincinnati curated by Sue Spaid.
 

“Using GMO seed obtained from the Monsanto Corporation, artists Wendy Deschene & Jeff Schmuki have grafted genetically modified food plants onto remote controlled robotic bases, constructing artificial organisms with no clear heritage or future.”
The exhibition runs through June 9th, 2012.

ecoartapace ecoartspace is a nonprofit platform providing opportunities for artists who address the human/nature relationship in the visual arts. Since 1999 they have collaborated with over 150 organizations to produce more than 40 exhibitions, 100 programs, working with 400 + artists in 15 states nationally and 8 countries internationally. Currently they are developing a media archive of video interviews with artists and collection of exhibitions ephemera for research purposes. Patricia Watts is founder and west coast curator. Amy Lipton is east coast curator and director of the ecoartspace NYC project room.

A project of the Social and Environmental Entrepreneurs since 1999

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A PEOPLE’S PRELIMINARY HEARING ON MONSANTO

This post comes to you from EcoArtScotland

‘listening to zea maize’ from mid west radical culture corridor website

ANDANDAND made the following announcement through the dOCUMENTA (13) newsletter (who, it should be noted, added “dOCUMENTA (13) is not responsible for the views or factual claims expressed by the artists and artworks it presents.”.

“Our focus is on Monsanto’s role in transforming and damaging the ecologies, economies, and social relations of this region. Proceedings will unfold in several stages, and as the deliberation process builds, it will add to the accumulating record of harms perpetrated by this corporation against human and non-human bodies, food, biological processes, weeds, neighborhoods, farmers, alternative forms of knowledge, and finally the environment from which all these entities emerge.

Through this project, we challenge rigid categories of legal protection, and seek an ethics that protects life itself from coercion. We invoke the form of a trial to produce a comprehensive public understanding of harms, and to determine responsibility for those harms. Existing judiciary frameworks are inadequate to the scale and nature of the ongoing damages perpetrated by Monsanto, which, under current law, is granted the rights of a legitimate “person,” while human non-citizens and non-human agents in our biosphere are not recognized. Existing law produces exclusive notions of legitimacy and harm that ignore and damage entities that do not favor a reductive calculus of profit.

Our proposition is to consider all living things as potential plaintiffs in an accounting of Monsanto’s crimes. We submit to public review impacts that are experienced materially and culturally, in the past, the present and extending into our shared future. By expanding notions of legal standing and of legitimate harm, we assert our interdependence. The urgent question is: what will it take to safeguard the interlocked nature of the world against criminally reckless corporate priority?”

The first hearing will take place at:

Time: Saturday, January 28, 2012, 11 am
City: Carbondale IL; Chicago IL; Iowa City IA; others TBA
Country: USA
Location: 37° 43′ 35.11″ N, 89° 13′ 12.97″ W
Address: Lesar Law Building Courtroom, Carbondale

Midwest Radical Culture Corridor has undertaken a number of drifts with the likes of Temporary Services and Brian Holmes.  Their Call to Farms project and publication is inspirational.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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