continued from… PUBLIC ART and LEED – Energy & Atmosphere

MATERIALS & RESOURCES

Recycled Content – should be self explanatory. Use post-industrial or post-consumer recycled materials

Regional Materials –means all materials used in a project are sources within 500 miles of project site

rendering of Erwin Timmers recycled glass artwork

Construction Waste Management – To earn a credit in Construction Waste Management the project must Divert construction waste from landfills towards recycling or reuse.

rendering of Didier Hess' Orit Haj

Example: The artist, Erwin Timmers, dug through the site demolition to remove glass for this 30 feet long by 9 feet high artwork. The recycled glass was then melted down and recast into the new colorful forms.

Example: Didier Hess’ Orit Haj will incorporate rammed earth from excavation of interpretive center, stainless steel rod, concrete and concrete fiberboard scraps from building construction.

Rapidly Renewable Materials – are natural materials that regenerate in less than 10 years, like bamboo, straw, cork, natural linoleum products (such as Marmoleum), wool, wheatboard, and strawboard.

Certified Wood – And you can use wood if it is a Forest Stewardship Council (FSC)-certified wood product.

INDOOR ENVIRONMENTAL QUALITY

Low-Emitting materials – If artwork will be indoors the material must have Low or no VOC (volatile organic compound) content.

And projects should enhance the Daylight & Views

The conversation continues here: PUBLIC ART and LEED – Innovation & Design

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.
Go to Green Public Art

continued from… PUBLIC ART and LEED – Sustainable Sites and Water Efficiency

ENERGY & ATMOSPHERE

Decker Yeadon

Refrigerant Management – is a great opportunity for glass curtains. Points will be awarded if the project does not increase and/or reduces a building heat load.

False Creek Energy Centre

Example: Architectural material technologists, Decker Yeadon, have developed a material that regulates a building’s climate by automatically responding to environmental conditions, without need of people, or energy intensive machinery. Watch the video to get a real sense of how revolutionary their Homeostatic Facade Systemcould be for building design.

On-site renewable energy – must always be used if artwork needs to be powered

Example: In Vancouver, at the False Creek Energy Centre, public art is activated by the operations of the facility, which produces domestic hot water and space heating for the adjacent community. At the top of each stack is a LED light fixture which changes color from blue – orange – red relative to the heat output of the plant.

piezoelectric walkway

Example: PIEZOELECTRIC WALKWAYS is a power technology which uses pressure generated by people walking to produce electricity. Toulouse, France is now using the technology to generate enough electricity to run streetlights.

Green Power - to earn credits in the Green Power category projects must use renewable energy and make it visible and traceable. By definition green power produces no manmade greenhouse gas emissions and can be solar, wind, geothermal, biogas, biomass and hydroelectric

Mags Harries & Lajos Heder's SunFlower: An Electric Garden

The conversation continues here: PUBLIC ART and LEED – Materials & Resources and Indoor Environmental Quality

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.
Go to Green Public Art

Thursday, November 19, 2009 – Room# N322
Join LDI in going GREEN! A full day dedicated to what the industry is doing—and can do—to reduce its carbon footprint and be environmentally smart!  A special full-day conference organized in conjunction with Showman Fabricators, as LDI “goes green.”
Sessions open to all LDI full-conference badge holders, and four-pack or eight-pack tickets.

PLUS: The Green Technology Today Showcase on the LDI Show Floor: November 20-22

9:00am-9:30am:

Welcome and Kick-Off
Bob Usdin of Showman Fabricators kick off Green Day with an overview of what’s happening in various aspects of the industry.

9:30am-10:30am

GD01 Why Bother? A Session for Skeptics!!!!!
Is there a Crisis?  The facts are indisputable when you see this evidence. Why is Greening in the entertainment industry important?  Beyond just the immediate carbon footprint of an event, talk about the ultimate payoff: Getting your audience to be green in their lives.
Learn about the 4-D’s, and how to deal with skeptics.

Speakers:
Paul Reale, Chief Executive Officer and Founder of Green Allowance and trained speaker from Al Gore’s The Climate project will present the undeniable evidence from the Inconvenient Truth with updates on today’s global climate.

11:00am-12:30pm

GD02 Green Standards: Alphabet Soup
LEED, CRI, Greenguard, FSC, Greenlabel, VOC, MERV, 3 R’s, CFC’s, Carbon Offsets: A whole new language has evolved around greening. What does it all mean? More importantly, what standards are useful for the entertainment industry? We’ll look at how to weigh claims and benefits in materials, products, and practices.

Speakers:
Josh Allen, Theatre Consultants Collaborative
Seema Sueko, Moolelo Theatre
Mitchell Kurtz, AIA, LEED AP
David Weiner, Scenic Designer
View Green Products from the LDI Show Floor

What are manufacturers and suppliers offering that are green?  LDI exhibitors are invited to showcase their products that can contribute to making productions greener and more sustainable.

AC Lighting • Apollo • Clark Transfer • Creative Stage Lighting • Doug Fleenor Design • Gekko / PRG • Green Scene / Pro Tech • Iluminarc • Rose Brand • Rosco • Showman Fabricators • Stageline • Tomcat

Coordinated by: David I. Taylor, ARUP

2:00pm-3:00pm

GD03 Breakout Brainstorming Session:
This roundtable discussion will seek out Best/Better Practices being used around the country, in a completely ‘hands-on’ traditional brainstorming session with post-its and white boards. At the end of the session all ideas will be compiled and posted on a website. Bring every idea to the table no matter how crazy.

To focus attention, there will be three separate groups:
* Lighting / Sound / Projections
* Scenery / Staging / Props / Costumes
* Buildings / Facilities / General Operations

Introduction: Bob Usdin
Coordinators: Bryan Raven, White Light Ltd, Ian Garrett, Center for Sustainable Practice in the Arts
Speakers: Bryan Raven, White Light Ltd, David Duell, Jonathan Deull, Laurel Dutcher
Scenery/Staging/Props/Costumes Coordinators: Annie Jacobs, Showman; Peter Monahan, Rose Brand
Buildings/Facilities/General Operations Coordinators: David Taylor, ARUP; Curtis Kasefang, Theatre Consultants Collaborative

3:15pm-4:30pm

GD04 Closing Session: The Proof is in the Pudding:
A look at projects from the past year that incorporated some green projects (productions, events, buildings, theatre companies, etc.) followed by a general discussion of where the entertainment industry can and should go to be green.

Speakers:
Bob Usdin, Showman Fabricators
David Taylor, Arup
Charlie Duell, Clark Transfer, Touring Green and Broadway Alliance
Katie Carpenter, Green Media Solutions
Meredith Bergmana, Green Media Solutions
Ben Todd, Arcola Theatre

Thursday, November 19, 2009

Join LDI in going GREEN! A full day dedicated to what the industry is doing—and can do—to reduce its carbon footprint and be environmentally smart!  A special full-day conference organized in conjunction with Showman Fabricators, as LDI “goes green.”

Sessions open to all LDI full-conference badge holders, and four-pack or eight-pack tickets.

PLUS: The Green Technology Today Showcase on the LDI Show Floor: November 20-22

9:00am-9:30am:
Welcome and Kick-Off
Bob Usdin of Showman Fabricators and the Broadway Green Alliance kick off Green Day with an overview of what’s happening in various aspects of the industry. Featured speakers include David Taylor, Arup;

9:30am-10:30am
GD01 Why Bother? A Session for Skeptics!!!!!
Is there a Crisis?  The facts are indisputable when you see this evidence. Why is Greening in the entertainment industry important?  Beyond just the immediate carbon footprint of an event, talk about the ultimate payoff: Getting your audience to be green in their lives.
Learn about the 4-D’s, and how to deal with skeptics.

11:00am-12:30pm
GD02 Green Standards: Alphabet Soup
LEED, CRI, Greenguard, FSC, Greenlabel, VOC, MERV, 3 R’s, CFC’s, Carbon Offsets: A whole new language has evolved around greening. What does it all mean? More importantly, what standards are useful for the entertainment industry? We’ll look at how to weigh claims and benefits in materials, products, and practices.

View Green Products from the LDI Show Floor
What are manufacturers and suppliers offering that are green?  LDI exhibitors are invited to showcase their products that can contribute to making productions greener and more sustainable.

2:00pm-3:00pm
GD03 Breakout Brainstorming Session:
This roundtable discussion will seek out Best/Better Practices being used around the country, in a completely ‘hands-on’ traditional brainstorming session with post-its and white boards. At the end of the session all ideas will be compiled and posted on a website. Bring every idea to the table no matter how crazy.

To focus attention, there will be three separate groups:
* Lighting / Sound / Projections
* Scenery / Staging / Props / Costumes
Buildings / Facilities / General Operations

3:15pm-4:30pm
GD04 Closing Session: The Proof is in the Pudding:
A look at projects from the past year that incorporated some green projects (productions, events, buildings, theatre companies, etc.) followed by a general discussion of where the entertainment industry can and should go to be green.

Green Pavillion
What are manufacturers and suppliers offering that are green?  LDI exhibitors are invited to showcase their products that can contribute to making productions greener and more sustainable; in conjunction with The Green Technology Today Showcase on the exhibit floor, presented by LDI and Showman Fabricators. For information on how to participate in this session and The Green Technology Today Showcase:rusdin@showfab.com. Click here to download the Green Pavilion form

via 2009 Green Day .

To download an application form go to http://www.afla.us/cfe.html

Go to EcoArtSpace

Via Philathrophy News Digest, March 2, 2009:

The Kresge Foundation in Troy, Michigan, has announced that it is winding down its green building initiative and has set May 29 as the last day that it will accept applications to cover the planning costs associated with constructing or renovating facilities in an environmentally sustainable manner. At the same time, the foundation has committed to advancing environmental stewardship through its environment program. Launched in 2007, the program is working to reduce greenhouse gas emissions from the built environment, accelerate the adoption of renewable energy technologies, and develop strategies for helping society adapt to the impacts of climate change. Going forward, the foundation will allocate more resources to the program to support policy changes designed to accelerate the adoption of energy-efficient practices in building construction, renovation, and operation.

“The green building initiative has served its purpose just as Kresge intended,” said Lois DeBacker, Kresge senior program director and Environment Program team leader. “The nonprofit organizations that received green planning grants and went on to construct green buildings raised awareness in the nonprofit sector, in the design and construction professions, and in the physical communities where these projects are located.”

Links:

“Kresge Is Retiring Its Green Building Initiative in May 2009”: Kresge Foundation Press Release, 2/27/09

“Why Build Green?”: Kresge Foundation

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Go to the Green Theater Initiative

View the original article from the Rice Thresher

In New York City there is a law called local law 86. Passed in 2005, it has just now taken effect, and is responsible for at least one thing in the green theater movement so far: convincing (through brute force, I suppose) Theatre For A New Audience (TFANA) to build their new space in Brooklyn’s BAM Cultural Center to meet Silver LEED status or better. Local law 86 states simply that any non City building (whether new construction or renovation) that receives either 50% of its capital or $10 million or more from NYC’s treasury is subject to the constraints of the ordinance, which requires compliance with USGBC’s LEED rating system. (It may be of note, that ALL city agency buildings are now required to meet this standard.)

I say that it convinced the historically vagabond theater company because that’s exactly what TFANA Managing Director Dorothy Ryan told me just yesterday. “Our [initial] attitude was probably, well, if the up front cost isn’t too high we’ll certainly look at it,” she said. “But other than that [green building] is a luxury.” Fortunately, with the help of city funds, and local law 86, Ryan and the rest of TFANA have come to see the advantages of building green. “The really good part of this story,” Ryan told me, “is that the more we’ve paid attention, the more we’ve learned, the more that we’ve really explored this, [green building] is something that our team has really embraced in a very genuine way.”

Ryan’s admission of TFANA’s initial unwillingness seems to be further indication of a preexisting attitude in the arts. While the typical reaction to green building that theaters and their directors seem to have (so far we can cite Portland Center Stage, American Players Theatre, and TFANA–all initially opposed to green building) may be understandable for the frequently cash-strapped arts organization mindset, it is nevertheless slightly bothersome. 

So, what is it? In the simplest of terms, it is the money. Michael Broh, production manager of American Players Theatre (APT), told me recently that though everyone involved with their new theater project is happy to consider the green building option, “if it came down to building a less sustainable building, or not building at all,” he said, “I think we would build the less sustainable one.” It is here that APT and I do not see eye to eye. The benefits, in my way of thinking, of adding an indoor space and possibly extending their operating season and expanding their repertoire, are not worth adding another conventional building (or two) to the world to further pollute and contaminate. Isn’t the business of theater dirty enough? Must we add more of them? There must come a time when the artists (and, frankly, business folks) running the theaters own up to their responsibility to their communities the way they would expect any other business entity to do so. With the attitudes that seem to exist–the notion that there just isn’t enough money to build green, to build conscientiously–one can only come to this conclusion: the driving force behind these projects is nothing but self-interest, and perhaps greed.

Ahem.

I am convinced that if more theater managers were either forced (as in the case of Dorothy Ryan and TFANA), or just took the time, to consider the long-term advantages of building green, most of them would come to the same sort of revelations that the folks at TFANA did. Perhaps all municipalities can follow in the footsteps of local law 86–there is nothing like folks with money (be they governments or rich benefactors) putting worthy conditions on the money they dole out.

Today I spoke with Scott Bowne, the production and facilites manager for Theatrical Outfit (TO)–number 5 on mySummer 2007 greenList. They may have been alphabetically #5, but chronologically, they were #1. Remember Tom Key (“We wanted to do the right thing“), TO’s executive artistic director? Key was the first–and thus far, only–leader of a theater going (or gone) green to tell me without hesitation that he was eager to build green.

Since Bowne has only been in his current position with TO for less than a year, he’s still trying to catch up with the idea of managing a green facility. And, unfortunately, the idea hasn’t quite fully infiltrated their way of producing theater.

But, what was most interesting about our conversation was Bowne discovered that the USGBC wasn’t interested in inhibiting theater artists from doing their jobs, and creating the kind of work they should. Bowne encountered this especially when TO was mounting a production of Doris Baizley’s Shiloh Rules and the dilemma of using fog or haze came up. After putting a call into the equally-new-at-this-LEED-stuff staff of Portland Center Stage, Bowne says he was reassured to learn that the folks at the USGBC, while concerned about the air quality issues of theatrical fog or haze,weren’t in the business of telling artists how to create art. Of course, such issues are not new to the theater business either, and Bowne still had to keep in mind the health of the performers and audience. Since TO’s Balzer Theatre has a state of the art ventilation system that monitors CO2 levels while introducing fresh outside air to control air quality, the hazing issue became one that caused little problems. The Balzer’s ventilation dissapated the haze so quickly that it became somewhat of a non issue. “We decided not to combat that,” Bowne said, and so the haze made brief appearances at the top of each act.

The hope is that Bowne will continue to learn and grow into his position (which he has held for less than a year, after a long career with Alliance Theatre). He has the opportunity to make a difference with a company that has already taken huge steps in their commitment to sustainability.