Glaciers

Astronaut combines art and science to awesome effect – The Irish Times

The Irish Times’ SHANE HEGARTY shows us what Soichi Noguchi sees.

On Wednesday he posted a picture of the oil spill in the Gulf of Mexico, its black tendrils looked eerily beautiful as it stretched through miles of ocean. It is a unique image, giving a sense of its scale previously unseen and with a touch of humanity that a satellite cannot. The picture looks as if it was taken by an interested photographer rather than a disinterested automaton.

What Noguchi does is to bring science and art together in a way that appeals to 250,000 people each day. He is one of the best things NASA has right now; up there at least with the rovers still toddling across Mars or the Voyager and Pioneer spacecrafts on lonely, perhaps eternal journeys into deep space. And if you want, you can talk to him and he may even talk back. If you need any proof of how wonderful modern technology can be, it’s that you can send a message to a man floating 400km above your head, and that he might reply with a holiday snap of your entire country.

He is not the only tweeting astronaut, but he is a reminder of just how awesome science can be. Not “awesome” in the modern way in which it is used merely as an everyday replacement for a nod, but “awesome” in a way that leaves your mind breathless from trying to appreciate the scale of it. And of how much fun it can be.

We’re fans of the macro view of planet. Check out there previous posts:

California City

STUNNING VIEWS OF GLACIERS SEEN FROM SPACE | WIRED.COM

via Astronaut combines art and science to awesome effect – The Irish Times – Sat, May 08, 2010.

Stunning Views of Glaciers Seen From Space | Wired.com

To a geologist, glaciers are among the most exciting features on Earth. Though they seem to creep along at impossibly slow speeds, in geologic time glaciers are relatively fast, powerful landscape artists that can carve out valleys and fjords in just a few thousand years.

Glaciers also provide an environmental record by trapping air bubbles in ice that reveal atmospheric conditions in the past. And because they are very sensitive to climate, growing and advancing when it’s cold and shrinking and retreating when its warm, they can be used as proxies for regional temperatures.

Over geologic time, they have ebbed and flowed with natural climate cycles. Today, the world’s glaciers are in retreat, sped up by relatively rapid warming of the globe. In our own Glacier National Park in Montana, only 26 named glaciers remain out of the 150 known in 1850. They are predicted to be completely gone by 2030 if current warming continues at the same rate.

Here we have collected 13 stunning images of some of the world’s most impressive and beautiful glaciers, captured from space by astronauts and satellites.

from Stunning Views of Glaciers Seen From Space | Wired Science | Wired.com.

Bill McKibben on the “torrent of art” about climate change

Bill McKibben wrote recently on Grist.org about how, over the last few years, art has been shouting increasingly stridently about climate:

That torrent of art has been, often, deeply disturbing—it should be deeply disturbing, given what we’re doing to the earth. (And none of it has quite matched the performance work that nature itself is providing. Check out, for instance, James Balog’s time-lapse photography of glaciers crashing into the sea—if we could somehow crowd that thrashing sheet of ice into the Guggenheim for a week, people would truly get it.) But for me, it’s been more comforting than disturbing, because it means that the immune system of the planet is finally kicking in.

Artists, in a sense, are the antibodies of the cultural bloodstream. They sense trouble early, and rally to isolate and expose and defeat it, to bring to bear the human power for love and beauty and meaning against the worst results of carelessness and greed and stupidity. So when art both of great worth, and in great quantities, begins to cluster around an issue, it means that civilization has identified it finally as a threat. Artists and scientists perform this function most reliably; politicians are a lagging indicator.

I wonder, how true is this? Is identifying artists as the “antibodies of the cultural bloodstream” a hopelessly romantic idea, part of McKibben’s relentless optimism, an optimism that has sustained him for twenty years and more as a campaigner? Or will the next few years prove him right in his faith that, not only are artists making work of “great worth, and in great quantities” about the issue , but that art still has a privileged role in how society concieves of itself.

It’s certainly a role that many established artists would feel extremely uncomfortable with; but maybe this isn’t the time for such niceities.

Read Bill McKibben’s article in Grist.org

Bill McKibben’s 350.org campaign

Bill McKibben talks to RSA Arts & Ecology about his call for artists to lead on 350.org

Go to RSA Arts & Ecology