Fremantle

BLDGBLOG: Tar Creek Supergrid

This post comes to you from EcoArtScotland

BLDGBLOG’s most recent post relates to a PhD focusing on re-purposing abandoned mines as renewable energy infrastructure.

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Wasteland Twinning

This post comes to you from EcoArtScotland

Glengarnock on a road trip, 2004

Wasteland and stalled spaces are important.  This new project connects wasteland in different places as well as offering some suggestions for ways to explore those on your doorstep – join in and be twinned with places in Indonesia, Australia, England, Germany, the Netherlands, Malaysia, India (interestingly there are no US or Canadian partners).

Glengarnock (all that's left) 2004

Most of the ideas suggested involve spending time with your own wasteland, making sound recordings, putting up signs, doing surveys, finding sit spots, discovering what’s edible, and then inventing your own responses. 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

AHM’s State of Play, Dundee

This post comes to you from EcoArtScotland

AHM‘s final State of Play event takes place in Dundee on Saturday 1 October.

As with previous events it will include a number of ‘One Minute Manifestos’.  One of these has emerged through a collective process of writing initiated by Tim Collins and contributed to by a number of participants in the Values of Environmental Writing programme at Glasgow University.

Tim has asked me to post the manifesto and authorship, and to encourage anyone who broadly supports the manifesto, and is at the State of Play symposium, to come forward and share in the speaking of the manifesto.

“Who are we? Though the origins of this manifesto are the Values of Environmental Research Network conversations, this document is inclusive of all those who feel that the arts and humanities have a vital role in the effort to mitigate and prevent environmental damage.”

The Anthropo-scene Evolution

2011 saw the culmination of avarice that necessitates naming the human impact on all earthly things. In response we wish to reject humanity’s supposed dominion over nature and to take responsibility for wilful and excessive impact. Our intention is to constitute greater empathy between the world’s free-living things. As creative pragmatists committed to producing practical wisdom, we recognise a loss of humility and seek to reengage the aesthetic and the sublime, which provide interface and witness to spirit on earth. Cultural responses to the anthropo-scene realize that there are opportunities embedded in new constraints; but more importantly there is generative force amongst living things that must be engaged anew. We experiment with a new materialism and aim for new metaphysical purpose for the arts and humanities within the public domain.

Background

Draft1 scribed by Tim Collins (TC) with Reiko Goto, 18 June 2011, subsequently edited by Tom Bristow and Chris Maughan, with comments and encouragement from Aaron Franks and Chris Fremantle (CF). The AHM ‘State of Play in Scotland’ submission was initiated by CF. TC offered the first rough draft with proper word editing by Aaron Franks and Rachel Harkness, followed by strategic refinement by Rhian Williams, Kate Foster, Alistair McIntosh and Owain Jones. The full manifesto is a result of discussion that occurred on 17 June, 2011 with Aaron Franks, Owain Jones, Chris Maughan, Mike Robinson and Karen Syse. Tom Bristow and the ‘frog team’ were present in spirit if not in material form. The work was inspired and energized by presentations and dialogue with Alistair McIntosh and Gareth Evans all set within the wider context of the AHRC supported Values of Environmental Writing Network, organized by Hayden Lorimer, Alex Benchimol and Rhian Williams (2011).

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

The Three Gorges, 3rd Edition « Artwork by Sonja Hinrichsen

This post comes to you from EcoArtScotland

The Three Gorges, 3rd Edition « Artwork by Sonja Hinrichsen.

Sonja Hinrichsen makes ephemeral works of great beauty.  These include walking in snow to create patterns.

Sonja Hinrichsen, Snow Drawings, Chatham, NY, 2011

 

These are reminiscent of neolithic marks on stones near Kilmartin, Scotland.

image from www.themodernantiquarian.com (click on image for many more)

Her most recent work is also ephemeral, but is the result of working in the Three Gorges in China.  This is an area changing as a result of the widely reported hydro-electric scheme. Note how she positions the viewer such that they cannot avoid being present in the landscape.

Sonja Hinrichsen, Three Gorges, 3rd Edition, multi-screen video projection, 2011

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Natural Rights

This post comes to you from EcoArtScotland

Philosophically speaking ‘natural rights‘ is an element of an argument about the basis of the rights that individuals have in society.

What if nature had rights?  What if there was a Ministry of Mother Earth?  What if the experiences of people living with land were given priority?  Remember that capitalisms roots are in the extraction of value from land ownership.  The most fundamental challenge to capitalism is to challenge underlying historically based assumptions of nature’s use.  Give nature the same rights as humans.

That’s what the Bolivians are in the process of doing.  That’s provocative.  You can find a number of short pieces, including this one, and if anyone can point me to a longer discussion it would be appreciated.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Heartwood

'Ogon-no-ki' by Elodie Lefebvre, 2011

This post comes to you from EcoArtScotland

There is a recurrent theme in the work of some artists in Scotland – it is an enquiry and response to our relationship with landscape and nature.  Other places evoke this enquiry as well, but Scotland has a particular tradition. Heartwood, which is now in its third year, is an artist-led (organised, curated, invented, managed, initiated, imagined, selected) thing.  Open for a week in September in Perthshire when the leaves are turning, perhaps the most beautiful time of year, the exhibition comprises work by the artist organisers as well as invited artists.

Venue: Monkquell, Brucefield Road, Blairgowrie, Perthshire, PH10 6LA.

Heartwood is at Monkquell, Brucefield Road in Rosemount, on the East side of A923 about 3 miles from Coupar Angus towards Blairgowrie, Perthshire. From Blairgowrie it is one mile towards Coupar Angus.

Dates & Opening Hours:
Sat 3 – Sun 11 September,
10 am – 5 pm.

Heartwood Press Release EAS

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Top 5 reasons why tar sands cover-up “ethicaloil.org” is a seriously dirty trick | Platform

This post comes to you from EcoArtScotland

Top 5 reasons why tar sands cover-up “ethicaloil.org” is a seriously dirty trick | Platform.

Thanks to Suzaan Boettger for drawing attention to PLATFORM’s rebuttal of the “ethicaloil.com” website.  “ethicaloil.com” is a web site that purports to demonstrate that tar sands are an ethical form of oil extraction as distinct from “conflict oil”.  We know that in the Middle East and Africa oil is associated with conflict ranging from invasion to insurgency and terrorism as well as corruption.  Supposedly oil from tar sands is better and this site, crafted to look like an activist project, is trying to spin, spin, spin.

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Animal Ecologies in Visual Culture

This post comes to you from EcoArtScotland

Antennae, the Journal of Nature in Visual Culture, and Minding Animals International, a ‘bridge between academia and advocacy,’ are hosting an event entitled Animal Ecologies in Visual Culture at University College London on Saturday 8 October 2011. Information also available on Facebook.

Antennae’s website has all the back issues of the Journal available for download as pdfs.  Themes include insects, taxidermy, Deleuze, plastic bags.

Minding Animals has a range of networks, study groups and organises conferences.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Jeanette Ingberman RIP

This post comes to you from EcoArtScotland

Exit Art in New York is one of the alternative spaces that regularly programmes eco-art.  Sadly Jeanette Ingberman who co-founded the Gallery died recently.  She was a great advocate for ways in which the arts could draw attention and propose alternatives.  Obituary.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

IHDP Writing Contest: Win a prize and be published!

This post comes to you from EcoArtScotland

Contest for new writing on the green economy, deadline 15 September

The International Human Dimensions Programme on Global Environmental Change (otherwise known as IHDP), which is part of the United Nations University, has announced a competition for new short essays on the green economy that will speak to a broad audience.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland