Fitzgerald

Continuous Cover Forest Policy

ecoartscotland, , , , , , , , , , , , , , , , , , ,

This post comes to you from EcoArtScotland

Cathy Fitzgerald has just blogged about the The Green Party in Ireland who have just launched it’s Forest Policy (read the press release here).  This new Policy argues that

“Ireland’s public forests are at a point where, non clearfell, continuous cover forest systems need to be introduced and supported to fully realise the full long term economic, environmental and amenity values of Ireland’s forests.”

Helen Mayer Harrison and Newton Harrison would, we are sure, endorse this – it’s the sort of Policy that they were proposing in amongst other works, the Serpentine Lattice.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

Networking the arts to save the Earth

An Arts and Ecology Notebook, Cultura21, , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

This post comes to you from Cultura21

Cathy Fitzgerald, film-maker and author of ecoartnotebook.com, has completed a research paper on the “sometimes under-utilised potential of online art and ecology networks“:

Online social networks are a recent global phenomenon of the last five years. This paper considers the value and under-realised potential of online social networks that connect cultural practitioners and organisations who are responding to ecological concerns across the world. That the cultural sector will have a significant role in engaging the world’s audiences and projecting new visions of how humanity may live more sustainably on this finite earth is increasingly recognised. However, while online social networks have in the last few years made art and ecology activities more visible their use has not been strategically utilised or examined in detail and efforts across the sector are as yet scattered and uneven. To fully harness the potential of these radical new and change-making communication tools, art and ecology networks that reference responses to ecological concerns, and in particular climate change, would clearly benefit from implementing online strategies from environmental and political activism, marketing strategies from business, as well as connecting with social media experts and research from the social sciences.

The full paper can be downloaded at http://ecoartnotebook.com/?page_id=1511

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21