University College Falmouth inc. Dartington College of Arts invites you to
1st-2nd September 2012
Deadline for applications: 31st March 2012
Across disciplines academics and artists are researching and creating practices that are highly contextual (determined by the environment in which they are located), exploring ways of articulating specific environments, spaces or places. This conference examines a specific problematic that attends the dissemination of this work: how to engage with ‘being there’ when ‘there’ is not here?
We understand environment (social, built, natural, technological) as that which surrounds and informs us. Through our practice we influence our environment. What we create is shaped by our surroundings. We exist in a relation of mutual exchange; making ourselves other and incorporating that which is other in turn. This conference offers a forum for academics and creative practitioners to come together and engage with articulations of mutual formation: to discuss work as environment.
Such work often relies on direct, personal experience of a particular environment. Transfer and abstraction, necessary for the communication of this work beyond the specifics of this original environment, challenge the work. Negotiating publication or conference environment, for example, necessitates reformulation of the work, engendering changes in texture and experience, in adapting to alternative structures. What do such alterations, translations or transformations, mean for this work?
This conference aims to examine these questions on a very practical level. When it comes to considering environment, what is the relationship between the structures of dissemination and the environment our work seeks to convey? What is the relationship between our academic environment and the work we (aim to) produce? How do we utter our environment?
We invite poets and writers, artists, academics, social and environmental scientists, performers and musicians, among others, to discuss ways of uttering environment. We seek work that explores the phenomenological sense of speaking with environment. We encourage the use of a diverse range of media as part of this dialogue. Participants are invited to find new ways of expressing their research and/or artistic practice in a conference setting that reflects upon this process of adaptation as a process of practical enquiry.
Instead of presenting what they already know, participants are invited to experiment with their ‘potential’ environment, using the space of the conference as an opportunity to learn from and with each other. The structure of the conference is specifically designed to support such an exchange. Over the course of two days we seek to create a plastic community of practice. There will be both indoor (seminar rooms, lecture theatres, studios) and outdoor (gardens, orchard, parkland) spaces available to present your work. Your proposal will have to comply with the health and safety norms of Tremough Campus. Please refer to the health and safety guidance before you start planning your presentation/performance.
The (types of) environments we invite participants to explore in their presentations include (but are not limited to):
- the body
- the archive
- the laboratory
- the book
- the recording studio
- the gallery
- the library
- the seminar room
- the lecture theatre
- the conference
Those interested in participating are invited to send a paper/performance summary (250 words max) along with an indication of how they wish to present this work (250 words), to Camilla Nelson, Natalia Eernstman and Jeanie Sinclair at firstname.lastname@example.org , describing:
- How or what will you present
- The main questions & ideas you aim to explore through your presentation
- The media you will use
- What space and/or additional equipment you require
Special Call to Develop Live Exchange
This is a call for proposals to design a method of documentation to function as an integral part of this ‘conference-as-community-of-practice’: a method of exchange whereby ideas, insights, lessons learned, questions and connections are cross-referenced between the different times and spaces of the conference. We invite applicants to submit proposals to email@example.com detailing a process that will (effectively & inspiringly) collect, record and disseminate participants’ experiences. Media and methods might include (but are not limited to) technology, social media, interactive installations, mobile performance, poetic or artistic representations, etc. Selected participants will run their activity for one morning or afternoon of the conference. The material costs required to realize the activity will be reimbursed in consultation with the conference organizers.
Deadline for applications: 31st March