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	<title>The Center for Sustainable Practice in the Arts &#187; Expression</title>
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		<title>New metaphors for sustainability: why we started</title>
		<link>http://www.sustainablepractice.org/2011/11/new-metaphors-for-sustainability-why-we-started/</link>
		<comments>http://www.sustainablepractice.org/2011/11/new-metaphors-for-sustainability-why-we-started/#comments</comments>
		<pubDate>Fri, 18 Nov 2011 23:51:52 +0000</pubDate>
		<dc:creator>Ashden Directory</dc:creator>
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		<guid isPermaLink="false">http://www.sustainablepractice.org/?p=9923</guid>
		<description><![CDATA[<p><a href="http://ashdenizen.blogspot.com/2011/11/new-metaphors-for-sustainability-why-we.html">This post comes to you from Ashden Directory</a></p> <p>Wallace Heim writes:</p> <p>We began thinking about metaphor and sustainability when we noticed that there weren&#8217;t any strong or imaginative metaphors for the concept, or ones that we could easily use in conversation. Metaphors are pervasive in human thought and communication. &#8216;Sustainability&#8217; stood out as an <p>[<a href="http://www.sustainablepractice.org/2011/11/new-metaphors-for-sustainability-why-we-started/">read more</a>]</p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://ashdenizen.blogspot.com/2011/11/new-metaphors-for-sustainability-why-we.html">This post comes to you from Ashden Directory</a></p>
<p><em>Wallace Heim writes:</em></p>
<p><em></em>We began thinking about metaphor and sustainability when we noticed that there weren&#8217;t any strong or imaginative metaphors for the concept, or ones that we could easily use in conversation. Metaphors are pervasive in human thought and communication. &#8216;Sustainability&#8217; stood out as an anomaly, a common concept with many definitions, but no metaphors.</p>
<p>So in April, we asked four people to suggest a metaphor and we filmed their responses. We weren&#8217;t looking for &#8216;the&#8217; metaphor. We were experimenting to see whether it was possible to think metaphorically about sustainability, in all its promise, its limitations and paradoxes.</p>
<p>Since then, we&#8217;ve added 14 more metaphors, (18 if you count everyone in the <a href="http://ashdenizen.blogspot.com/2011/07/new-metaphors-for-sustainability-water.html">Institute for the Art and Practice of Dissent at Home</a>), and will add another 6 through November and December, here on Ashdenizen and collected on the <a href="http://www.ashdendirectory.org.uk/featuresView.asp?pageIdentifier=2011414_37524050">Directory</a>.</p>
<p>Too, we&#8217;ll be posting comments on the project itself, which for some contributors was challenging; for others, playful; and for others, a delicate expression of meaning taken from their everyday life.</p>
<div><img src="https://blogger.googleusercontent.com/tracker/6655916971178762059-3072424740207582962?l=ashdenizen.blogspot.com" alt="" width="1" height="1" /></div>
<p>&nbsp;</p>
<blockquote><p>“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)</p>
<p>ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.<br />
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically &#8211; themed productions since 1893 in the United Kingdom. Our own projects include <a>&#8216;New Metaphors for Sustainability&#8217;</a>, <a href="http://www.ashdendirectory.org.uk/featuresView.asp?pageIdentifier=201084_25906008&amp;view=">&#8216;Flowers Onstage&#8217;</a> and <a href="http://www.ashdendirectory.org.uk/featuresView.asp?pageIdentifier=2009521_19735354">&#8216;Six ways to look at climate change and theatre&#8217;</a>.</p>
<p>The Directory has been live since 2000.</p>
<p><a href="http://ashdenizen.blogspot.com/2011/11/new-metaphors-for-sustainability-why-we.html">Go to The Ashden Directory</a></p></blockquote>
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		<title>“Enabling Emergent Voices And Expression Through Technology”</title>
		<link>http://www.sustainablepractice.org/2011/10/%e2%80%9cenabling-emergent-voices-and-expression-through-technology%e2%80%9d/</link>
		<comments>http://www.sustainablepractice.org/2011/10/%e2%80%9cenabling-emergent-voices-and-expression-through-technology%e2%80%9d/#comments</comments>
		<pubDate>Thu, 13 Oct 2011 21:13:42 +0000</pubDate>
		<dc:creator>Cultura21</dc:creator>
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		<guid isPermaLink="false">http://www.sustainablepractice.org/?p=9575</guid>
		<description><![CDATA[<p><a href="http://www.cultura21.net/activites/conferences/enabling-emergent-voices-and-expression-through-technology">This post comes to you from Cultura21</a></p> <p>October 17th, 2011 MIT Media Lab, USA</p> <p>“Moore’s law and the Internet have dramatically reduced the cost of producing and distributing information. This has greatly lowered the cost of collaboration and has empowered a qualitatively different “public” to think, express, and act without, or in spite of, <p>[<a href="http://www.sustainablepractice.org/2011/10/%e2%80%9cenabling-emergent-voices-and-expression-through-technology%e2%80%9d/">read more</a>]</p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.cultura21.net/activites/conferences/enabling-emergent-voices-and-expression-through-technology">This post comes to you from Cultura21</a></p>
<p><strong>October 17th, 2011</strong><br />
<strong>MIT Media Lab, USA</strong></p>
<p>“Moore’s law and the Internet have dramatically reduced the cost of producing and distributing information. This has greatly lowered the cost of collaboration and has empowered a qualitatively different “public” to think, express, and act without, or in spite of, central authority. These changes and advances in technology enabled interventions such as low-cost video cameras in the case of WITNESS; blogs (Global Voices); or open hardware and software used to build, distribute, collect and visualize data from geiger counters (Safecast). Ito will discuss how these trends relate to media, citizenship, academics, and conflicts. Joichi Ito was named Director of the MIT Media Lab in April 2011.”</p>
<p><em>The “Zones of Emergency: Artistic Interventions – Creative Responses to Conflict &amp; Crisis” Fall 2011 lecture series investigates initiatives and modes of intervention in contested spaces, zones of conflict, or areas affected by environmental disasters. The intention is to explore whether artistic interventions can transform, disrupt or subvert current environmental, urban, political, and social conditions in critical ways. A crucial question is how can such interventions propose ideas, while at the same time respecting the local history and culture.</em></p>
<p>More information at the Zones of Emergency Blog: <a href="http://zonesofemergency.mit.edu/">http://zonesofemergency.mit.edu/</a></p>
<blockquote><p><a href="http://www.cultura21.net">Cultura21</a> is a transversal, translocal network, constituted of an international level grounded in several <a href="http://www.cultura21.net">Cultura21</a> organizations around the world.</p>
<p><a href="http://www.cultura21.net">Cultura21</a>′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.</p>
<p>The activities of <a href="http://www.cultura21.net">Cultura21</a> at the international level are coordinated by a team representing the different <a href="http://www.cultura21.net">Cultura21</a> organizations worldwide, and currently constituted of:</p>
<p>- Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)<br />
- Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)<br />
- Hans Dieleman (based in Mexico-City, Mexico)<br />
- Francesca Cozzolino and David Knaute (both based in Paris, France)</p>
<p><a href="http://www.cultura21.net">Cultura21</a> is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of <a href="http://www.cultura21.net">Cultura21</a></p>
<p><a href="http://www.cultura21.net/activites/conferences/enabling-emergent-voices-and-expression-through-technology">Go to Cultura21</a></p></blockquote>
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		<title>After Darwin: Contemporary Expressions and contemporary neuroscience</title>
		<link>http://www.sustainablepractice.org/2009/07/after-darwin-contemporary-expressions-and-contemporary-neuroscience/</link>
		<comments>http://www.sustainablepractice.org/2009/07/after-darwin-contemporary-expressions-and-contemporary-neuroscience/#comments</comments>
		<pubDate>Thu, 02 Jul 2009 03:54:30 +0000</pubDate>
		<dc:creator>RSA Arts &#38; Ecology</dc:creator>
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		<guid isPermaLink="false">http://www.sustainablepractice.org/?p=2226</guid>
		<description><![CDATA[<p>After Darwin: Contemporary Expressions has just opened at the Natural History Museum. It&#8217;s a lot of fun. Based on Darwin&#8217;s book less-known tome The Expression of the Emotions in Man and Animals it veers into less obvious territories than some of the other Darwin200 events and exhibitions, looking at the &#8230;</p> <p><a href="http://rsaartsandecology.org.uk" target="_blank">Go to <p>[<a href="http://www.sustainablepractice.org/2009/07/after-darwin-contemporary-expressions-and-contemporary-neuroscience/">read more</a>]</p>]]></description>
			<content:encoded><![CDATA[<p>After Darwin: Contemporary Expressions has just opened at the Natural History Museum. It&#8217;s a lot of fun. Based on Darwin&#8217;s book less-known tome The Expression of the Emotions in Man and Animals it veers into less obvious territories than some of the other Darwin200 events and exhibitions, looking at the &#8230;<img src="http://feeds.feedburner.com/~r/rsaartsandecology/~4/L6pKGH6FkD4" alt="" width="1" height="1" /></p>
<p><a href="http://rsaartsandecology.org.uk" target="_blank">Go to RSA Arts &amp; Ecology</a></p>
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