Environmental Artists Directory

WEAD Magazine

This post comes to you from Cultura21

The 5th issue of WEAD Magazine is out, and it’s about enviromental/ecological artists responses to “the atomic legacy” – this issue is edited by Susan Leibovitz Steinman. It brings perspectives from Japan, Chernobyl, New Mexico, and US areas threatened by aging nuclear plants in Florida, California and Washington. (WEAD stands for: Women Environmental Artists Directory.)

The online magazine is accessible for free at: http://weadartists.org/atomic-art

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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ecoartspace archive

This post comes to you from EcoArtSpace
Over the past two years ecoartspace has focused on creating an archive of ephemera and video interviews of ecological artists’ work. We have also been invited to contribute several essays for publication with increasing interest.

Our most recent essay, Public Art Ecology: From Restoration to Intervention, co-written by Amy Lipton and Patricia Watts, is for a new book entitled The New Earthwork: Art, Action, Agency edited by Twylene Moyer and Glenn Harper and published by International Sculpture Center Press (distributed by University of Washington Press). In this essay we reviewed long-term projects by artists Mierle Ukeles, Patricia Johanson, Mark Brest van Kempen and Jackie Brooker; and also highlighted recent temporal works by Eve Mosher, EcoArtTech, Amy Franceschni+Future Farmer and Tattoo Tan.

Patricia Watts has published an essay which is a start to a book she would like to write on ecological performance art. Entitled Performative Public Art Ecology you can read it online in the Women Environmental Artists Directory magazine, Issue #4 entitled No Time For Complacency edited by Susan Leibovitz Steinman, co-founder of WEAD. In this essay Watts examines important performance based ecoart with early examples beginning in 1970 and follow its evolution up to 2008. The works featured illustrate an evolution from the gestural, poetic, or conceptual, towards more practical actions that provide tools for sustainable living.

Another recently uploaded piece online is an interview with Watts for the #5 Winter Issue of Mammut magazine entitled Some Kind of Nature, published out of Los Angeles and edited by Matthias Merkel Hess and Roman Jaster. In the interview Hess and Watts discuss The Ebb and Flow of Ecology and Art. The magazine is available as a high or low res download and can be viewed as an online flip book (very sustainable), each for FREE.

And, to start 2012 off on a good funding foot, ecoartspace was awarded a grant from the Arnow Family Fund in New York to do new interviews for our video archive and to edit footage from interviews we did in 2010-11. Interviews with Mierle Ukeles, Buster Simpson, Susan Liebovitz Steinman, Betsy Damon and Bonnie Sherk are now in the works. These are two hour interviews that will be available for research purposes and will also be edited into approximately 5 minute videos for exhibition purposes. Previous edited interviews with Patricia Johanson and Jackie Brookner can be viewed on the ecoartspace YouTube site HERE.

We are going to be using our blog as the main ecoartspace website for now until we build a new site this year, and are also looking to create a digital catalogue of our first 12 years (1999-2011), pending funding.

ecoartapace is one of the leading international organizations in a growing community of artists, scientists, curators, writers, nonprofits and businesses who are developing creative and innovative strategies to address our global environmental issues. We promote a diverse range of artworks that are participatory, collaborative, interdisciplinary and uniquely educational. Our philosophy embodies a broader concept of art in its relationship to the world and seeks to connect human beings aesthetically with the awareness of larger ecological systems.

Founded in 1997 by Tricia Watts as an art and nature center in development, ecoartspace was one of the first websites online dedicated to art and environmental issues. New York City curator Amy Lipton joined Watts in 1999, and together they have curated numerous exhibitions, participated on panels, given lectures at universities, developed programs and curricula, ad written essays for publications from both the East and West Coasts. They advocate for international artists whose projects range from scientifically based ecological restoration to product based functional artworks, from temporal works created outdoors with nature to eco-social interventions in the urban public sphere, as well as more traditional art objects.

ecoartspace has been a project of the Social and Environmental Entrepreneurs in
Los Angeles since 1999.
Go to EcoArtSpace

US town to turn drainage basin into public art

This post comes to you from EcoArtScotland

image from Jackie Brookner's page on the Women Environmental Artists Directory

Minnesota Public Radio recently reported that Jackie Brookner is advising and supporting the inhabitants of the City of Fargo in North Dakota on a major ecological art project funded in part by the National Endowment for the Arts.  The focus of the project is making use of a drainage basin, built to deal with heavy summer rains, as year round facilities for the community.

There’s an interview with Brookner on the NEA blog and if you prefer listening to reading, you can hear her on the Social Practices Art Network.

image from Heart of Reeds website

In the UK Chris Drury’s Heart of Reeds in Lewes, West Sussex, is probably a comparable project.  This constructed environment remediates industrial pollution whilst providing recreational space and managing rain water.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Women Environmental Artists Directory

MISSION STATEMENT

Focusing on women’s unique perspectives we collaborate internationally to further the field and understanding of ecological and social justice art.

PURPOSE

  • To provide information regarding the ecoart and social justice art fields to artists, curators, writers, art and public art administrators, educators in art and ecology, cross-disciplinary professionals and others.
  • To facilitate international networking among artists working with ecological and social justice issues.
  • To further the fields of, and the understanding of environmental and social justice art.

OPEN TO ALL WOMEN ARTS PROFESSIONALS, REGARDLESS OF MEDIA, WHOSE WORK EXPLORES, EDUCATES &/OR COMMENTS ON ECOLOGICAL & SOCIAL JUSTICE ISSUES.

WEAD is not juried. Our goal is to be inclusive of the broadest spectrum of women’s contemporary eco and social justice art. The Wead website provides a place for women arts professionals to define themselves and their work. Each writes her own entry, describing interests, intents, materials, philosophy, and aesthetics.

ECOFEMINIST ART

WEAD does not proscribe to a single definition for ecofeminism or ecoart, nor one set of cultural, political, or social beliefs. Instead, WEAD celebrates a spectrum of differences under the colorful collective umbrella called ecofeminist art. WEAD women speak in their own voices, definite their own work and map its place in the world. Together we work toward a just, sane, healthy world for all.

HISTORY

In 1996 Jo Hanson, Susan Leibovitz Steinman and Estelle Akamine created WEAD in response to increasing requests for artist referrals and for designing ecoart exhibits and programs. Rather than create one static program, they decided it was best to develop a programming tool that others could continue to use to develop more programs. Word-of-mouth networking started in January, by WEAD’s presentation in March at the Regional N. CA. Women’s Caucus for the Arts, there were more than 100 listing artists. From 1996 to 2004, with more than 200 listees, editions were labor intensive cut-and-paste, xerox editions. In 1998 Estelle retired, and Jo and Susan were joined by a brilliant new group of 10 activist women artists, creating the WEAD Board of Directors, a collective volunteer creative force that continues to produce and direct all WEAD publications and outreach programs. In 2004-2006 editions were digitally mastered, a slick step up in the publishing world. But our website, begun in 1999 was our most successful form of communication, reaching by far the largest audience with the smallest carbon footprint and cost. In 2008 we suspended printing on paper. Now in 2010, at the ripe age of 15, WEAD launches this newly expanded and greatly improved interactive website. Please join us, spread the word, and use the site well and often.

EDITORS’ RESERVATION RE LISTINGS

WEAD reserves the right to refuse listings that are inappropriate in any way, and/or commercial in intent.

We are a member of INTERSECTION INCUBATOR

Intersection Incubator connects artists with funding resources, management consultants, discount classes, networking events, and collaboration opportunities. This is a program of Intersection for the Arts, San Francisco’s oldest alternative arts space, presenting ground-breaking work in the literary, performing, visual and interdisciplinary arts.
Info & applications are available online www.theintersection.org Or call (415) 626-2787

About Us « Women Environmental Artists Directory.