Ecological Art

Call for Papers : “Where is our ecological art history?

This post comes to you from Cultura21

AAH_logo_CMYK_-_smallApril 10-12, 2014 : 40th Anniversary, Annual AAH Conference & Bookfair, Royal College of Art, London

Deadline for proposals : November 11th 2013

The discipline of art history has proved itself able to look various crises of culture in the face and open up the discipline to ideological struggles and debates. These debates have involved its own politics as a discipline in response to critical issues. Issues of gender, sexuality, race and social identity have strongly inflected the discipline and have importantly shaped its trajectories and characteristic preoccupations over a number of years, but what of the critical issue of our environment? There are some highly significant works which have discussed art’s and artists’ responses and interventions in the crucial area of ecology, but perhaps less talked about and made visible is art history’s disciplinary response to crises in nature and the environment throughout its history as a discipline.

AAH2014 will represent the richness and diversity of art historical debate across the broadest sweep of time and space. The conference will unite the interests of art history with those of contemporary practice, as well as a wide diversity of visual and material culture, including art, architecture and design. As it is in close collaboration with museums and galleries, most notably the V&A Museum, the RCA aims to offer a conference exploring ‘history in the making’ through engagement with practice, collections and exhibitions.

The aim of this session is to bring this ecological art history to the fore, to uncover, freshly discover and make visible examples of such an ecological art history. The session also offers the opportunity to discuss whether art history’s status as a ‘humanistic’ discipline has in the past hindered its concern for the natural world and the environment other than through strong human cultural paradigms, and consider how the discipline has started to change with further interests in ‘eco-aesthetics’ and other multi-disciplinary or inter-disciplinary approaches to the history of the environment and its critical future : “We feel that this is an extremely prescient moment for the history of art to engage more actively in this cross-disciplinary theme”, explains Andrew Patrizio, Professor of Scottish Visual Culture, School of History of Art, University of Edinburgh.

For more information click here 

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Internaturalism

This post comes to you from Cultura21

Collective exhibition, 8 May – 29 September 2013, and international symposium, 8 May, at PAV (Via Giordano Bruno 31, Torino, Italy)

On Tuesday, 7 May 2013, at 6.30 pm, the PAV will open the collective exhibition Internaturalism, curated by Claudio Cravero. The exhibition aims to investigate some of the research and practice of the branch of contemporary art generally known as “ecological art” or “Bioart”, demonstrating the links and connections to current ecological debates. The works of art on show in Internaturalismassume an essential role as vehicles of social understanding of the world around us, and succeed in constructing concrete meaning from often abstract issues related to the environment and ecological drift (from loss of biodiversity to pollution and global warming). Emerging from the works of the sixteen artists in the exhibition are visions and narratives of nature that coincide with the concept of “internaturalism”, namely the capacity to imagine a hybrid between the different meanings of nature, understood not only as the common good of humanity but of all living beings.

The exhibition

Among the works on display is Perpetual Amazonia, an environmental video installation by Lucy + Jorge Orta. Commissioned in 2010 by the Natural History Museum in London, it is the narration through images and prose of an expedition undertaken in the Peruvian rainforest. The study of nature is also explored from an ethological point of view in the work of Henrik Håkansson, through a video-documentary that examines the behaviour of insects and birds. Addressing similar themes are 108, Luana Perilli’s living installation that consists of a domestic scene featuring everyday objects and a colony of ants; Colombaia mobile (Mobile Pigeon Coop) by Filippo Leonardi, a housing structure that connects two spaces through the use of carrier pigeons and, finally, Laurent Le Deuff’s sculpture in the park which is based on the underground tunnels drawn by moles. The relationship between man and nature with regard to the common cellular and organic matrix that combines living beings and the environment is also explored in the exhibition, for example in the interactive installation Bio-acqua by Piero Gilardi or in the biological processes analyzed in a mining cave by Andrea Caretto and Raffaella Spagna. Through Brigitte de Malau’s ritual performance and the work on seeds waste by Norma Jeane, Internaturalism also explores the land and the nutritional habits connected to it. Last but not least, some of the works in the exhibition intend to trigger an awareness of the typical behaviour of the homo consumer, actions aimed at the commodification of nature and of the profits related to so-called bio trade (as in the work New Alliances by CAE|Critical Art Ensemble and in the light installation Shelf-life by Uli Westphal). A series of cultural reflections on the theme of language completes the exhibition. In this regard, the results of the workshop Segni d’incontro (Signs of meeting) conducted by Nja Mahdaoui and Agostino Ferrari are presented, as well as Mixture of Plants by Gabriella Ciancimino. Ciancimino’s work is installed in the courtyard and consists of a sound apparatus through which a conversation between the artist and Christian Berg, scientific head of the Botanical Gardens of Graz, is heard.

As part of the exhibition, the Educational and Training department of the PAV, curated by Orietta Brombin, will host Rerum Naturae, a programme on the role of man in relation to natural phenomena; Cultivating Signs which addresses the issues of exchange and relationships andDelicatessen, or edible matter as an artistic medium. In terms of training for adult audiences, onFriday, 31 May, Saturday 1 June and Sunday 2 June, Andrea Caretto and Raffaella Spagna will lead Workshop_33 / Back and Forward_Colonization_02, a collective and immersive activity based on housing and work as methods to explore a place.

The Symposium

On Wednesday 8 May, from 10 Am to 6 Pm, at the Casa del Teatro Ragazzi, the PAV will host a symposium entitled Internaturalism, dedicated to debates around the theme of nature. The conference will analyse the theme of nature from multiple perspectives (aesthetic, ethical, anthropological and artistic). For more details about the symposium: click here to download the PDF file.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Call for abstracts: Ecology In Practice – Creative Conservation Symposium

This post comes to you from Cultura21

5th World Conference on Ecological Restoration in Madison, Wisconsin, USA October 6-11, 2013

The symposium is convened by David Haley and Richard Scott. Haley has convened and chaired the Ecological Arts symposia at SER (Society for Ecological Restoration) World Conferences in 2000 (Liverpool), 2005 (Zaragoza) and 2011 (Merida), and contributed to Richard Scott’s Creative Conservation workshops at these and European SER conferences. In 2013 they will combine arts and science concepts through formal oral presentations concerning practical research approaches to ecological restoration. In particular, contributors to this event, will aim to shift the focus away from the common position of having to justify the art in an ecological restoration context, or even justifying ecology in an arts context. They will consider the position that art and ecology exist naturally in the world, but that many societies continue to spend much time, effort and money extracting and destroying these embodied phenomena, resources and values. While some artists’ practical interventions reveal ecology through their art, or contribute new perspectives to ecology, their art may also transform the material world, ecologically. These intentions and manifestations are very different from art that merely illustrates nature, or art as a tool to popularize scientific endeavor. Here, ecological art is a necessary component in interdisciplinary thinking and research, and through creative practices, may emerge as a new ‘transdisciplinary’ form of working towards restoration.

Deadline extended: Please make your submissions directly to SER by 15th of May 2013(click here for the conference website), but also do send them by email to David Haley (d [dot] haley [at] mmu [dot] ac [dot] uk), if you wish to be included in the Symposium – ‘Ecology In Practice – Creative Conservation’. (Please note that Haley and Scott have absolutely no access to any funding to support your attendance.)

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Call for Papers: CONTEMP ART ’12

This post comes to you from Cultura21

From the 11th to 14th of April 2012 the Contemporary Art Conference takes place in Istanbul, Turkey. It is open to the approaches of institutions and history of contemporary art as well as to styles generated by various international artists with different tendencies. Contemporary art has contrary characteristics and constantly renews itself and its environment whether from new materials or ways of communicating with the audience. It gets into the focus of criticism, too.

“Contemporary art, with all its wrapped dimensions, confronts us every day with new agenda and disputes.”

The Contemp Art ’12 tries to give answers to the questions that appear in the rise of the new millennium given this complex motion. Artists as well as institutions are welcomed to follow the call for papers. There are different suggestions on themes, a very interesting one for ecological art is the tendency of place, city and nature as well as material and environment.

The event will be arranged by the Eastern Mediterranean Academic Research Center.

Enquiries: info [at] contempartconference [dot] org
Web address: http://contempartconference.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

US town to turn drainage basin into public art

This post comes to you from EcoArtScotland

image from Jackie Brookner's page on the Women Environmental Artists Directory

Minnesota Public Radio recently reported that Jackie Brookner is advising and supporting the inhabitants of the City of Fargo in North Dakota on a major ecological art project funded in part by the National Endowment for the Arts.  The focus of the project is making use of a drainage basin, built to deal with heavy summer rains, as year round facilities for the community.

There’s an interview with Brookner on the NEA blog and if you prefer listening to reading, you can hear her on the Social Practices Art Network.

image from Heart of Reeds website

In the UK Chris Drury’s Heart of Reeds in Lewes, West Sussex, is probably a comparable project.  This constructed environment remediates industrial pollution whilst providing recreational space and managing rain water.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Interview about EcoArt South Florida

EcoArt on the West Palm Beach waterfront. Michael Springer served as the primary designer of this project, completed in 2010. This work is a significant example of the cross disciplinary work of a sculptor who has been doing large scale infrastructure related environmentally sensitive art for decades.

DCA: Tell us about EcoArt South Florida.

EcoArt South Florida: EcoArt South Florida encourages broad support for environmental stewardship within communities by involving citizens of all ages and demonstrating innovative and aesthetically striking ways to create and save energy, reduce heat island effect, capture and reuse stormwater and many other positive approaches to enhancing the health of our interrelated ecosystems. EcoArt (short for ecological art) is not a new art practice. It is only new here in Florida!

Volunteers collect seeds as a part of EcoArtist Xavier Cortada’s installation on Lincoln Road in Miami. Cortada is a multitalented artist whose projects to restore Florida’s urban canopies and mangrove stands are large scale performance pieces involving hundreds of non artist volunteers, government agencies and philanthropic organizations. (photo submitted by EcoArt South Florida)

Cortada’s EcoArt installation on Lincoln Road in Miami. (photo submitted by EcoArt South Florida)

DCA: How does EcoArt encourage the public, and in particular, elected officials, to incorporate arts and culture into everyday life?

EcoArt South Florida: EcoArt South Florida intends to assist targeted communities to establish “EcoArt Nodes” in each of South Florida’s five watersheds by 2015. We define an EcoArt Node as a committed group of stakeholders, with a strong organization at its center (either as its own nonprofit, or as a subunit of an existing organization) dedicated to growing EcoArt and supporting emerging EcoArtists in their locale. An important stakeholder group that must always be included as each EcoArt Node is established, are elected and career officials of municipal and county governments.

The locations for our EcoArt Nodes have been scientifically identified by our GIS study of all five watersheds in South Florida, completed for us by Dartmouth College’s department of geography undergraduate students, Spring, 2011.

EcoArt South Florida’s comprehensive community education program and artist apprenticeship is specifically designed to engage key communities in best ways to establish and support strong EcoArt practices in their areas. We will work with the communities identified as EcoArt Nodes to field this program which will be the basis for ongoing development and support of EcoArt practice.

In addition to establishment of targeted EcoArt Nodes, starting in early 2012, EcoArt South Florida Board and Advisory Committee members will begin to meet where they live, with county and city officials.

To date, the only municipality in Florida we are aware of that has done this is Boynton Beach. Credit goes to Boynton’s Mayor and Commissioners for establishing a Green Alliance of local citizens involved in Green urban and community development that recommended key elements of a Green Ordinance for the city. EcoArt South Florida was a member of this alliance. The resulting new ordinance Includes mention of EcoArt at various places. We are delighted to encourage our city and county officials to follow the lead of Boynton Beach in assuring that EcoArt is included as their communities develop creative ways to “go green.”

Follow the link to learn more about how EcoArt has been integrated into Boynton’s many new green initiatives, please contact the administrator of Art in Public Places Debby Coles-Dobay.

Jackie Brookner (NY) and Angelo Ciotti (PA) are EcoArtists embedded in design team for restoration of West Palm Beach’s largest urban green space, Dreher Park, revamped from 2002-2005 to expand water retention. Features “BioSculpture” ™ in new retention pond which cleans waters with plants on the sculpture’s surface, sculptural earthen mounds reminiscent of indigenous people’s shell mounds, created from dirt excavated to create a large new retention pond, and a learning garden featuring plants used by inhabitants over a thousand year period to the present. (photo submitted by EcoArt South Florida)

DCA: What does EcoArt do for South Florida?

EcoArt South Florida: EcoArt practice has many identities. All contribute to the community. Most involve the community at every level of the planning, design and creation of EcoArt projects.

In addition to our consultations with communities we have identified as EcoArt Nodes, and continuing to develop our pilot community education and artist apprenticeship program, EcoArt South Florida is also currently working on three program aspects that we believe have great potential for inspiration, education and engagement of the public:

  1. First, the integration of Public EcoArt at the design stage of urban buildings and neighborhoods that will be seeking LEED or other green certification. EcoArt South Florida is working with the South Florida chapter of the US Green Building Council on this.
  2. Secondly, engaging EcoArt with greening the public schoolyard. EcoArt South Florida has been reaching out to public school districts, teachers and administrators through the annual LEARN GREEN conferences; and we are in the process of working with a math and science middle school to develop what will probably be the first comprehensive outdoor classroom in South Florida.
  3. And finally, modeling a new kind of urban streetscape featuring a variety of Florida native canopy trees (instead of the “monoculture” approach currently used) and understory vegetation that encourages the return of pollinators and birds. EcoArt South Florida is involved with a consortium of organizations developing a pilot of this kind of streetscape. Our partners include the grass roots West Palm Beach organization Northwood GREENlife that is taking the lead, the Palm Beach chapter of the Florida Native Plant Society, 1000 Friends of Florida and the Center for Creative Education. In addition to the creation of a multiple-species Florida native urban forest pilot streetscape that can be replicated widely, the project will also incorporate arts: sculpture, ceramics, video, storytelling, performance and a community celebratory procession/parade once the planting has been completed.

EcoArt South Florida believes EcoArt will not prosper in our region unless public officials, both elected and career, and our colleagues in the building, development and planning professions are given incentives to do so. It is for this reason that we will be focusing heavily over the next year to two years on insertion of EcoArt within city and county green ordinances as has been done in Boynton Beach.

DCA: What does the future of EcoArt hold for Florida?
EcoArt South Florida: We believe Florida can become one of the key centers for EcoArt practice. EcoArt South Florida is dedicated to making this happen. And this is as it should be. As we point out on our website, engagement of art and culture with environmental issues is still not widely done anywhere, not only in Florida. This is a shame, because, as those of us involved in the arts professions know well, art has the potential to inspire, educate and engage in so many ways. This inspiration and engagement will be necessary if we are to address successfully the many serious implications of climate change. And we have very little time to do this. Art is a form of knowledge, just as important as science. Unfortunately art and artists have not been adequately engaged with science in the struggle to bring our valuable ecologies back to health. Now is the time to bring EcoArt to the task.

DCA: Why do you believe arts and culture are important in the lives of Floridians and visitors to our state?
EcoArt South Florida: Art creates culture and has for as long as human being have inhabited the earth. The best time to have begun to bring art to the task of healing our fragile ecologies was many decades ago. The second best time is now. Florida needs us. The planet needs us. Let’s get to work applying artistic imagination and creativity in tandem with scientific advances to the challenges that face us.

AFTA PAN Public EcoArt Webinar and upcoming Pre Conference Panel San Diego

Andrea Polli, Queensbridge proposal for alternative energy (NYC) 2005

This post comes to you from EcoArtSpace

On May 4th ecoartspace had the opportunity to participate in an online webinar through Americans for the Arts out of Washington D.C. For several years now their Public Art Program Manager, Liesel Fenner, who previously worked for the New England Foundation for the Arts in Boston where she developed a partnership between the NPS and the NEA called Art & Community Landscapes by inviting artists to participate in education and restoration of public lands, has been an advocate of ecological art. For the webinar, Fenner invited a group of ecological arts consultants and a public artist to the table to share valuable information with the public art community on Going Green: How to Align Public Art with Green Building and Infrastructure. During this 90-minute presentation some 37 participants from across the United States were able to access important information on a rapidly developing field of artistic practice.

The first presenter was Mary Jo Aagerstoun, President of EcoArt South Florida. In her talk, Public EcoArt Integration: Transforming Policy she outlined case studies and policy examples for integrating art that makes green technologies visible into the design and construction of green building as well as public infrastructure. Rebecca Ansert, Founder and Principal of Green Public Art in Los Angeles gave a comprehensive presentation entitled Green Building: Where Does The Art Fit In? to examine how public art can meet LEED certification points as well as materials usage. Emily Blumenfeld, who is currently based out of London, and formerly from St. Louis, Missouri where she co-founded Via Partnership, reviewed a Public Art Master Plan that she co-authored for the Environmental Protection Department for the City of Calgary, Canada, known as the Expressive Potential of Utility Infrastructure. And, to wrap up the webinar, public artist Mark Brest van Kempen from Oakland, California presented several projects in various forms of completion, exemplified from the artists perspective, the numerous ways in which art can transform public space from an ecological perspective.

Patricia Watts, founder and west coast curator of ecoartspace gave a short talk on the artist selection process, which included suggestions for extended deadlines on RFQs, workshops for ecological artists who are new to the public art process, suggestions for who to bring to the table when selecting artists including Environmental Services Department employees and local biologists/ecologists, as well as art curators who have worked with many of these artists in a museum context. Importantly it was impressed upon public arts administrators to be proactive in bringing these types of projects to fruition. Often it is the case that administrators do not see themselves as collaborators with the artist and for these types of projects it is imperative that as much information as possible be provided to the artist as early as possible to be able to identify a crucial point of integration in the planning and construction process. Administrators will need to think outside their job description to make these projects successful.

The Going Green Webinar will be available to the general public on demand through AFTA after June 1st for $35 per download HERE. There will also be a follow up Public Art Preconference workshop at the AFTA Annual Conference in San Diego on June 15th, entitled Green Infrastructure: Re/Generation—Environmental Art & Design: Now and How including presentations by Rebecca Ansert, public artist and administrator Vaughn Bell, landscape architect Christine Ten Eyck, and Patricia Watts of ecoartspace.

Listen in online or see you in San Diego in June!

Links to other pioneering Ecological Public Art Plans include:

 

ecoartapace is one of the leading international organizations in a growing community of artists, scientists, curators, writers, nonprofits and businesses who are developing creative and innovative strategies to address our global environmental issues. We promote a diverse range of artworks that are participatory, collaborative, interdisciplinary and uniquely educational. Our philosophy embodies a broader concept of art in its relationship to the world and seeks to connect human beings aesthetically with the awareness of larger ecological systems.

Founded in 1997 by Tricia Watts as an art and nature center in development, ecoartspace was one of the first websites online dedicated to art and environmental issues. New York City curator Amy Lipton joined Watts in 1999, and together they have curated numerous exhibitions, participated on panels, given lectures at universities, developed programs and curricula, ad written essays for publications from both the East and West Coasts. They advocate for international artists whose projects range from scientifically based ecological restoration to product based functional artworks, from temporal works created outdoors with nature to eco-social interventions in the urban public sphere, as well as more traditional art objects.

ecoartspace has been a project of the Social and Environmental Entrepreneurs in
Los Angeles since 1999.

Go to EcoArtSpace

Performing Ecology

Image: Oil & Water #6 mixed media seen in Oil & Water for One of a Kind, an exhibition of unique artist's books curated by Heide Hatry at Pierre Menard Gallery, Cambridge MA and HP Garcia Gallery, New York, NY.

Trigger Point Theory as Aesthetic Activism, a workshop on restoring degraded environments

March 10th, time: 12:00-1:00pm 2011

The Culture of Climate Change, The 10th Annual Nature Ecology Society Colloquium

CUNY Graduate Center, CUNY New York, NY

Hosted by the Environmental Psychology PhD Program

Contact Person: Shawndel Fraser, SFraser@gc.cuny.edu

Ecological Art, March 10th, time: 4:00-5:00pm 2011

Panel Session organized by: Diane Burko and Aviva Rahmani

Moderated by: Amy Lipton, Panelists: Sam Bower, Beth Carruthers, David Haley and Shai Zakai

The Culture of Climate Change, The 10th Annual Nature Ecology Society Colloquium

CUNY Graduate Center, CUNY New York, NY

Hosted by the Environmental Psychology PhD Program

Contact Person: Shawndel Fraser, SFraser@gc.cuny.edu

HALF LIFE: Patterns of Systemic Change. March 25th, time: 6:00pm, 2011

Panel Discussion and Live Webcast

Joan Mitchell Center, New Orleans, LA and Santa Fe Institute of the Arts, Santa Fe, NM

Telephone 505-424.5050

Contact Person: Diane R. Karp, Ph.D. Executive Director Santa Fe Art Institute dkarp@sfai.org

One Of A Kind, an exhibition of unique artist’s books. March 3-March 27th, 2011

Reception Thursday March 17th  6:00 – 9:00 pm

Pierre Menard Gallery, 10 Arrow Street, Cambridge MA  02138

Telephone 617-868-2033

Curated by Heide Hatry, h.hatry@gmail.com

One Of A Kind, an exhibition of unique artist’s books. April 19 – May 21st, 2011

HP Garcia Gallery, 580 Eighth Avenue, 7th Floor (between 38th & 39th Streets)

New York, NY 10018-3080

Telephone (212) 354-7333

Curated by Heide Hatry, h.hatry@gmail.com

One Of A Kind, an exhibition of unique artist’s books. Dates: TBA, 2011

German-American Heritage Museum, 719 6th Street NW, Washington, DC 20001

Telephone (866) 868-8422

Curated by Heide Hatry, h.hatry@gmail.com

The Art of Ecology – Transdisciplinary Research In Practice

This post comes to you from Cultura21

A symposium at the 2011 World Conference of the Society for Ecological Restoration (SER)

SER2011 WORLD CONFERENCE ON ECOLOGICAL RESTORATION – Merida, Mexico – August 21-25, 2011 – Re-establishing the Link between Nature and Culture

Please submit abstracts (see link below) indicating the title of the symposium and the name of David Haley, as session organiser. The deadline of the call for abstracts is May 15th.

http://www.ser2011.org/en/ser2011-scientific-program/call-for-abstracts-posters/

SER is a scientific organisation concerned with environmental remediation in many countries. It has, previously, held three ‘World Conferences’, at two of which ecological artist David Haley was invited to coordinate and chair sessions on ecological art (Liverpool, 2000 and Zaragoza, 2005). In addition, David has contributed to Richard Scott’s ‘Creative Conservation’ initiatives at these and other SER conferences. Richard is Senior Programme Manager with Landlife, the National Wildflower Centre in Liverpool, and was a close colleague of the eminent ecologist, Professor Tony Bradshaw. David and Richard  shall be convening this Symposium together.

The SER World Conferences offer great opportunities to meet with some of the world’s top ecological scientists and activists from diverse cultures. On occasion, the language of art and that of science have converged, to emerge as a common language – an ecology of cultures, perhaps. And this Symposium seeks presentations that pursue this concept – ‘The Art of Ecology: Transdisciplinary Research In Practice’.

Please, also, take advantage of early registration facilities which will be available through the Conference web page next week (http://www.ser2011.org).

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Call for Papers: SER2011

This post comes to you from EcoArtScotland

The Art of Ecology: Transdisciplinary Research In Practice at Society for Ecological Restoration 2011

WORLD CONFERENCE ON ECOLOGICAL RESTORATION
Merida, Mexico – August 21-25, 2011

Please submit abstracts on the following site:

http://www.ser2011.org/en/ser2011-scientific-program/call-for-abstracts-posters/

indicating the title of the symposium and mentioning David Haley as session organiser.

Please, also, take advantage of early registration facilities which will be available through the Conference web page next week (http://www.ser2011.org).

SER (Society for Ecological Restoration) is an important and authoritative scientific organisation concerned with environmental remediation in many countries. It has, previously, held three ‘World Conferences’, and for two of which David Haley was invited to coordinate and chair sessions on ecological art (Liverpool, 2000 and Zaragoza, 2005). In addition, Haley has contributed to Richard Scott’s ‘Creative Conservation’ initiatives at these and other SER conferences. Richard is Senior Programme Manager with Landlife, the National Wildflower Centre in Liverpool, and was a close colleague of the eminent ecologist, Professor Tony Bradshaw. Haley and Scott will be convening this Symposium together.

The SER World Conferences offer great opportunities to meet with some of the world’s top ecological scientists and activists from diverse cultures. On occasion, the language of art and that of science have converged, to emerge as a common language – an ecology of cultures, perhaps. And this Symposium seeks presentations that pursue this concept – ‘The Art of Ecology: Transdisciplinary Research In Practice’.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland