Disciplinary Approach

Negotiating Routes: Ecologies of the Byways III February – June 2012

This post comes to you from Cultura21

Negotiating Routes: Ecologies of the Byways is a project inviting reflection by artists on the anxieties embodied by the rank infrastructural development across India and its uncomfortable coexistence with local ecologies.

Now in its third year, the project has invited artists, collectives and other professionals to develop projects that are site-specific and have an inter-disciplinary approach. Mapping various sites across the country, artists and communities have come together to discuss the regeneration of the environments they inhabit. The project encourages the archiving of local knowledge and mythologies, flora, fauna, home remedies, stories and folklore as integral to the specific artist’s intervention.

This years ongoing projects are:

NR 9: Akshay Rathore and Flora Boillot (Aulinjaa Village, Madhya Pradesh)

Abstract Reality: A Visual Perspective on the Organic Movement in Madhya Pradesh http://aulinjaamp.blogspot.in/

NR 10: Priya Ravish Mehra (Najibabad, District Bijnor, Uttar Pradesh)

Making the Invisible Visible: The Darning Tradition of India

http://rafoogari.wordpress.com/

NR 11: Uma Ray (Domahani, District Jamshedpur, Jharkhand)

Where the River Meets its People

http://wheretherivermeetsitspeople.blogspot.in/

 For more information about the event and the ongoing projects , please click here.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Urban Sustainability by Jessica Kimmel, ecoartspace intern 2011-2012

This post comes to you from EcoArtSpace

The Urban Sustainability program at Antioch University in Los Angeles encourages a multi-disciplinary approach to solving issues of scientific and societal importance. The core requirements for the degree include courses in systems thinking, environmental literacy, social justice and a hands-on approach to fieldwork. The program also provides graduate study in urban ecosystem science, activism and advocacy, environmental education, sustainable practices, and research methods. A large component is our fieldwork studies– contributing an opportunity to explore and develop skills to our rigorous studies and the experience to prepare for our ambitious futures. In my first semester of fieldwork in 2011, I selected two site projects including ecoartspacewith Patricia Watts and Green Public Art with Rebecca Ansert, both out of Los Angeles.

During the 36-unit degree program, I am participating in a series of residencies that consist of classroom instruction, guest lectures and elective seminars. Antioch has a long-standing commitment to social justice in the community that has allowed me to consider utilizing methods and theories of social sciences toward solving complex sustainability related concerns. The class has toured the port of Los Angeles, examined L.A.’s publiclands struggle the beach in Malibu and hiked through Ramirez Canyon, toured Venice on bikes with Bikerowave, and visited the Burbank Recycling Center and Puente Hills Landfill. These tours have created a really valuable platform for the free exchange of ideas pertaining to making our contribution more sustainable.

Antioch’sUrban Sustainability program will operate as a vehicle for the study of urbanization and its ecosystemic impacts. As social scientists, educators and communicators, I believe we must similarly examine how environmental hardship is socio-economically distributed. Environmental justice, climate change and land use provide us with excellent context. In the multi-disciplinary tradition, I have long studied and admired leading environmental artists suchas Ansel Adams and Eliot Porter. I applaud how progressive-intellectuals have successfully used various mediums to communicate complex ideas in accessible terms. Adams used photography to capture the beauty of the American landscape and bring awareness to the necessity of its protection. Photography is one of my academic and personal concentrations and as a master’s student my hope is to create an intersection of creativity and activism to initiate lasting changes.

This year was also my first experience curating an art show. I was the student organizer of this years annual ArtisticUprisingat Antioch, which took place on November 18, 2011. It was such an incredible experience for me to have and has allowed me to grow in ways I never dreamed of. Working on a project of such importance to the campus and AULA community, continuing the tradition as the fourth annual exhibit, and leading my peers through a successful show has given me a sense of fulfillment and validated the direction I’ve chosen. The art show was started by Cindy Short in 2008. Proceeds from art sales and other activities at the event benefit The Bridge Program. Bridge provides a college education for low-income adults in the Los Angeles area, at no cost to the student. The program pays their tuition for 15 college credits with all other necessary expenses included: books,supplies, bus tokens, and even meals on the evenings of classes.

Through the opportunities Antioch has given me, I have been able to witness first-hand the impacts and influence art can have in support of a sustainable existence on the goals of urban sustainability. It is my hope to contribute my efforts to mobilize artists in the pursuit of spreading the message of environmental consciousness. I will also be exposed to professionals outside of science and academia that are working to promote the goals of sustainability by participating in the environmental movement. My goal is to encourage environmental discourse in the local community and solidify artists as relevant stakeholders in the environmental dialogue. Through project management, artist interaction and social media, I have a unique opportunity to contribute toecoartspace’s operation, success and continued legacy as an invaluable and effective environmental resource. I admire what ecoartspace stands for and am thrilled by their initiatives for promoting and reaching sustainability. I am excited to be a member of their team and hope that our efforts together can transcend social, economic and political boundaries.

 

ecoartapace is one of the leading international organizations in a growing community of artists, scientists, curators, writers, nonprofits and businesses who are developing creative and innovative strategies to address our global environmental issues. We promote a diverse range of artworks that are participatory, collaborative, interdisciplinary and uniquely educational. Our philosophy embodies a broader concept of art in its relationship to the world and seeks to connect human beings aesthetically with the awareness of larger ecological systems.

Founded in 1997 by Tricia Watts as an art and nature center in development, ecoartspace was one of the first websites online dedicated to art and environmental issues. New York City curator Amy Lipton joined Watts in 1999, and together they have curated numerous exhibitions, participated on panels, given lectures at universities, developed programs and curricula, ad written essays for publications from both the East and West Coasts. They advocate for international artists whose projects range from scientifically based ecological restoration to product based functional artworks, from temporal works created outdoors with nature to eco-social interventions in the urban public sphere, as well as more traditional art objects.

ecoartspace has been a project of the Social and Environmental Entrepreneurs in
Los Angeles since 1999.
Go to EcoArtSpace

Khoj International Residencies and Projects

This post comes to you from Cultura21

Khoj International Artists’ Association is an artist led, alternative forum for experimentation and international exchange based in India. It sees its role as an incubator for art and ideas, artistic exchange and dialogue in the visual arts. In the last few years it has developed an active network of artists in South Asia.

Applications are invited for an international residency ‘In Context:public.art.ecology Part III’ @ Khoj, for art projects exploring ecological thematics preferably in public spaces around Delhi. The residency will be for 4- 6 weeks starting in the first week of March to mid April 2012. The deadline for submitting the application to applications [at] khojworkshop [dot] org is the 30th of November.

Invited are proposals from individual artists and artists’ collectives, with projects fokussing urgent ecological issues affecting the urban city. This year’s special focus is laid on the notion of food. Food can be seen as an artistic medium incorporating performance, art installations or interactive events that re-examine the significance and relevance of food in the social context, simply in its connection with the body or as a primary ritual that fosters engagement, interaction and collaboration.

For application details see this page.

Furthermore applications are invited for the Negotiating Routes – Ecologies of the Byways project- Part III, from  artists, artists groups or professionals of Indian origin, to propose projects which are site-specific preferably in smaller cities in India. They must have an inter-disciplinary approach that combines research and art creation by artists and local communities, addressing the visible and invisible transformations currently taking place in their immediate environments.
The project must be completed within a maximum of 3 months from the date of commencement within the stipulated time frame of February- June 2012.

For more details take a look at this page.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21