Orientation for Cultural Cooperation Between China and Europe

Free download link at the end of this post !

As a result of the project EUROPE-CHINA CULTURAL COMPASS, a publication is now available, addressing the question of intercultural communication and cooperation. In the framework of an ongoing dialogue between China and Europe, the project was generated from an initiative by partners of EUNIC (European Union National Institutes for Culture) in China, the Goethe-Institut, the British Council, and The Danish Cultural Institute.

Alongside with a glossary with selected intercultural key-vocabulary, the Compass includes  knowledge about the way of working and the cultural background of both countries.

It is intended to make a contribution to the understanding of cultural differences in order to facilitate and improve the cultural cooperation and is targeted both at European and Chinese readers. Exchanges and co-productions between European and Chinese practitioners in all fields of creative culture are supposed to be fostered.

The publication EUROPE-CHINA CULTURAL COMPASS can be seen as an essential tool for further collaboration and as a prelude to the coming Sino-European Year of Intercultural Dialogue. It makes relevant perspectives for cultural cooperation available for European and Chinese stakeholders serves as a knowledge base for cultural managers and players.

Instead of intending to be a ready-made toolkit, it is rather aimed to give an impulse for further exchanges of experience.

EUROPE CHINA CULTURAL COMPASS was commissioned by EUNIC (European Union National Institutes for Culture).

You are able to download the publication for free here:
http://www.eunic-online.eu/node/445

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

- Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
- Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
- Hans Dieleman (based in Mexico-City, Mexico)
- Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

A  warm welcome to: Culture|Future partners, cultural institutions and cultural actors from around the world

Culture|Futures’ spiral of engagement in 2011 is expanding…

Welcome to the new website and the strategies for Culture|Futures over the next decades.

Please see the

• information about the events planned for 2011 on the News Page
• information on Culture|Futures  strategic Vision

If you are new to Culture|Futures you may be interested in its history since 2007

Please feel free to share this resource site and its information to other Cultural Institutions, Cultural actors and practitioners in your area.

You or your organisation may also wish to join and share information about your cultural activities in this area on the Culture|Futures Facebook, Twitter, Youtube and News links below

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Individuals are invited to connect to Culture|Futures through the Culture|Futures ning.community

This site will be re-launched in the near future at www.culturefutures.ning.com

Please also connect with  Culture|Futures social media: you can also sign up  for email updates by entering your email on the homepage

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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Artist Lisa Roberts worked with scientists investigating the life of Krill deep in the ocean.  Lisa Roberts’ drawings, based on a very blurry video from the bottom of the ocean, articulates what she could see.  She focused on understanding the ‘dance’ to the point that she could draw and then animate it.  Lisa was not illustrating something scientists already knew.  Rather by working with scientists, her drawing and animation skills enabled everyone to understand something no-one hitherto knew.  She ended up as co-author of a paper in the Journal of Plankton Research.  The web site Antarctic Animation also demonstrates the to-and-fro of dialogue between artist and scientist working out what’s going on.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Julie’s Bicycle just launched a publication, developed with the Mayor of London and Frieze Art Fair, on the visual arts.  This is one of a series of ‘how to’ guides across artforms.

Starting with work in 2007 that looked at the Greenhouse Gas emissions of the UK Music Industry, Julie’s Bicycle has researched and produced guides on CD Packaging, Audience Travel to Festivals, Performing Arts Touring, as well as Promos and Green Riders.

All organisations should be looking seriously at these issues, not only in terms of management of buildings, but also management of programming.  Whilst the recent glut of plays about climate change may have been met with some criticism, there are artists making interesting work focused on environmental crisis across all artforms.  The question in the end is whether this is didactic or whether it opens up dialogue.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

The conference committee welcomes proposals for papers that consider the relationship between the cultural and ecological aspects of sustainability in the arts, and may encompass aspects of subjectivity with respect to community and identity.

Please forward a 250-word abstract of your proposal, including your name, affiliation, mailing and email address to:
Ina Agastra, Executive Assistant to the Dean
Faculty of Fine Arts, York University
ffadeanasst@yorku.ca

Submission deadline: September 1, 2010

Conference website: www.stagingsustainability.ca

Go to RSA Arts & Ecology

Go to RSA Arts & Ecology

Go to RSA Arts & Ecology

BIG CAAKe and the League of Imaginary Scientists + E.K.K.O have been awarded the 2009 iLAB residencies by iLAND, the Interdisciplinary Laboratory for Art, Nature and Dance. BIG CAAKe, a collaborative team including an artist/engineer/educator, a choreographer/cook, an artist/designer, an architect and a mycologist, will conduct “StrataSpore,” a project using mushrooms to develop dialogue about local New York City ecosystems and urban sustainability. The League of Imaginary Scientists and E.K.K.O., a collaborative team including an artist, a composer, an architect, an environmental researcher and a choreography collective, will develop “Waterways: fluid movements in a liquid city,” a project that examines water through environmental and sociological study and “transforms that information into choreographic actions that engage New Yorkers.” Get connected through the ongoing discussion on the iLAND Symposium blog.

via APInews: iLAND Announces 2009 iLAB Residencies .

The idea came from a reading that both poets were invited to in New York in 2007. Though they had worked together — John had edited Melanie’s debut collection —  they’d never actually met, so the event would have given them both that chance. Kinsella lives in Australia; Challenger lives in the UK. But both were becoming increasingly uneasy about the idea of artists travelling internationally just to give readings of their own work.

In the end, neither travelled to New York. Instead, they’ve decided to create this collaborative work which comes from their decisions to eschew air travel for such events.

The first poem arrived in my email box yesterday; it’s posted on the site today, initiating the exchange. Take a look. I’m loving the idea of seeing a piece of work like this evolve in my email inbox.

You can link to the poems here tinurl.com/dialoguepoems.

Photo: Roger Bishop

Go to RSA Arts & Ecology