Deep Ecology

NOW – Permaculture in Europe

This post comes to you from Cultura21

11th European Permaculture Convergence, 1-5.8.2012

Gastwerke Kassel, Germany

Now! This year the EuPC will focuss on Earth Care, People Care, Fair Share in August. For five days 300 activists and designers gather together to start a dialogue on permacultures. Interdisciplinary workshops, lectures and art will be part of the program and will promote European networking and grand celebration.

EuPC stands for ideas themselves, not only for  financeable ideas. Communication is more important than reactions of others.

Speakers from all over the world will dedicate their focus on methods and the design of transition processes. Workshops on many different topics such as Deep Ecology, Wandelnde Gärten and Social Sculpture will be held in Englisch and German.

Adjacent to the Convergence, the traditional international Permaculture Design Course takes place in Kassel: Its challenge is to bring in ‘Permaculture, Art & Society’ as an innovative focus and approach.

Tickets and more Information can be found on the website of  EUPC or in the leaflet.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Be a gathering! The Natural Circus trainings, Spring 2012

This post comes to you from Cultura21

‘I am movement and stillness at the same time’

The Natural Circus trainings are a body and movement practice (and maybe a bit more), embedded in an understanding that ‘nothing lasts, nothing is finished, nothing is perfect’.

Situated in a powerful natural environment, they are playful gatherings beyond the human(-centered) perspective that may help realize the complete interdependence and interconnectedness of the human being with the natural world – until what remains is dance only. The trainings integrate elements of Contact Improvisation, Physical Theater, Tango, Bodywork, Meditation, Deep Ecology and Nature Awareness Work, Taoist/Advaita/Zen philosophy.

This 4-days gathering will take place in Barnave/Diois, France; from May 24th to the 28th, and will feature Diethild Meier (Dancer, improviser, visual artist), Lars Schmidt (Wandering Monk, Natural Thinker, Improviser) and Romain Petit (Freeclimber and climbing teacher).

The cost of the gathering is 240€, housing on site (Le Serre) included, in two rustic apartments, food will be extra, shared and prepared together. The number of participants is limited to 12 persons

For more information, go to Natural Circus´ website.

Registration: contact [at] passiveactivism [dot] net

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Value

This post comes to you from EcoArtScotland

The increasing use of financial values for ecological things (trees, bees, etc.) is deeply problematic.

In Canada for instance PeterBorough’s Green Up and Urban Forest Stewardship Programme (as reported in the Peterborough Examiner) has been literally tying price tags to trees to highlight their importance to members of the public.  The value attributed is over 50 years and it does identify the different aspects of the value of trees,

“The tags list oxygen generation ($31,250), air pollution control ($62,000), water recycling ($37,500) and soil erosion control ($31,250) as a tree’s top contributions to a community.”

Whilst this at least acknowledges some of the complexity, English Nature reported that “Bees are worth £200 million”.  This was originally reported on the BBC at about the same time that Lehman Brothers collapsed with a reported figure in the region of $613 billion.

Dave Pritchard recently commented on the ecoartnetwork dialogue (9 April 2011),

“For a time, in the 1970s-80s, there was some of the kind of “reconsideration” you describe, with the “deep ecology” of Naess, Bateson, Berry et al. But if you analyse the evolution of the actual policy and advocacy discourse at 10-yearly intervals, for example from the 1972 Stockholm Conference to the 1982 World Conservation Strategy to the 1992 Rio Conference to the 2002 Johannesburg Summit (and then maybe in advance of the Rio+20 summit in 2012 look at the Aichi targets adopted last year), it has swung completely away from any ethics of “existence value” for the non-human component, to a forced justification (in adversarial arenas) in terms of “sustainable development”, “wise use”, “evidence-based conservation”, “ecosystem services” and (largely monetary) valuation of those services. The environmental movement (of which I am a part) congratulates itself on having found better ways of expressing the critical nature of ecosystems within broader mainstream audiences and processes, in this way. But this has all been done by becoming MORE anthropocentric and utilitarian; not less.”

Could the same narrative be written about both education and the arts (a.k.a the creative industries)? 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland