Current Environmental Problems

Artist’s Talk by Kimberley Hart at Mixed Greens Gallery, NYC

On Saturday December 12, 2009, New York artist Kimberley Hart gave a talk about her recent exhibition Scout at Mixed Greens in Chelsea. The event was co-sponsored by ecoartspace and NYFA.


The works in Scout contemplate specific themes surrounding self-sufficiency, sustainability, observation, labor, cultivation, exploration, defense and tenacity.


Before mentioning any of the artworks in the show, Kimberley began by explaining that her new body of work came out of major life changes involving food and her interest around issues of agricultural sustainability. In the past few years, in an effort to eat healthy locally grown foods, she decided to give up all convenience foods and made a conscious effort to eat mostly organic foods. Kimberley feels that to a large part – many current environmental problems are due to our culture’s worship of convenience. To confront this dependence, Kimberley gave up packaged foods, ate strictly whole foods and eventually consumed only local and sustainably farmed food. She instituted a “no plastic” rule in her home which began with giving up bottled water and proceeded to take out containers, plastic bags and all plastic packaging.


Kimberley was influenced by reading many current popular books on the food revolution such as Michael Pollan’s The Omnivore’s Dilemma which led her towards living a more sustainable life. She started urban homesteading, canning, composting, and cutting garbage down to one small bag a week. She joined a CSA, bought only grass fed, pastured meats and stopped eating out or ordering take-out. She is striving to have as small of a footprint as possible and is giving serious thought to starting a farm on a former cattle ranch in the South. This passion about food, sustainability, farming, and stewardship, led Kimberley to meet various people involved with permaculture and the transition movement, environmentalists and social justice advocates. She feels that as an artist she is coming from a different place but can potentially end up with similar and interrelated solutions.


In order to create this new show, Kimberley spent time contemplating a way to integrate her new outlook on life and focus on sustainability and self-sufficiency into her artwork. She decided to continue utilizing narrative and allegory as in her past bodies of work. Through drawing and sculpture, she exposes her alter ego represented as a mischievous, irreverent young girl who is self-reliant but more vulnerable and suspicious than in years past. Though noticeably absent from the work, this girl was once full of sparkles and glitter. She is no longer fantasizing about her hunting prowess or setting traps for inappropriate prey. Instead, we find her hunkered down in an austere outpost with few essentials and a concern for an unknown adversary. There are vestiges of a carefree girlhood, but the tenor has changed—a sense of uncertainty has eroded her daring as she struggles to maintain some bravery in the face of a new, foreboding reality.


The works in the exhibition reveal her alter ego’s surroundings, shelter and possessions. A “bank” holds prized, as well as scavenged, provisions and doubles as a repository for a personal currency and objects to barter in this new world. Beautifully crafted, ominous vultures skulk and spread their wings near a pivotal piece titled, The Death of Sparkle. While Kimberley’s alter ego has proven to be equally prissy and cunning in past exhibitions, she is now overwhelmed by apprehensions and threatened by the malicious marauder responsible for Sparkle’s death.

Fantasy and fine craftsmanship remain hallmarks of her work, but the tone has shifted to reflect a change—both imagined and real—in her environment. There is a marked shift in her alter ego from mischief-maker of the vernal woodlands to a menaced and solitary defender in a dystopic landscape.


“In an allegory of our shared hopes and fears, an itinerant, young heroine and an elusive, predatory force struggle for prominence. Survival for these characters is symbiotic; their lives intertwine in a closed loop of cause and effect where the lonely girl, in the face of a malicious entity and in a degrading environment, maintains an acute sense of optimism through her own perseverance. This dystopian fantasy explores an uncertain future, an existence outside of modern convenience where subsistence is the primary concern. Referencing issues ranging from institutional critique, environmental stewardship, egalitarianism and our shared literary and visual culture, this work of speculative fiction offers a potential outcome to our current socioeconomic crisis.

We are all scouts now.” Kimberley Hart, 2009


Go to EcoArtSpace

Philly Fringe: Off the Grid

Excerpt from centraljersey.com: “Off the Grid, on the Fringe” by Ilene Dube, August 26, 2009

Lucidity Suitcase Intercontinental, the creators of The MeLTING Bridge, Flamingo/Winnebago,¡El Conquistador!, and Red-Eye To Havre De Grace & Lost Soles, present a new theater festival to be powered entirely by renewable energy. Titled Off The Grid, the festival will take place concurrent with the Philadelphia Live Arts Festival & Philly Fringe and will feature three world premiere theater works and a hybrid performance concert. Off The Grid will be powered by solar panels, a wind turbine and bicycles and will take place in the heart of Old City, Philadelphia, at the Painted Bride’s new studios at 230 Vine St. The festival was conceived by Thaddeus Phillips and Tatiana Mallarino, co-artistic directors of Lucidity Suitcase Intercontinental.

The program includes new work from Lucidity Suitcase Intercontinental, New York based Magician Steve Cuiffo, Miro Dance Theater and a concert by the Mural & the Mint. Each work will be powered by a different renewable source — the only thing these artists promise to be plugging into is creativity.

Mr. Phillips, co-organizer of the festival within a festival, says “After creating two works that dealt with current environmental problems — Flamingo/Winnebago and The Melting Bridge — we wanted to create a work that explores solutions to those problems. We thought we would try something that has never been done before: create a visual theater work without plugging into the power grid. Realizing that it could be virtually impossible, we took it to the next level and decided to make a whole festival of it, and challenge other artists to create work “Off the Grid,” to make and perform multimedia pieces using only sustainable energy.”

Performances will rotate on a nightly basis. Mr. Phillips will perform in Microworld(s) Part 1, a world premiere and solo theater work set in Tokyo and played within a 3-foot-by-3-foot-by-8-feet white box. The play is about a man named Milo who is fascinated by Nikola Tesla, the comedian Bill Hicks and Fumio, his rubber duckie. Milo does not see the need to leave the self-contained world he lives in until he loses everything. This live action piece claims to be the first theater work constructed only out of recycled materials and special low-energy LED lighting.

Digital Effects will be powered by solar panels, Generate. Degenerate. will be powered by bicycle and the Mural & the Mint will be powered by solar, bike and “weza.”

Tickets cost $15

For more information, visit offthegridfest.org

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Go to the Green Theater Initiative