Curators

Agnes Denes stretches the canvas as far as it can go – NYTimes.com

This post comes to you from EcoArtScotland

Thanks to Amy Lipton for highlighting this interesting article in the NY Times on Agnes Denes and her multifaceted work.  If you don’t know Wheatfield – a confrontation, then check it out, but also look at Denes’ drawing.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Open call – Museum of Arte Útil

This post comes to you from Cultura21

dec6_queens_logoThe Museum of Arte Útil is a collaboration between the artist Tania Bruguera, theQueens Museum of Art, New York and the Van Abbemuseum, Eindhoven, the Netherlands. The Museum of Arte Útil is the result of Tania Bruguera’s decade of research into a concept that emphasizes effectiveness and implementation over representation, looking at historical and contemporary examples of alternative strands in socially informed art practice.

Útil as a term refers to something being useful. But it goes further than the English translation, encompassing the idea of a tool or device. Bruguera states that “Arte Útil moves beyond a propositional format, into one that actively creates, develops and implements new functionalities to benefit society at large.”

The project will comprise research, an online platform, an association of Arte Útil practitioners, a series of public projects, a lab presentation at the Queens Museum of Art beginning in February 2013, culminating in the transformation of the old building of the Van Abbemuseum into the Museum of Arte Útil in the Fall of 2013 and a publication. The aim is to present a survey of past and present projects that are rooted in the notion of art’s use to its users and to society at large. Central to the project’s various forms is this open call.

The notion of what constitutes Arte Útil has been arrived at via a set of criteria that Bruguera and the participating museums’ curators have formulated. These criteria will set the parameters of the project and its working methodology. Arte Útil projects should:

  1. Propose new uses for art within society
  2. Challenge the field within which it operates (civic, legislative, pedagogical, scientific, economic, etc)
  3. Be ‘timing specific’, responding to current urgencies
  4. Be implemented and function in real situations
  5. Replace authors with initiators and spectators with users
  6. Have practical, beneficial outcomes for its users
  7. Pursue sustainability whilst adapting to changing conditions
  8. Re-establish aesthetics as a system of transformation

The public is invited to submit information on past or ongoing projects that align with these criteria. Submitted projects should meet as many of these criteria as possible. The selected projects will be listed on the website, to be launched in February and will be considered for inclusion in the artist association, the exhibition at the Queens Museum, the Van Abbemuseum, and/or the publication. Projects can be submitted by anyone, from any field, and need not be submitted by the initiators of the project.

The deadline for project submissions is 15th February 2013.

Click here for the submission form.

For questions, contact: opencall [at] arteutil [dot] net

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

- Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
- Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
- Hans Dieleman (based in Mexico-City, Mexico)
- Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Trash Talk: The Department of Sanitation’s Artist in Residence Is a Real Survivor

This post comes to you from EcoArtScotland

“Last week, Mierle Laderman Ukeles, who is the first and, to date, only artist in residence in the history of the New York City Department of Sanitation (a title she has held since 1977), was speaking at the Brooklyn Museum’s daily staff roll call. She told the museum’s crew of maintenance workers—among them window washers, security guards and floor sweepers—that even though their work can seem boring and repetitive, what they do is “the first kind of culture.”

Continue reading on GalleristNY…

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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SCANZ 2013: Wananga-Symposium

This post comes to you from Cultura21

Developing the culture to create a sustainable civilization

SCANZ2013LogoWebGraphic1-300x102Feb 1st–3rd, 2013 – New Plymouth, New Zealand

SCANZ (Solar Circuit Aotearoa New Zealand) is New Zealand´s premier art, technology, culture and ecology event and involves a symposium, creative residency, and public events and exhibitions. Occurring biennially, it has typically involved a mix of Aotearoa New Zealand and international artists, producers, theorists and curators. SCANZ 2013: 3rd nature will be the fourth event and will be organized by Ian Clothier, Trudy Lane, and Nina Czegledy of Intercreate, in partnership with aligned organizations within the arts and sciences and with tangata whenua.

SCANZ 2013 3rd nature seeks to develop a fresh space, carrying memes from previous SCANZ events (which have all had an emphasis on environment) and other Intercreate projects that have involved scientists, indigenous peoples and artists working together. The aim is to build new knowledge and establish legacies around this work, unencumbered by old perspectives and now distant categories.

We ignore the environmental crisis at our peril. Integrating the indigenous perspective, creative, environmental and scientific views on the environment is essential for continued human habitation of the planet. From these trajectories, it is possible to conceive of a fresh hybrid space, composed of overlapping elements.

For the symposium schedule, a list of selected abstracts and to register, click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

- Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
- Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
- Hans Dieleman (based in Mexico-City, Mexico)
- Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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RIP Beatriz da Costa 1974-2012

This post comes to you from EcoArtScotland

Roger Malina just notified the Yasmin list of the death of Beatriz da Costa after a long and courageous battle with cancer.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Collected Works 2012

From EcoArtScotland/Reblogged from Liberate Tate Blog:
Click to visit the original post

Floe Piece (2012)

Arctic ice, canvas, light, water

“The fact that BP had one major incident in 2010 does not mean we should not be taking support from them.” Nicholas Serota, Director, Tate.

On 14 January 2012 Liberate Tate carried out another unofficial performance highlighting Tate’s complicity in BP’s ongoing controversial oil extraction practices around the world. At 6.30pm at the Occupy London protest camp at St Paul’s Cathedral four veiled figures dressed in black lifted a 55kg chunk of Arctic ice onto a sledge and walked it in procession across the Thames on the Millennium Bridge and into the Tate Modern Turbine Hall.

Read more… 983 more words

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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The Oil Road reviewed

This post comes to you from EcoArtScotland

PLATFORM have been at the heart of a critique of corporations and carbon for more than twenty years.  They have entered into long term partnerships with environmental ngos, appeared at Glastonbury, commissioned and created artworks, as well as produced books and films.

They have also founded a business that delivers micro renewable solutions for businesses and homes in London.

Their latest book, following on from the hugely important The Next Gulf, is The Oil Road, reviewed recently in the Guardian.  The Next Gulf focused on Shell’s involvement in Nigeria.  The Oil Road is focused on travels that Mika Minio Paluello in particular made along BP’s Baku-Tbilisi-Ceyhan pipeline from the Caspian to the Mediterranean.  Exploring oil from experience on the ground is always more revealing.  These books are always well researched, historically informed, thoroughly post-colonial and fascinating.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Collapse

This post comes to you from EcoArtScotland

Reblogged from CHRIS FREMANTLE:

Billy Klüver reminds us of Jean Tinguely’s work on collapse in Artists, Engineers, and Collaboration Klüver-Billy-Artists-Engineers-and-Collaboration (published in Culture on the Brink: Ideologies of Technology, A Manifesto for Cyborgs. Bender, G. and Druckrey, T. (Eds) Dia Center for the Arts, Discussions in Contemporary Culture Number 9. Seattle: Bay Press, 1994).

Jean Tinguely came to New York City in early 1960. On seeing the city for the first time, he decided to build a large machine that would violently destroy itself in front of an audience in a theater, throwing off parts in all directions.

Read more… 260 more words

Speaking of collapse, Unclear Holocaust is a feature-length autopsy of Hollywood’s New York-destruction fantasy, gleaned from over fifty major studio event-movies and detourned into one relentless orgy of representational genocide. It is the unrivaled assembly of the greatest amount of capital and private property heretofore captured in one frame, that, with unfathomable narrative efficacy, suicides itself in an annihilatory flux of fire, water, and aeronautics.

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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To Life! eco art in pursuit of a sustainable planet

This post comes to you from EcoArtScotland

Linda Weintraub has produced an excellent series of books on arts and ecology – they are toolkits and learning resources suitable for people who want to know more or engage groups in arts and ecology.

The most recent just published by the University of California Press is To Life!  The blurb is here Linda Weintraub: To Life! and you can purchase it here University of California Press.  Other titles are here.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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The High Water Line: The New Yorker

This post comes to you from EcoArtScotland

Eve completes the Manhattan portion of the line near the West Side Highway & West 14th Street. Photo: Hose Cedeno (Permission Eve Mosher)

In 2007 the artist Eve Mosher, interested in climate change, followed the 10ft elevation above sea level around Brooklyn and then Manhattan.  She called the work High Water Line.  She used one of those push along carts that are used to mark football, baseball, rugby and other pitches with chalk (in the US called a heavy hitter, believe it or not).  The New Yorker magazine carried the story post-Sandy.

Greenhouse Britain: Losing Ground, Gaining Wisdom started from the question, “The waters are rising.  How can we retreat gracefully?” and the first works that the artists produced were the re-drawing of the UK coastline at the 5m, 10m and 15m marks.

Artist Chris Bodle did a similar exercise in Bristol – you can see documentation here.

Bill McKibben recently said that where artists cluster around issues you know something important is happening.

He’s been quoted as describing artists as ‘the antibodies of the cultural bloodstream”.

“Artists”, he says “sense trouble early, and rally to isolate and expose and defeat it, to bring to bear the human power for love and beauty and meaning against the worst results of carelessness and greed and stupidity. So when art both of great worth, and in great quantities, begins to cluster around an issue, it means that civilization has identified it finally as a threat.” (thanks to Roanne Dods/Clare Cooper for this quote)

Please comment with other examples of artists marking high water lines.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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