Creative Projects

Call for Papers “Creative Communities 3: Risks & Possibilities”

This post comes to you from Cultura21

September 26th- 28th 2012 – Gold Coast, Australia

Hosted by Griffith University Centre for Cultural Research

‘Creative communities’ is a well-worn phrase conventionally equated with notions of well-being, civic participation and social inclusion. Creativity in this sense is regarded as social glue that bonds individuals together through collaboration in various forms of creative projects – be it visual art, drama, dance, theatre,music, writing or a combination of these. that bring communities together in positive and fulfilling ways.

Similarly, community connotes a wholehearted feeling, the strength of relationships in networks or inclusiveness through a sense of shared characteristics and values.

There is now a significant body of practice, policy and academically focused work that highlights the importance of the ‘creative community’ in fostering community well-being. At the same time, however, the term creative community throws up a number of questions that remain largely unaddressed in existing research, for example;

  • How does creativity actually impact community?
  • What is lost when the term ‘creative communities’ is imposed on place?
  • How are decisions on processes of inclusion / exclusion in creative practices made and who controls such decisions?
  • What happens to a creative community when access to resources that facilitate its creativity are lost or compromised and what sort of factors can contribute to this – e.g socio-economic change, civil unrest, urban redevelopment, shifts in state and government policy?

Call for Proposals

Griffith Centre for Cultural Research invites proposal submissions from scholars, artists & cultural workers, designers, urban designers, architects and policy makers interested in presenting oral papers, presentations, interactive workshops, panels or roundtable discussions on the following Conference themes;

1. Creative Communities At Risk

  • Perceptions of societal danger- Aversion and subversive behaviour
  • Individual versus collective risk and possibility between invisibility and presence
  • Laws and regulations and their impact or influence on creative communities

2. Itineraries of engagement

  • Creative Practice and cultural indicators in policy making
  • Idealization and leadership
  • Professional versus hobbyist perspectives of creative practice
  • Public events as catalysts for community
  • Observing and evaluating participation in creative engagement
  • Possibilities of participation- gatekeepers

3.Transcultural dialogues

  • Emergent global creativities
  • Community, creativity and post transnational trauma -, for example, 9/11- Bali bombing, London ‘youth’ riots, Black Friday Victorian bush fires
  • Cultural tourism /mis-tourism
  • Asia Pacific heritage ·dialogues

4. Politics of networks

  • Digital social networking (lived environments versus online/virtual)
  • Politics, kinship, and the role of communities /Creative geographies, ecologies and networks
  • Migration of skills and experience (migrants/refugees, professional arts workers, skills exchange learning, mentors and novice)
  • Flexible and local forums and networks, complexity in varied contexts
  • Hard-to-reach’ membership cohorts.

5. Diversity and inclusion: Creativity as a catalyst for reconciling difference Social Sustainability and the creative artist: socially responsible creative commitment

  • Personal Development as a liberating force: confidence building in community sub groups
  • Collaboration: reliable interdependence: links through non-political non-biased creativity
  • Transparency and ownership: who owns the project
  • Old and skilled/young and skilled: forging links and breaking down generational barriers

Proposals due 23rd June 2012 to gccr [at] griffith [dot] edu [dot] au

Please use this form to submit your application.

Applicants will be notified of the acceptance of abstracts by 20th July 2012 at the latest.

For more information, click here

For program updates, please visit http://ps3beta.com/project/8334

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

TippingPoint Newcastle

This post comes to you from EcoArtScotland

Image from Tipping Point web site

Tipping Point have announced their next gathering and have an open application procedure for some places for artists and academics.

“TippingPoint, in partnership with Newcastle Institute for Research on Sustainability (NIReS), will be holding a major national gathering of those concerned with the interface between the arts and culture on one hand, and environmental issues, particularly climate change, on the other.

Our aim is to continue and strengthen the vital process of giving the urgent challenges of climate change and sustainability a cultural and artistic voice.  This will be a rare opportunity to step outside day-to-day work and engage with innovative peers from across many disciplines, using presentations, panel discussions, group exercises and creative projects.  Our ultimate aim is to help stimulate radical and imaginative thinking in wider society, as we all attempt to comprehend, mitigate and prepare for our inevitably changing environment.”

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Online workshop to create a collective artwork

Pyranees | Art and ecology in the 21st century
Online workshop
September 12 to October 17

The aim of this workshop is to develop a collective artwork via the internet that will reflect on the transformations in the landscape caused by climate change. This work will be presented in an exhibition that will be mounted in 2010.

The online workshop is directed by Lluís Sabadell Artiga, an artist, curator and designer specialising in themes of Art and Ecology and in the use of virtual resources to realise collective creative projects via the Net.

This workshop falls within the project Pyranees: Art and ecology in the 21st century, which aims to use contemporary artistic language to disseminate current scientific knowledge on the changes that are starting to be evident in the landscape as a result of human activity, as well as discussing the sense and function that art can bring to our knowledge of nature and society in the 21st century.

The project Pyranees: Art and ecology in the 21st century is divided into two phases:

Phase 1: Scientific seminar: Evolution of the landscape, climate change and art (theory and practical) with the participation of the scientists: Jaume Terradas, Albert Pèlachs, Francisco Lloret, Jesús Camarero, Iolanda Filella.

Phase 2: Work period in residence with the artists: Edgar Dos Santos and Montse Vendrell (Catalonia), Carl Hurtin and Suzanne Husky (Midgia-Pirineus), Christel Balez (Languedoc-Roussillon) and Online Workshop
Pyranees: Art and ecology in the 21st century is a project organised by the Centre d’Art i Natura de Farrera in collaboration with Caza d’Oro and Accueil et Découverte du Conflent – «Les Isards».


Programme and organisational details

This virtual workshop is aimed at any interested person who, regardless of his/her field of work, wishes to become involved in a shared online creative process revolving around art and ecology. People from all disciplines are encouraged to participate in order to cross-fertilise knowledge and create a transdisciplinary collaboration. Artists, architects, designers, scientists, philosophers, naturalists, historians, naturalists, farmers…

http://www.pirineusartiecologia.org/

Go to RSA Arts & Ecology