Carbon Footprint

Jean-Claude Carrière Theater at the domaine d’O

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The Jean-Claude Carrière theatre is a unique «environmentally friendly» project, based on a global environmental approach aiming for general energy efficiency and for environmental quality standards.

Other than the slab that supports it, the entire structure could be dismantled and rebuilt on a different site. Just like the similar project at the Comédie Française (the «théâtre éphémère»), the structure is entirely built out of wood panels (KLH). The unique design is enhanced by a light wooden lozenge structure recovering the entire building.

MGB_3838 copieThe renowned Montpellier architect firm A+ architecture has been entrusted with this project, which from the very beginning has been designed taking the natural environment of the location into account : a construction which can be entirely dismantled, the use of wood, a light architectural expression, respecting the surrounding wooded zone. The building is entirely built of recyclable material, using for instance PECF labelled wood, providing an outstanding carbon footprint for this project.

The theatre is more than remarkable in terms of energy efficiency, including the innovative heating system, an excellent insulation system and the exclusive use of LED for the lightning systems. The acoustic insulation system has been optimised in order to avoid neighbourhood sound pollution and to create perfect interior acoustic settings for the stage. Retractable seating solutions, a modular stage frame, a construction that can entirely be dismantled, optimised technical  zones, a bright and welcoming hallway…

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picture credits, following pictures : Jean-Yves GILBERT

 

Autumn – Winter ’13 Training Programme Dates Announced

This post comes from Creative Carbon Scotland

creative_carbon_scotlandPart of Creative Carbon Scotland’s mission is to support arts organisations, artists and audiences to be as environmentally sustainably as possible. To achieve this we provide artists and arts organisations with all of the practical training, tools and support they need to begin reducing their environmental impact through a year-round training programme across the country and one-on-one support via phone and email.

This enables individuals and organisations to get ahead of climate change regulations and make the most of the financial savings, artistic opportunities and market advantages to operating in more sustainable ways. Our training programme and website provide staff in any role in cultural organisations with the necessary skills and knowledge to identify where their key environmental impacts lie and implement actions to reduce their carbon footprint.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

  • Changing their own behaviour;
  • Communicating with their audiences;
  • Engaging the public’s emotions, values and ideas.

Our workshops cover all the areas of environmental impact you need to consider when it comes to measuring and reducing your carbon footprint. They are suitable to all levels and staff in any role in cultural organisations.

Workshop 1 provides organisations and individuals with an introduction to the key areas of carbon measuring and reduction to start thinking about – energy (electricity and gas), water, waste and travel. You will be introduced to the CCS Green Arts Portal and two widely used online tools developed especially for SMEs and cultural sector organisations.

Workshop 2 offers practical training for measuring and reducing travel- related carbon emissions. Travel is often the biggest area of environmental impact for cultural organisations and probably the most complex areas for data gathering. You will be lead through what is manageable for you to measure in your first year and trained on how to measure different types of travel undertaken by your organization as well as calculating your travel carbon footprint.

Green Meets are a less formal workshop where arts organisations have the chance to get together to talk about reducing their environmental impact – the areas they have had success in, what they’re struggling with and what they’re feeling inspired by. CCS will provide a specific focus such as developing an environmental policy or measuring audience travel, as well as allowing plenty of time for more general discussion between participants. We host local Green Meets across Scotland on a quarterly basis.

We have now finalised dates for local Green Meets taking place over October and November. To attend a Green Meet near you get in touch with Gemma@creativecarbonscotland.com.

Green Meets Schedule (venues and times tbc)

16th October– Edinburgh

21st October – Glasgow

23rd October – Inverness

28th October – Dumfries and Galloway

31st October – Dundee

6th November– Aberdeen

14th November– Highlands and Island (via video-conference)

Keep an eye on our Events page for more details and dates on workshops 1 and 2 to come shortly!

The post Autumn – Winter ’13 Training Programme Dates Announced appeared first on Creative Carbon Scotland.

 

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

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People, Profit, Planet – Sustainability Programme at WSD2013

Kampa-Dance640-x-266

Exploring Sustainability in Creative Practice

Theatre is a process of reinvention, making and remaking. How do we consider the resources that go into bringing something to the stage? What is our responsibility to materials and energy? How do we create efficient spaces that house performance? How do we talk about this, both as artists and in our art? These questions are the focus for the Sustainability Programme at World Stage Design 2013. Join designers, architects, researchers and others who are focused on the intersection of sustainability and performance as we explore the future of our field as it relates to one of most vital issues of today.

You can view the full programme and book online for some events here.  More events will be added throughout the summer, so keep checking the website.

The People, Profit, Planet programme is supported by the Waterloo Foundation.

Who should attend?

These workshops and presentations are for anyone interested in considering the issues of sustainability within their work. Curious about how reused and eco-materials impact design and construction? Or the future of new energy efficient lighting technology? Intrigued by new work that explores issues of social justice and the environment? Interested in tools and best practices to monitor the carbon footprint of your facility or productions? Perplexed by how these tie together? Join us for a cross section of programming that highlights performances, place and interconnectedness in the wider world.

Sustainability Offerings at WSD2103


Thurs, Sept 5


Fri, Sept 6


Sun, Sept 8


Mon, Sept 9


Tues, Sept 10


Wed, Sept 11


Thurs, Sept 12


Fri, Sept 13


Sat, Sept 14


People, Profit, Planet – group leader
Ian Garrett – Assistant Professor, York University, Canada

Eight UK museums set out to ‘make carbon history’

This post comes to you from Culture|Futures

tyne-and-wear-museums590Eight museums in the Tyne and Wear in the north east of the United Kingdom are taking action to address climate change. In April 2013, they launched a new initiative called ‘Make Carbon History’. The first goal is to reduce their carbon footprint by 12 percent within the next two years.

With the UK Government committing to reduce carbon emissions by 80 percent by 2050, museums across the north east of the country, in a region called Tyne and Wear, have decided they want to play their part in helping to achieve this target.

Led by Tyne and Wear Archives and Museums (TWAM) through the Museum Development Programme funded by Arts Council England, ‘Make Carbon History’ is a two-year programme of support that will enable museums to reduce their carbon footprint by 12 percent by 2015, whilst helping reduce their carbon footprint and become more sustainable. And not only that, they also want to help create a sustainable future for communities across the region.

“Art and culture has played a huge role in Tyne and Wear’s regeneration, however, the sector faces significant challenges ahead,” explains Sarah Carr, Senior Museum Development Officer at TWAM. According to her, the initiative is about creating a sustainable future for the region’s museums and in this way to ensure that they can continue to have a positive impact on the surrounding communities: “The purpose of museums is to inspire and educate, and I hope that the action we are taking to address climate change, will also influence museum audiences to look at how they can implement sustainability and reduce their own carbon footprint.”

The not-for-profit low-carbon consultancy CO2Sense will work with the eight museums to identify and implement practical solutions to minimise their carbon emissions through reduced grid energy demand and sustainable facility management. These measures will allow the museums to reduce their energy bills, whilst also creating a more comfortable environment for visitors, staff and volunteers.

Environmental commitment 
Tyne and Wear Museums is a grouping of 11 museums and galleries in the north east of England, administered by a joint board of local authorities. The group writes on its home page that its commitment is to provide “a world-class service that is sustainable and which aims to minimise the environmental impacts of our operations. We are committed to continually improving our green policies and will work to reduce our consumption of gas, electricity, water and other materials.”

“The Director is fully committed to supporting the green campaign and champions green issues including setting a corporate objective in the organisation’s operational plan, chairing the TWAM Energy Reduction Group and ring-fencing an allocation of capital resources for sustainable ‘invest to save’ initiatives.

The Senior Management Team takes the lead on environmental performance, awareness and engagement activities for TWAM. Managers throughout the organisation are committed to improving the physical infrastructure and environmental management of their individual venues, and minimising the environmental impact of services they provide.

Staff are encouraged to participate in green polices and are kept up to date with green initiatives and activities through:
• Staff newsletter
• Quick tip emails to staff on energy saving and recycling
• Minutes of the Energy Reduction Group

TWAM has achieved the Julie’s Bicycle certification programme standard, Industry Green, which acknowledges its environmentally responsible business practices, and its commitment to ongoing improvement.

The Industry Green (IG) Standard is the environmental certification scheme managed by Julie’s Bicycle which provides an audit report of environmental performance covering energy, waste, water and travel.

The four core Industry Green criteria are:
• Commitment
• Understanding
• Improvement
• Communication”


The museums across Tyne and Wear who are currently engaged in the programme are: Bebe’s World, Heugh Gun Batterty, Killhope Lead Mining Museum, Woodhorn Museum, Oriental Museum, Durham Light Infantry, Middlesborough Institute of Modern Art, and Hexham Old Gaol.

For more information on how CO2Sense work with museums, you can contact Kristina Lomas on e-mail: Kristina [DOT] Lomas [AT] co2sense [DOT] co [DOT] uk or visit their home page:co2sense.co.uk

Sources: 
dur.ac.uk/oriental.museum/news
twmuseums.org.uk

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
Go toThis post comes to you from Culture|Futures

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Sustainability Offerings from ARTSBUILD ONTARIO

AB_logo_clrArtsBuild is the only organization in Ontario dedicated to realizing long-term solutions to building, managing and financing the sustainable facilities – like theatres, galleries, concert hall and museums – needed for vibrant cultural activity to flourish in Ontario’s communities.

If you are an arts organization that owns or leases space on a full time basis, or have aspirations (or a firm plan) to create your own space, ArtsBuild can help you with tools, resources and services

A recent focus for ArtsBuild is energy conservation and sustainability. We know many arts organizations want to reduce their energy. To help you achieve that goal, ArtsBuild has partnered with leading nonprofit and private sector organizations to provide you with a new suite of tools, resources and services that can help you to achieve greater energy and cost savings. We invite you to take part in our current offerings.

Online Carbon Footprint Measurement Tool: Free Access, Register Now

Measuring and tracking your facility’s utility usage and emission profile allows you to better understand and report your carbon footprint. ArtsBuild has partnered with CarbonCounted, a nonprofit organization, to offer Ontario’s arts organizations a free subscription to an easy-to-use online Carbon Footprint Measurement Tool.

Developed by CarbonCounted, specifically for the arts sector, the Carbon Footprint Measurement Tool will help you to measure and track your facility’s utility usage and emission profile. It will allow you to identify opportunities for energy efficiencies, compare your facility with others across the province and get the data you need to report your progress in reducing your carbon footprint to key stakeholders.

Through ArtsBuild’s partnership with CarbonCounted and the Government of Canada, this tool is free for Ontario arts organizations for two years. (The regular CarbonCounted subscription fee is $100 per year.)

Register for the Online Carbon Footprint Measurement Tool here

Energy Savings Assessments: Call for Interest

Reducing energy consumption – and our utilities bills – is top of mind for many of us. And every dollar saved can go to our programming!

ArtsBuild has partnered with GLOBE, the energy management subsidiary of our nonprofit partner Housing Services Corp, to deliver an in-person, energy savings assessment tailored to the needs of the arts sector.

GLOBE energy auditors will analyze your utilities bills, make a site visit to assess your facility and help you register for the many incentive programs offered through the Ontario Power Authority and your local utilities providers.

Your personalized energy savings opportunities assessment will show you the things you can do today to reduce your energy consumption, and also the improvements you could make that have the best and fastest paybacks.

With the support of the Government of Canada, ArtsBuild is pleased to offer a subsidy for the Energy Savings Assessment to a limited number of organizations.

Register your interest here for more information so you can benefit from this program.

Sustainable Action and Practice in the Arts with Ian Garrett: Register Now

Join your peers and Ian Garrett, one of North America’s most respected voices on sustainable practices in the performing arts, on April 4th, in an online conversation about operational ecology. By looking at current research and examples, Ian will guide participants through this very timely topic.

By joining this free session, you will learn how to identify key performance indicators around sustainability and the cost/benefit analysis for tackling the low hanging fruit by making simple changes in how you operate will improve your energy efficiency.. Ian will also address some of the possible misconceptions about the ecological impact of the creative sector.

This session, and all of ArtsBuild’s Communities of Interest are intended for those who manage cultural facilities and coordinate across departments.

For more information, please contact Lindsay MacDonald>

About ArtsBuild Ontario

ARTSBUILD ONTARIO
ArtsBuild is the only organization in our province dedicated to realizing long-term solutions to building, managing and financing the sustainable facilities needed for vibrant cultural activity to flourish in Ontario’s communities.

We are involved with over 700 arts organizations across Ontario and together with our industry, nonprofit and government partners, we jointly and cost-effectively develop and deliver innovative tools, services and resources to help arts organizations construct and operate the facilities they need.

www.artsbuildontario.ca
 | @ArtsBuildON | Facebook | LinkedIn

ArtsBuild Ontario
100 Regina Street South, Ste. 325
Waterloo City Centre
Waterloo, Ontario
N2J 4P9

International Call for Papers, Posters, Transdisciplinary Activities and Installations for Balance-Unbalance 2013

http://www.balance-unbalance2013.org

CALL deadline EXTENDED: DECEMBER 08, 2012

Balance-Unbalance is an International Conference designed to use art as a catalyst to explore intersections between nature, science, technology and society as we move into an era of both unprecedented ecological threats and transdisciplinary possibilities. We are thoroughly looking forward to hosting artists, scientists, economists, philosophers, politicians, sociologists, engineers and policy experts from across the world to engage in dialogue and action towards a sustainable future. Balance-Unbalance 2013 will also host a diversity of virtual components allowing global accessibility and significantly reducing the carbon footprint of a major international conference.

One of the main goals of Balance-Unbalance is to develop the role of the arts and artists in dealing with environmental challenges. The previous events held in Buenos Aires in 2010 and Montreal in 2011 ( http://balance-unbalance2011.hexagram.ca ) provided a powerful platform for reflection, debate, and ideas leading towards Balance-Unbalance 2013, hosted in the UNESCO Noosa Biosphere Reserve on the Sunshine Coast of Australia. The 2013 conference theme, Future Nature, Future Culture[s] is aimed to provoke discourse around what our elusive future might hold and how transdisciplinary thought and action could be used as tools for positive change.

Submissions are now being accepted for the International Balance-Unbalance 2013 conference to be held at Central Queensland University in Noosa, Australia from May 31 – June 2, 2013. Balance-Unbalance 2013 is being held in the beautiful resort town of Noosa, in parallel with the Floating Land 2013 Green Art festival and just prior to the ISEA 2013 (International Symposium on Electronic Art) conference in Sydney, so participants can maximise their time in Australia by attending all three events.

For more information see our website on http://www.balance-unbalance2013.org
Facebook: http://www.facebook.com/balanceunbalance

the family and the world heat up in Nick Payne’s play

Photo: Joan Marcus

This post comes to you from Ashden Directory

Kellie Gutman writes:

If There Is I Haven’t Found it Yet, with Brian O’Byrne and Jake Gyllenhaal, opened in New York’s Roundabout Theatre in September and runs through 25 November.  It was written by Nick Payne, and inspired by his reading of Heat by George Monbiot, about decreasing one’s carbon footprint.  Payne saw that many authors of environmentally-themed books had dedicated them to their children, and it gave him the idea of a father trying to save the planet in order to make the world a better place for his children, and beyond.  But the father is so wrapped up in his work that he fails to notice the problems within his own family.  The New York Times review is here.

Artistic director Todd Haimes writes:

On one level, we are watching a domestic drama play about a mother, father, daughter, and uncle.  But the play also takes on a much bigger global issue.  We all want to do the right thing for both the world at large and for the world of our own family, but maybe that’s impossible.

More George Monbiot on ashdenizen:
roundheads and cavaliers
the negotiator and the polemicist
vanishing act
George Monbiot finds Dr. Faustus the classic text for climate change

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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Balance-Unbalance 2013

This post comes to you from Cultura21

Balance-Unbalance is an International Conference designed to use art as a catalyst to explore intersections between nature, science, technology and society as we move into an era of both unprecedented ecological threats and transdisciplinary possibilities. The organizers are thoroughly looking forward to hosting artists, scientists, economists, philosophers, politicians, sociologists, engineers and policy experts from across the world to engage in dialogue and action towards a sustainable future. Balance-Unbalance 2013 will also host “a diversity of virtual components allowing global accessibility and significantly reducing the carbon footprint of a major international conference.”

One of the main goals of Balance-Unbalance is to develop the role of the arts and artists in dealing with environmental challenges. The previous events held in Buenos Aires in 2010 and Montreal in 2011 provided a powerful platform for reflection, debate, and ideas leading towards Balance-Unbalance 2013, hosted in the UNESCO Noosa Biosphere Reserve on the Sunshine Coast of Australia. The 2013 conference theme, Future Nature, Future Culture[s] is aimed to provoke discourse around what our elusive future might hold and how transdisciplinary thought and action could be used as tools for positive change.

Submissions are now being accepted (until November 30th) for the International Balance-Unbalance 2013 conference to be held at  Central Queensland University in Noosa, Australia  from May 31 – June 2, 2013. Balance-Unbalance 2013 is being held in the beautiful resort town of Noosa, in parallel with the Floating Land 2013 Green Art festival and just prior to the ISEA 2013 (International Symposium on Electronic Art) conference in Sydney, so participants can maximize their time in Australia by attending all three events.

For more information see the website at www.balance-unbalance2013.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Trybooking | Greening Our Performance – Production

Join us for the fourth workshop in the 2012 Greening Our Performance series as we tackle sustainable production. How do we incorporate sustainability into production? Is it possible to assess our carbon footprint and what is Green Design?

Facilitated by Angharad Wynne-Jones (Tipping Point Australia and Artshouse), this sessions will involve a number of practical presentations and panel discussions by some of the industry’s leading sustainable practitioners.

Afternoon tea will be provided and we invite you to join us for post event drinks at the Curve Bar afterwards.

DATE:  Friday 7th September.
TIME:  1pm to 5pm
VENUE: ANZ Pavillion, Arts Centre Melbourne, VIC.
CONTACT DETAILS: Angela Pamic. angelapamic@gmail.com

via Trybooking | Greening Our Performance – Production.

Keep up with Greening Our Performance on Facebook

ALECC 2012 Biennial Conference

This post comes to you from Cultura21

The Association for Literature, Environment, and Culture in Canada / Association pour la littérature, l’environnement et la culture au Canada (ALECC) is a non-profit organization focused on the creation, appreciation, discussion, analysis, and dissemination of knowledge about the work of nature writers, environmental writers and journalists, eco-artists of all disciplines, ecocritics, and ecotheorists in Canada. Collectively they are interested in artistic, critical and cultural studies work on activism, animals, ecology, the environment, environmental justice, geography, land, landscape, mountain literature and culture, nature and nature writing, natural history writing, plants, region, regionalism, the rural, sense of place, transborder environmental issues, wilderness and wilder places, and much more.

 2012 ALECC Conference

The 2012 ALECC Conference will be focused on “place” as an embodied, embedded, troubling, elusive, contested, personal, political, and ecological site in which space + memory = place, in an astonishingly complex range of ways.

The Okanagan was chosen as the location for this conference as it contains one of the most endangered ecosystems in Canada and it is home to a vital indigenous culture, the Syilx or Okanagan Nation. Place is acknowledged through the co-hosting of the conference by Okanagan College and the University of British Columbia’s Okanagan campus. The conference (August 9 – 12) will take place in the largest community in the Okanagan—Kelowna—with workshops and events in Penticton at Okanagan College’s internationally acclaimed zero-carbon footprint building and at the post-secondary indigenous educational institution, the En’owkin Centre

Publication

The ALECC publishes twice a year an online journal, The Goose, with diverse sections, reflecting the contributions and suggestions they receive:

  • Editor´s Notebook
  • Reviews and Lists of New/Upcoming Publications
  • Edge Effects
  • Canadian Regional Feature
  • The Graduate Network:
  • Scatterings

If you want to know more about The Goose, contribute or read their previous issues, visit http://www.alecc.ca/goose.php

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21