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	<title>The Center for Sustainable Practice in the Arts &#187; Capitalism</title>
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		<title>Natural Rights</title>
		<link>http://www.sustainablepractice.org/2011/09/natural-rights/</link>
		<comments>http://www.sustainablepractice.org/2011/09/natural-rights/#comments</comments>
		<pubDate>Fri, 16 Sep 2011 02:46:39 +0000</pubDate>
		<dc:creator>Chris Fremantle</dc:creator>
				<category><![CDATA[ecoartscotland]]></category>
		<category><![CDATA[Assumptions]]></category>
		<category><![CDATA[Bolivians]]></category>
		<category><![CDATA[Capitalism]]></category>
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		<category><![CDATA[Short Pieces]]></category>
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		<guid isPermaLink="false">http://www.sustainablepractice.org/?p=9340</guid>
		<description><![CDATA[<p><a href="http://ecoartscotland.net/2011/09/06/natural-rights/">This post comes to you from EcoArtScotland</a></p> <p><a href="http://en.wikipedia.org/wiki/Bolivia"></a></p> <p>Philosophically speaking ‘<a href="http://en.wikipedia.org/wiki/Natural_rights" target="_blank">natural rights</a>‘ is an element of an argument about the basis of the rights that individuals have in society.</p> <p>What if nature had rights?  What if there was a Ministry of Mother Earth?  What if the experiences of people living with <p>[<a href="http://www.sustainablepractice.org/2011/09/natural-rights/">read more</a>]</p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://ecoartscotland.net/2011/09/06/natural-rights/">This post comes to you from EcoArtScotland</a></p>
<p><a href="http://en.wikipedia.org/wiki/Bolivia"><img class="alignleft" src="http://www.sustainablepractice.org/wp-content/uploads/HLIC/0db8a8a5d5b71b366d413f66a55daf70.png" alt="" width="250" height="250" /></a></p>
<p>Philosophically speaking ‘<a href="http://en.wikipedia.org/wiki/Natural_rights" target="_blank">natural rights</a>‘ is an element of an argument about the basis of the rights that individuals have in society.</p>
<p>What if nature had rights?  What if there was a Ministry of Mother Earth?  What if the experiences of people living with land were given priority?  Remember that capitalisms roots are in the extraction of value from land ownership.  The most fundamental challenge to capitalism is to challenge underlying historically based assumptions of nature’s use.  Give nature the same rights as humans.</p>
<p>That’s what the <a href="http://en.wikipedia.org/wiki/Bolivia" target="_blank">Bolivians</a> are in the process of doing.  That’s provocative.  You can find a number of short pieces, including <a href="http://www.thesolutionsjournal.com/node/964" target="_blank">this one</a>, and if anyone can point me to a longer discussion it would be appreciated.</p>
<blockquote><p><a href="http://ecoartscotland.net/about/">ecoartscotland</a> is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.</p>
<p>It has been established by <a href="http://chris.fremantle.org/">Chris Fremantle</a>, producer and research associate with <a href="http://www.ontheedgeresearch.org/">On The Edge Research</a>, <a href="http://www.rgu.ac.uk/areas-of-study/subjects/art-and-design">Gray’s School of Art, The Robert Gordon University</a>. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.<br />
<a href="http://ecoartscotland.net/2011/09/06/natural-rights/">Go to EcoArtScotland</a></p></blockquote>
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		<title>RSA Arts &amp; Ecology &#8211; Interview &#124; Gustav Metzger</title>
		<link>http://www.sustainablepractice.org/2009/07/rsa-arts-ecology-interview-gustav-metzger/</link>
		<comments>http://www.sustainablepractice.org/2009/07/rsa-arts-ecology-interview-gustav-metzger/#comments</comments>
		<pubDate>Fri, 03 Jul 2009 16:13:40 +0000</pubDate>
		<dc:creator>Ian Garrett</dc:creator>
				<category><![CDATA[RSA Arts & Ecology]]></category>
		<category><![CDATA[1960s]]></category>
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		<category><![CDATA[Emma]]></category>
		<category><![CDATA[Gustav Metzger]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Jewish Parents]]></category>
		<category><![CDATA[Manchester International]]></category>
		<category><![CDATA[Manifestos]]></category>
		<category><![CDATA[Nuremberg]]></category>
		<category><![CDATA[Political Ideal]]></category>
		<category><![CDATA[Radical Approach]]></category>
		<category><![CDATA[Radical Art]]></category>
		<category><![CDATA[Ridgway]]></category>

		<guid isPermaLink="false">http://www.sustainablepractice.org/?p=2248</guid>
		<description><![CDATA[<p><a href="http://www.rsaartsandecology.org.uk/magazine/features/interview--gustav-metzger2"></a></p> <p>“I thought one could fuse the political ideal of social change with art”</p> <p>Emma Ridgway, curator of The RSA Arts &#38; Ecology Centre, interviews Gustav Metzger</p> <p>Born in 1926 to Polish-Jewish parents in Nuremberg, Gustav Metzger is an artist known for his radical approach. His work responds directly to political, economic and ecological <p>[<a href="http://www.sustainablepractice.org/2009/07/rsa-arts-ecology-interview-gustav-metzger/">read more</a>]</p>]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.rsaartsandecology.org.uk/magazine/features/interview--gustav-metzger2"><img class="alignleft" src="http://www.sustainablepractice.org/wp-content/uploads/2009/07/whitechapel3.jpg" alt="" width="216" height="216" /></a></p>
<p>“I thought one could fuse the political ideal of social change with art”</p>
<p>Emma Ridgway, curator of The RSA Arts &amp; Ecology Centre, interviews Gustav Metzger</p>
<p>Born in 1926 to Polish-Jewish parents in Nuremberg, Gustav Metzger is an artist known for his radical approach. His work responds directly to political, economic and ecological issues. Creating manifestos and events in the UK since the early 1960s, he developed the concept of Auto-Destructive Art and Art Strike movements, which addressed destructive drives both in capitalism and the art industry. He still makes challenging work and his ideas continue to be influential.</p>
<p>With his <em>Flailing Trees</em> one of the centrepieces of the Manchester International Festival, Gustav Metzger&#8217;s reputation as a major figure in radical art continues to grow. <strong>Emma Ridgway</strong> talks to the artist about his long career in art and activism.</p>
<p>via <a href="http://www.rsaartsandecology.org.uk/magazine/features/interview--gustav-metzger2">RSA Arts &amp; Ecology &#8211; Interview | Gustav Metzger</a>.</p>
<p><a href="http://rsaartsandecology.org.uk" target="_blank">Go to RSA Arts &amp; Ecology</a></p>
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