Call For Proposals

OPEN CALL FOR ARTISTS featuring SOLAR ART

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Michigan’s [USA] Great Lakes Bay Region located approximately 90 minutes north of Detroit including five main cities: Bay City, Frankenmuth, Midland, Mt. Pleasant and Saginaw will be hosting a month-long celebration of art, culture and science in October 2013 called Fall In… Art and Sol.

SOLAR ART is any work of art that incorporates solar technology to harness the power of the sun to affect its design. Solar Art combines Design + Technology + Environmental Education.

The celebration will feature the world’s first major solar art exhibition. The exhibition will be unique in combining the display of works of international and national designers, a competition open to everyone, and an educational initiative involving approximately 1,000 students from throughout the region. We are very excited to show the results of these three initiatives together during October.

You can download the Competition’s Trifold below with details on honorarium, selection criteria, exhibition details and competition dates.

Please contact us if you have any further questions. We take this opportunity to encourage you and your friends to participate.

PLEASE, SHARE THIS OPEN CALL ANNOUNCEMENT!!!

LINKS:
Festival’s website: http://fallin-glbr.com/
Exhibition: http://fallin-glbr.com/solar-art/solar-artist/
Educational Initiative: http://fallin-glbr.com/solar-art/educational-workshops/
Competition: http://fallin-glbr.com/open-call-for-proposals/

CALL FOR PROPOSALS: COLLEGE ART ASSOCIATION CONFERENCE

ARTSPACE FORUM:  SATURDAY, FEBRUARY 15, 2014  10AM – 2 PM in Chicago
TITLE:  Designing a Better Future: A Participatory Platform for Exchange
Session Producers: Jacki Apple & Mat Rappaport

LogoArtists and designers operating as thinkers and communicators, visualizers and producers can be leaders in changing how we think, live, and act, in order to make a better world.

Are we ready to discuss cultural production and the arts as viable and meaningful practices beyond the established system of commodity trading? What potential models of an effective creative practice can we envision and develop?

Artists, designers, media producers, photographers, filmmakers, architects, writers, theorists, educators, cultural historians are invited to submit proposals for presentation and discussion that will inspire others to join them in imagining, inventing, and actualizing a more sustainable and enlightened possible future, whether it be local or global.

What would you do to effect change?  What would that look like? Do esthetics matter?

We seek provocative and challenging theoretical concepts and/or models for practical application. Visionary, daring, unconventional ideas, collaborations across fields in the arts, sciences, and  humanities that conceive different ways to address social, economic, and environmental realities are encouraged.

General topics/themes to consider

  1. Climate Change, the Environment and Sustainable Living:
    • Consumption
    • Energy
    • Waste
    •  Food
    • Water
    • Air
    • Economic & Social Consequences.
  2. The Culture of Violence:
    • social
    • political
    • cultural
    • economic manifestations
  3. Technology and Human Rights:
    • biological
    • political
    • intellectual
    • spiritual.
  4. Other

PRESENTATION FORMAT

The format for presentation will be an interactive forum of exchange between speakers and audience. There will be no podium. Speakers will be placed within the audience. Presentations may include visuals – images, texts, charts, etc.

Each speaker will be given 7 minutes to present her/his proposal. The audience will then have equal time – 7 minutes to respond and discuss. Time may be slightly less or more depending on the number of outstanding proposals selected.

SUBMISSION INSTRUCTIONS

Please send a description of your topic and the theoretical concepts and/or model that you intend to propose in approximately 300 words, plus a brief bio/CV of no more than 2 pages. The 300 word proposal must include a title, name/s of author(s), address, email, phone number. Please submit all proposal files as PDF documents. 

TO: studio@meme01.com

DEADLINE: FOR PROPOSALS: June 1, 2013                                                             

NOTIFICATION OF SELECTION: June 20, 2013

Environmental Art Festival Scotland – call for proposals and partners

This post comes to you from EcoArtScotland

Wide Open together with Spring Fling

Landscape, Chris Fremantle

Landscape, Chris Fremantle

and The Stove have launched a call for proposals and partners for Scotland’s first Environmental Art Festival Scotland.

The deadline for all strands is Thursday 22 March 2013.

There are several strands:

Open Call for Ideas – ideas for artworks that connect aspects of land, sustainability, energy, coast, rural living, Biosphere, Dark Skies, climate change, ecosystem services, transport, etc. and are relevant or connected to Dumfries and Galloway.  These could be small or large ideas.  Proposals are invited from any discipline.

Ten ideas will be selected to receive small grants towards their development.  They will be included in the Environmental Art Festival in some form (depending on the stage of development).

Commissions – temporary installations for the duration of the festival (30 August to 2 September 2013) addressing the theme of “energy and the land”.  There is a budget of £5,000 for each commission.  Commissions can be across a wide range of media including visual art, sound, film, digital media, text based or combinations.  The Environmental Art Festival is looking to demonstrate cutting edge art practices engaged with ecology, nature or land art which is moving, meaningful and dynamic.  The

Venues, Places, Organisations – Wide Open is interested in hearing from Venues, Places or Organisations with existing or planned activity that fits with the themes of the Environmental Art Festival.

Full Call is here.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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COAL Prize Art and environment 2013 – Call for proposals

This post comes to you from Cultura21

Theme: Adaption

The Coal Prize Art and Environment rewards each year a project by a contemporary artist involved in environmental issues. Its goals are to promote and support

upport the vital role which art and creation play in raising awareness, supporting concrete solutions and encouraging a culture of ecology. The winner is selected out of ten short-listed by a jury of well-known specialists in art, research, ecology and sustainable development

The 2013 Coal Prize will reward entries that focus on adaptation issues.

The award of the 2013 Coal Prize will take place in spring 2013 at Le Laboratoire, a private art center specializing in the blending of art and science.

Application deadline: February 28th, 2013

For more information, click here.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Call for Proposals – SCORAI

This post comes to you from Cultura21

The Sustainable Consumption Research and Action Initiative (SCORAI) is organizing an international conference on the theme of “The Future of Consumerism and Well-being in a World of Ecological Constraints” on June 12-14, 2013, at Clark University in Worcester, Massachusetts, USA. The conference seeks:

  1. To improve our understanding of the complex driving forces underlying prevalent consumerist lifestyles in the wealthy parts of the globe;
  2. To generate insights about fostering a necessary transition toward alternative ways of pursuing individual and societal well-being in a technological society cognizant of ecological limits;
  3. To build on recent developments to establish a vibrant global research community focused on sustainable consumption.

Proposals are invited for conference sessions, individual papers, and posters based on theoretical and applied research. Especially welcome are interdisciplinary contributions that address consumerism from different perspectives; alternative visions and framings of post-consumerism; and emergent contours of post-consumerist society.

Prospective participants are encouraged to visit http://www.scorai.org for more complete information,including details on the submission of session proposals and paper and poster abstracts. Information is also available on target dates, registration and fees, and accommodations.

The deadline for the submission of session proposals/paper and poster abstracts is October 1, 2012.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Call for Papers “Creative Communities 3: Risks & Possibilities”

This post comes to you from Cultura21

September 26th- 28th 2012 – Gold Coast, Australia

Hosted by Griffith University Centre for Cultural Research

‘Creative communities’ is a well-worn phrase conventionally equated with notions of well-being, civic participation and social inclusion. Creativity in this sense is regarded as social glue that bonds individuals together through collaboration in various forms of creative projects – be it visual art, drama, dance, theatre,music, writing or a combination of these. that bring communities together in positive and fulfilling ways.

Similarly, community connotes a wholehearted feeling, the strength of relationships in networks or inclusiveness through a sense of shared characteristics and values.

There is now a significant body of practice, policy and academically focused work that highlights the importance of the ‘creative community’ in fostering community well-being. At the same time, however, the term creative community throws up a number of questions that remain largely unaddressed in existing research, for example;

  • How does creativity actually impact community?
  • What is lost when the term ‘creative communities’ is imposed on place?
  • How are decisions on processes of inclusion / exclusion in creative practices made and who controls such decisions?
  • What happens to a creative community when access to resources that facilitate its creativity are lost or compromised and what sort of factors can contribute to this – e.g socio-economic change, civil unrest, urban redevelopment, shifts in state and government policy?

Call for Proposals

Griffith Centre for Cultural Research invites proposal submissions from scholars, artists & cultural workers, designers, urban designers, architects and policy makers interested in presenting oral papers, presentations, interactive workshops, panels or roundtable discussions on the following Conference themes;

1. Creative Communities At Risk

  • Perceptions of societal danger- Aversion and subversive behaviour
  • Individual versus collective risk and possibility between invisibility and presence
  • Laws and regulations and their impact or influence on creative communities

2. Itineraries of engagement

  • Creative Practice and cultural indicators in policy making
  • Idealization and leadership
  • Professional versus hobbyist perspectives of creative practice
  • Public events as catalysts for community
  • Observing and evaluating participation in creative engagement
  • Possibilities of participation- gatekeepers

3.Transcultural dialogues

  • Emergent global creativities
  • Community, creativity and post transnational trauma -, for example, 9/11- Bali bombing, London ‘youth’ riots, Black Friday Victorian bush fires
  • Cultural tourism /mis-tourism
  • Asia Pacific heritage ·dialogues

4. Politics of networks

  • Digital social networking (lived environments versus online/virtual)
  • Politics, kinship, and the role of communities /Creative geographies, ecologies and networks
  • Migration of skills and experience (migrants/refugees, professional arts workers, skills exchange learning, mentors and novice)
  • Flexible and local forums and networks, complexity in varied contexts
  • Hard-to-reach’ membership cohorts.

5. Diversity and inclusion: Creativity as a catalyst for reconciling difference Social Sustainability and the creative artist: socially responsible creative commitment

  • Personal Development as a liberating force: confidence building in community sub groups
  • Collaboration: reliable interdependence: links through non-political non-biased creativity
  • Transparency and ownership: who owns the project
  • Old and skilled/young and skilled: forging links and breaking down generational barriers

Proposals due 23rd June 2012 to gccr [at] griffith [dot] edu [dot] au

Please use this form to submit your application.

Applicants will be notified of the acceptance of abstracts by 20th July 2012 at the latest.

For more information, click here

For program updates, please visit http://ps3beta.com/project/8334

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

The Home and The World

This post comes to you from EcoArtScotland

Arts and Ecology Conference 2012 – The Home and The World takes place at Dartington Hall in Devon 19-21 June 2012.

Deadline for presentation proposals 4.00pm February 24th. 

This summit explores existential questions such as: what does it mean to be at home in the world? what does home mean to us? how can we be more aware of our ‘inhabited place’ in the world? It’s been more than fifteen years since Gablik suggested that art can re-enchant our connection to the world – how have we responded?

Download/view the Call for Proposals; download/view the print flyer (pdf).

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

DRIFT Call for proposals

This post comes to you from EcoArtScotland

DRIFT is the title of the fourth art in nature project of Rerun Productions Foundation. The Waterloopbos, the former Hydraulic Laboratory in Marknesse, the Netherlands, will host this contemporary spatial art project from May till December 2012. The project invites artists to send proposals which respond to the theme and to focus their idea on the special location of the exhibition, a curious combination of an industrial heritage site and forest.

Theme

DRIFT refers to our passion for change, transformation from old to new, from sea to land, from industry to nature, from basic to digital and back again. Drift cannot be directed, it is a primal force. It pushes us in a direction, it brings us something new.

DRIFT invites us to reflect on the impact of transformation; the impact of human interventions in nature, the disappearance of the old world and its replacement by a new one, and the possibilities that arise from that.

Location

The site where DRIFT will be located is an expression in a nutshell of a metamorphosis. The Waterloopbos (Marknesse, The Netherlands) is situated on a ”polder” (land conquered on the sea in the 1930s). It has been a hydraulic laboratory until 2001, where engineers experimented with scale models of harbours and estuaries to solve specific problems with currents, waves and mud flows. Nowadays the half overgrown, partly restored industrial ruins lie scattered in the forest.

Proposals

Artists are invited to send a concrete proposal for a spatial installation that can survive the conditions on site for at least 7 months (a public forest, the influences of nature). The choice of material is free, if harmless to nature.

Work period: 8 to 18 May 2012

Dismantling of the exhibition: after mid-December 2012

Proposals should contain:

– A project outline and project description (including use of materials and workplan)

– CV and documentation of previous work by the artist

Proposals can be sent only digitally in PDF format (up to 10 A4) to: proposalskunstbroedplaats@gmail.com

Deadline: February 25, 2012

The results of the selection by an expert jury will be announced 1 March.

Thanks to Jan van Boeckel for highlighting this.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

The Home and the World – On Being at Home

This post comes to you from Cultura21

From the 19th to the 21st of June 2012 a creative summit for artists and other thinkers will take place at Dartington Hall Estate in south Devon/England.
The summit will focus on the question if the alienation of humankind from the natural world has effected his condition and psyche and if there is a general loss of knowledge about the interdependence of all living things.

The leading questions are:

  • What does it mean to be at home in the world? What does home mean to us?
  • How can we be more aware of our ‘inhabited place’ in the world?
  • Why do we all too often fail to understand the impact we have on the world around us?
  • It’s been more than fifteen years since Gablik suggested that art can re-enchant our connection to the world – how have we responded?

Artists and thinkers are invited to submit proposals. The organizers search for a broad mix of challenging ideas and submissions for the three days of the summit. These ideas should investigate, how we live in the world; how we find our place – our home – and how we use creativity and the arts to ask questions, present problems, and offer up solutions, homages, and celebrations.
Submissions with innovative, participatory, performative and/or interactive formats will be favoured. Since most of the sessions are live streamed on the internet, applicants may work  this into their proposal.

The hosts of the summit are Aune Head Arts and The Arts at Dartington. It is part of the ‘Artful Ecologies’ series of conferences organised by RANE at University College Falmouth.
The deadline for submissions is the 24th of February 2012.

For further information about the submission details see www.thehomeandtheworld.info
The Call for Proposals as well as the print flyer can be downloaded there, too.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Open Call: Power of Words 2012

The 9th Power of Words conference will be held October 26-29, 2012 at Pendle Hill near Philadelphia, PA.

Call for Proposals: Part of what makes the Power of Words an amazing conference is a palpable sense of connection and homecoming that comes from meeting others who are living their lives powerfully and authentically. We would love to have you come, and we would love even more if you’d consider submitting a proposal to have some of your work be shared there. The call for workshop and performance proposals is here, and we hope you’ll consider submitting one, helping us build that web of connection and depth.

From now until the end of January 2012, we will be accepting proposals for people interesting in offering their work to others at the conference. Once January ends our Proposal Selection Committee will spend time together reading them over, and we will announce accepted workshops in February.  As before, we will focus on four themes for workshops: Narrative Medicine / Healing Stories, Right Livelihood, Social Activism, and Engaged Spirituality. To read more about the details of these areas, please check out their descriptions on the conference page.

A difference this year is the option to submit a proposal for performance time during main sessions as well as workshops. Because the Network is committed to lifting each other up and highlighting the amazing gifts, talents, and skills that people possess, we wanted to open up some of the performance time as well: a limited number of slots during the main, all-conference sessions will be devoted to offerings submitted via the proposal process. We are excited about what will emerge!

The form for proposal submission is here, and we hope you both (a) consider proposing something yourself and (b) send this information to people you know who have something powerful to offer.

Keynoter: Jimmy Santiago Baca: Born in New Mexico of Indio-Mexican descent, Jimmy Santiago Baca was raised first by his grandmother and later sent to an orphanage. A runaway at age 13, it was after Baca was sentenced to five years in a maximum security prison that he began to turn his life around: he learned to read and write and unearthed a voracious passion for poetry.  During a fateful conflict with another inmate, Jimmy was shaken by the voices of Neruda and Lorca, and made a choice that would alter his destiny. Instead of becoming a hardened criminal, he emerged from prison a writer. He went on to send out his poetry, earn a GED, write and publish, earning a Pushcart Prize, American Book Award, International Hispanic Heritage Award and many other honors. His publications include the memoir A Place to Stand, volumes of poetry and more. Baca has devoted his post-prison life to writing and teaching others who are overcoming hardship. His themes include American Southwest barrios, addiction, injustice, education, community, love and beyond. He has conducted hundreds of writing workshops in prisons, community centers, libraries, and universities throughout the country. He also founded Ceder Tree, Inc., a nonprofit foundation that works to give people of all walks of life the opportunity to become educated and to improve their lives.

Other Features: Deb Hensley, who founded “When Did We Stop Singing?” and is a founding member of the improvisational singing group Improvox, will be leading a workshop to help us return to our native voices, and also sharing her powerful performance on how we can connect with the natural world through the magic of birdsong. Kao Kue, Hmong spoken word artist who combines poetry and song, will perform her astonishing art.