| December 23rd, 2012 | Comments are closed This post comes to you from Ashden Directory Wallace Heim writes:
Theatre critic Kate Abbott in today’s Guardian joins Michael Billington in reporting a life-changing experience watching Ten Billion at the Royal Court.
Like the facts that Stephen Emmott presented, Abbott can recite the well-polished
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| July 22nd, 2012 | Comments are closed 
Whether a former miners’ institute, an Edwardian theatre or modern iconic buildings such as the Wales Millennium Centre or Galeri Caernarfon, arts venues occupy an important place in the communities of Wales. Today sees the start of a major, ground-breaking initiative to support forty two arts venues in Wales to become
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| July 10th, 2012 | Comments are closed The Center for Sustainable Practice in the Arts (CSPA) has awarded the second CSPA Fringe Award for Sustainable Production at the Hollywood Fringe to D is for Dog by Katie Polebaum and the Rogue Artists ensemble, directed by Sean Calweti. It is produced by the Rogue Artists Ensemble at the Hudson Theater and continues to
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| June 8th, 2012 | Comments are closed This post comes to you from Cultura21
12 June 2012 – Stratford Circus, London
The challenge of achieving the triple bottom line
Conference 12 looks at the sustainable design, development and operation of theatre buildings in relation to environmental, economic and social disciplines, and the challenges of delivering sustainable
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| January 18th, 2012 | Comments are closed
Last year STT went green. We switched to purely internet based marketing and eliminated playbills in favor of digital projections. We used the money we saved to pay more to our artists as we strive to be a leader in production quality in the community. This year we are taking things one
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| December 10th, 2011 | Comments are closed This post comes to you from EcoArtScotland
Creative Scotland have announced a call for proposals for public art research and development projects.
“The fund’s purpose is to support the initial research and scoping of a range of public art projects and approaches to provide opportunities for communities across Scotland to
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| December 3rd, 2011 | Comments are closed
Per its mission statement, Atlanta’s 7 Stages Theatre devotes itself to “engaging artists and audiences by focusing on the social, political and spiritual values of contemporary culture.” One such value—environmentalism—has yielded a clever campaign that simultaneously promotes the theatre and sustainability.
…marketing director Charles Swint says the theatre asked itself, “What are
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| October 18th, 2011 | Comments are closed The Center for Cultural Innovation has awarded Sam Breen an Investing In Artists Grant, given to individual artists to acquire equipment or materials that will support them in their creative process. The $6,500 grant will be used to build a performance space inside the 1951 Spartan trailer that
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| February 23rd, 2011 | Comments are closed This post comes to you from Cultura21
Cathy Fitzgerald, film-maker and author of ecoartnotebook.com, has completed a research paper on the “sometimes under-utilised potential of online art and ecology networks“:
Online social networks are a recent global phenomenon of the last five years. This paper considers the value and
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| January 26th, 2011 | Comments are closed
The National Theatre’s play about climate change, Greenland, had its first preview last night. The critics don’t get to see the play till 1st February, but audience members, leaving the show last night, had a chance to express their views almost immediately.
In the Lyttelton foyer, there’s a
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