Art History

Sustainable Transformation of Global Society – Navigating Ecological Times, Whitechapel Gallery, London

This post comes to you from Cultura21

Friday 30 August, 2013, Navigating Ecological Times, Whitechapel Gallery, London

A study afternoon of presentations and discussion on art practice and sustainability with artists Lise Autogena, Fernando Garcia-Dory and Tamás Kaszás and led by curators by Maja and Reuben Fowkes. This symposium looks at the challenges of living in ecological times and the sense in which the current political, economic and environmental predicament might also offer opportunities for a sustainable transformation of global society. How have artists sought to navigate the dilemmas of living and working in a world system that seems chronically out of touch with ecological realities and can they, through their practice and approach to the world, act as guides during times of crisis?

‘Navigating Ecological Times’ is realised through the River School and supported by the EU Culture Programme. Maja and Reuben Fowkes are art historians and curators whose interests in the field of art and ecology are manifest in their curated exhibitions, symposia and writings, which have explored key ideas and practices around green curating, environmental art history and the sustainability of contemporary art. Their work also focuses on the theory and aesthetics of East European art from the art production of the socialist era to contemporary artistic responses to the transformations brought by globalisation.

 For more information : click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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A New Social Action Holocaust Memorial Project

This post comes to you from Cultura21

the-vienna-project-300x110October 2013 – May 2014, The Vienna Project, Austria

The project is to be situated on the streets of Vienna and along the Danube Canal. Forging a dynamic relationship between different disciplines: art, video, typography, web design, street theater, sound art, history, archival research, and Holocaust education, The Vienna Project is envisioned as a “living” memorial based on a participatory model of engagement.

Developed through dialogue as a citizen-led initiative, The Vienna Project is a “process-based” expression of remembrance. The Vienna Project marks the 75th anniversary year of the Anschluss in 1938, when racial persecution officially began in Austria; it will conclude on V-E Day (Victory in Europe Day). The memorial project unfolds over the course of six months as a dynamic series of performative events, dedicated to stimulating fresh conversations in novel formats regarding the Holocaust and National Socialism.

For more information about the project : click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Call for Papers : “Where is our ecological art history?

This post comes to you from Cultura21

AAH_logo_CMYK_-_smallApril 10-12, 2014 : 40th Anniversary, Annual AAH Conference & Bookfair, Royal College of Art, London

Deadline for proposals : November 11th 2013

The discipline of art history has proved itself able to look various crises of culture in the face and open up the discipline to ideological struggles and debates. These debates have involved its own politics as a discipline in response to critical issues. Issues of gender, sexuality, race and social identity have strongly inflected the discipline and have importantly shaped its trajectories and characteristic preoccupations over a number of years, but what of the critical issue of our environment? There are some highly significant works which have discussed art’s and artists’ responses and interventions in the crucial area of ecology, but perhaps less talked about and made visible is art history’s disciplinary response to crises in nature and the environment throughout its history as a discipline.

AAH2014 will represent the richness and diversity of art historical debate across the broadest sweep of time and space. The conference will unite the interests of art history with those of contemporary practice, as well as a wide diversity of visual and material culture, including art, architecture and design. As it is in close collaboration with museums and galleries, most notably the V&A Museum, the RCA aims to offer a conference exploring ‘history in the making’ through engagement with practice, collections and exhibitions.

The aim of this session is to bring this ecological art history to the fore, to uncover, freshly discover and make visible examples of such an ecological art history. The session also offers the opportunity to discuss whether art history’s status as a ‘humanistic’ discipline has in the past hindered its concern for the natural world and the environment other than through strong human cultural paradigms, and consider how the discipline has started to change with further interests in ‘eco-aesthetics’ and other multi-disciplinary or inter-disciplinary approaches to the history of the environment and its critical future : “We feel that this is an extremely prescient moment for the history of art to engage more actively in this cross-disciplinary theme”, explains Andrew Patrizio, Professor of Scottish Visual Culture, School of History of Art, University of Edinburgh.

For more information click here 

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Eco-Aesthetics: Contemporary Arts and the Politics of Ecology

This post comes to you from Cultura21

Saturday, 2 March, 2013, 2-7pm
Gustave Tuck Lecture Theatre, UCL

The first issue of Third text, a bimonthly appearing journal on art in the global context, in 2013 is a special issue focusing on Contemporary Arts and the Politics of Ecology and is accompanied by the conference on the same topic in London.

The event will include numerous contributors to the special issue, which investigates eco-aesthetics in a postcolonial framework—from global warming in the arctic to oil industry environmental damage in Nigeria’s delta, from conflicts between mining corporations and tribals in rural India to the ecological effects of industrial development in the port of Bahia Blanca, Argentina, from urban farming in Detroit to the Occupy movement’s development of a post-media social ecology. The special issue and conference seek to link international and interdisciplinary researchers, artists, and critical theorists in order to consider the questions of how such politico-ecological developments have been recently analyzed, mediated, and negotiated within the visual cultural of art and activism.

The conference is free and no registration is required (seats on a first come first serve basis). (For more information on this event, please email tj [dot] demos [at] ucl [dot] ac [dot] uk).

Among the list of confirmed speakers are Ravi Agarwal, Christoph Brunner, Liberate Tate and Nabil Ahmed.

For the full list of speakers visit: www.ucl.ac.uk/art-history/events/eco-aesthetics

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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H20 – Preview: Omar Lopez

This post comes to you from Green Public Art

On May 6, 2011, H20: The Art of Conservation, at the Water Conservation Garden, San Diego, CA, will open to the public. Green Public Art reviewed over 1100 artists portfolios before inviting 14 San Diego artists to participate in the exhibition which offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. Green Public Art awarded each artist a mini-grant to develop their site-specific sculptures. In the weeks leading up to the exhibition opening the artist’s concepts will be revealed on this site. Questions? Contact Rebecca Ansert, Curator, Green Public Art at rebecca@greenpublicart.com.

Lopez.Omar inspiration Lopez.Omar inspiration Lopez.Omar sketch concept Lopez.Omar sketch concept Lopez.Omar sketch concept

CONCEPT:  Deterioration = blooming of seeds within = potential for failure, accidents and a story. This sculpture, approximately a 4’x4’x4’ cube, will be made from a hardened mixture of clay, straw, fertilized soil, and various species of plant seed. As a vessel it consists of guilds, biomes, and designed communities of complimentary plant species. The sculpture will serve as a sort of time capsule, carrying seeds of various ecosystems into the near future. The work is reminiscent of a living tomb in the Egyptian sense, as a vault or holding vessel which carries preserved life to the blooming of another life. The piece can be left intact or split up to speed process and facilitate distribution. Pieces or chunks can be given away to friends/family, or taken and planted as far away as the owner wishes to take it. As a solid piece, it imbues a state of potential and can remain in a form of stasis. The process of the sculpture’s decay gives way to further emergence of life.

ABOUT: Omar Lopez is a writer, artist and environmental enthusiast. Lopez studied art, history, philosophy and English at Southwestern College and San Diego City College. He strives to be descriptive, not prescriptive and to illuminate things accurately. He is most interested in dynamics, theatrics, emotive structures and the noble vulnerability in things. He is passionate about furthering the ambition of wonder and is often informed by his experience in construction, design, travel, mountaineering and his passion for direct engagement with strangers.

SEE another Lopez installation, In the Belly of the Whale in the Bell Jar, currently on view at Art Produce until April 3, 2011. Check gallery’s website for times and additional special events.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art

Saturday, Jan. 30th, 2010 @ Honor Fraser Gallery


Big City Forum invites you to a round table conversation about our relationship to nature, issues of perception, land use and the built environment.

Saturday, Jan. 30th, 2010
4 – 6 pm
Honor Fraser Gallery
Culver City, CA

Featuring:
REBECA MENDEZ
KIM
STRINGFELLOW

REBECA MENDEZ is a professor at UCLA, Design | Media Arts who works in photography and video art installations to explore issues of perception, specifically our relationship to technologically mediated nature. Méndez’s works are included in the permanent collections of the San Francisco Museum of Modern Art, National Design Museum, NY, and Denver Art Museum, among many others.

KIM
STRINGFELLOW is an artist and educator residing in Los Angeles, California. She teaches multimedia and photography courses at San Diego State University as an associate professor in the School of Art, Design, and Art History. She received her MFA in Art and Technology from the School of the Art Institute of Chicago in 2000.


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