American Climate

Arts transmit messages of climate change youth campaign

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Pakistan_GPSbanner“Check out the colorful banner that was painted by our team in Pakistan! And click LIKE if you believe that more art in the climate movement is a very good thing,” wrote the organisers of a climate activists’ summit on Facebook to highlight photos of participants bringing banners to the event.

While Istanbul in Turkey is in the news for its protests on Taksim Square and Gezi Park, another kind of civil society mobilisation with a global perspective is currently taking place in one of the suburbs of the city.

500 members of Generation C – the climate generation – have travelled from 134 different countries to attend a youth climate activists’ conference in Istanbul. The American climate campaign organisation 350.org organised the event, which they call ‘Global Power Shift’, in an attempt to build a global movement to solve the climate crisis.

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And as the picture above shows, music and dance to centre stage right from the opening plenary on the first day, where the participants also stood shoulder-to-shoulder with the Warriors of the Pacific, when they sent a message that as the ocean waters rise around their island homes, they are not drowning – they are fighting.

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“Using the power of music to transmit the message of environmental sustainability and behavior change in energy uses” is a strategy which the 350.org Southeast Asia coordinators formulated and launched in their national programme.

In Ho Chi Minh City on 20 June 2013, they hosted a music night in anticipation for the Global Power Shift campaigning where top Vietnamese singers and ‘GPS Goodwill Ambassadors’ like Thanh Bui, Pham Anh Khoa, Sy Luan, Thuy Hoang Diem, and PiBand, pulled a crowd of over 400 young people.

“If we want to change the world, we have to first change ourselves. I believe in the power of music because music is the best way to inspire and change people’s perceptions about the Earth’s problems,” singer and musician Thanh Bui shared with the crowd.

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“Our special guests went beyond performing their songs to comment on their shared love of nature, humanity, and the country, revealing personal stories concerning climate change through improvised rap,” reported Nhi Thoi on 350.org:

The Global Power Shift meeting in Istanbul is meant to be a launchpad for something much bigger – national mobilisations throughout the world. In the next week, the organisers will start a planet-wide project to scale up the movement and establish what they hope will become a new course for the global climate movement.

Mike Spine – a singer, recording artist, and music teacher on a six-month global humanitarian music tour to six continents raising awareness for social, economic and environmental justice – was quoted by 350.org as saying:

“I’m very lucky to work with 350.org in the United States. Climate change is a huge challenge, and I’m very impressed to see young Vietnamese people respond strongly to 350’s movement. I hope to be able to bring this enthusiasm to the young communities in the countries where I pass through in my tour, and I’m confident that global youth are those who will make a change.”

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facebook.com/GlobalPowerShift

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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Canada: Artist publishes book about ‘dirty oil and government censorship’

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FrankeJamesDoNotTalk_260In 2011, the Canadian artist Franke James was supposed to have her work exhibited in 20 European cities. But the local NGO that was sponsoring her was allegedly bullied and intimidated so badly by Canadian officials that it pulled out and the entire show was canceled. A spokesperson for the government had explained that Ms. James’ show was about climate change and her opinions were contrary to those of the government.

However, Franke James does not intend to keep quiet about what she experienced — now she is publishing a graphic 368-page book, ‘Banned on the Hill: A True Story about Dirty Oil and Government Censorship’, about the ordeal which features passages from more than 2,100 pages of official memos, internal federal emails, and other records.

125 funders supported her crowdfunding-initiative onIndiegogo.com to advertise her cause in the Hill Times, an Ottawa political weekly, and to launch an outdoor campaign Monday in the capital. She managed to raise over 5,000 US dollars already a month before the fundraising deadline, and her ad began appearing in the Hill Times on 20 May 2013 with the headline: “Do not talk about climate change. It is against government policy.”

American climate activist and founder of the organisation 350.org, Bill McKibben, was quoted as saying: “The Canadian government has clamped down on scientists who tell the truth about the tarsands, and it’s tried to shut up artists too. Happily, Franke James is indefatigable.”

Franke James hopes her book will be a how-to guide for other activists.
Read more and see Franke James’ artwork:

The Guardian – 17 May 2013:
Artist finds inspiration in Canadian government’s attempt to silence her
Visual essays by Franke James reveal how the ‘troublesome artist’ was targeted because her views on climate change clashed with the push to develop Alberta’s tar sands. By Suzanne Goldenberg, US environment correspondent 

The Toronto Star – 26 May 2013:
Climate activist’s book claims Conservatives tried to silence her
A new book by Toronto artist Franke James says her frequent criticism of Conservative climate change policy cost her federal funding for a European tour. By Raveena Aulakh

Franke James

This blog-post is re-published from artsfreedom.org.

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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