Alan Davey

TippingPoint makes a step-change

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Wallace Heim writes: The TippingPoint last month, co-hosted by the Newcastle Institute for Research on Sustainability, made a step-change from previous TP events. Many of the same elements were there, but something shifted. Something sparked in the combination of TP’s open structure and those participants, those presentations, the talk, the room and the city. It felt as if many things were converging, and instead of being an event proposing or speculating that culture and the arts could be important responses to climate change, it was an event going with and propelling the diverse and energetic work that is being made, and being dreamt of.

The presentations in more conventional conference form, many now online, were provocative, each presenting a distinct direction and raising questions that filtered through the rest of the event. Kevin Anderson and Matt Ridley’s heated head-to-head (“Two men slugging it out over data” as one participant named it) exemplified adversarial strategies and the ways in which the ‘deniers’ and those who accept the consensus views of science tend to define one another’s arguments, leaving a blank between them. It also brought out the difficulties of seeing and critiquing the rhetoric and argumentation in debates that rely on scientific data.

Lucy Conway presented the artwork that is the Isle of Eigg, and how the population there is realising low-carbon, high socially and culturally benefitted living. Ben Twist from Zero Carbon Scotland +TBD, introduced the problem of whether art can, or should, be linked to behavioural change. Erica Whyman from Northern Stage showed how the major cultural organisations in Newcastle are collaborating across their business and institutional interests, and building a network that could include developing plans for material sustainability. The idea of organisational collaboration returned in Alan Davey’s announcement of Arts Council England’s decision to embed environmental sustainability into its funding agreement.

On the last day, Sue Gill, of Dead Good Guides led everyone in singing a version of ‘All Things Bright and Beautiful’ before John Fox gave his reflections on the transitions in art-making from commercialised spectacle to vernacular art, to ‘random acts of culture’. “Even if the markets fail, we must not tolerate the failure of imagination.”

The three days were planned to allow for chance conversations and random mixing in small groups, like the ‘Show and Tell’ session, where participants bring an object with meaning for them relating to climate change. Some of these personal and emotive exchanges drifted into the wider discussions. The three Open Space sessions had themes, the first two mostly ignored: ‘In what ways might I influence the future’ and ‘Exploring Possibilities’, in favour of people’s more immediate concerns. The third, ‘What am I going to do about the future’, drew out dozens of groups talking about their projects, and help that could be given to them.

The openness of TP makes reporting back very subjective. It did feel as if something happened, more than presentations and networking. The unrepeatable, and well-facilitated, combination of the people, the ideas, the timing came together to make an event that showed and advanced the many edges of social and artistic action.Audio recordings of the presentations, tweets, blogs, interviews and commentaries with participants and some of the evenings’ entertainment are on Amplified. Photos above posted on Amplified by quitexander.

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ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

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RSA Arts & Ecology – Jan 14 | State of the Arts Conference

State of the Arts Conference
Thursday, 14 January 2010
Park Plaza Riverbank, SE1 7TL
Tickets: £115 (includes VAT)


The State of the Arts Conference, organised by the RSA and Arts Council England, brings together a wide range of creative voices to debate the value and purpose of the arts at a time of significant change.

We recognise that arts and cultural experiences are more diverse, disruptive and fast moving than ever before. The conference will explore with artists, entrepreneurs, cultural leaders and policy makers what kind of arts landscape we need and how we might get there.

Join us in examining the key role of the arts and arts policy in building a strong future for the nation.

Keynote presentations by:

Riz Ahmed, actor and performer
Ben Bradshaw MP, UK Arts Minister
Alan Davey, Arts Council 
Andy Field, Forest Fringe
Dame Liz Forgan, Arts Council
Jeremy Hunt MP, UK Shadow Arts Minister
Nicholas Hytner, National Theatre
Jude Kelly, Southbank Centre
John McGrath, National Theatre Wales
Lord David Puttnam
Matthew Taylor, RSA

For more information see the main State of the Arts Conference page at RSA Events.

Please visit our FAQ page if you have any queries on the conference.

via RSA Arts & Ecology – Jan 14 | State of the Arts Conference.