“I thought one could fuse the political ideal of social change with art”

Emma Ridgway, curator of The RSA Arts & Ecology Centre, interviews Gustav Metzger

Born in 1926 to Polish-Jewish parents in Nuremberg, Gustav Metzger is an artist known for his radical approach. His work responds directly to political, economic and ecological issues. Creating manifestos and events in the UK since the early 1960s, he developed the concept of Auto-Destructive Art and Art Strike movements, which addressed destructive drives both in capitalism and the art industry. He still makes challenging work and his ideas continue to be influential.

With his Flailing Trees one of the centrepieces of the Manchester International Festival, Gustav Metzger’s reputation as a major figure in radical art continues to grow. Emma Ridgway talks to the artist about his long career in art and activism.

via RSA Arts & Ecology – Interview | Gustav Metzger.

Go to RSA Arts & Ecology

“LAND/ART,” a massive six-month environmental art project involving more than 25 presenting organizations in New Mexico, opened last weekend with a symposium. Coordinated by 516 ARTS, events began June 27 with a guided bus tour by The Center for Land Use Interpretation through dramatic built landscapes. Continuing through December 2009, “LAND/ART” explores relationships of land, art and community through dozens of new exhibitions, community-based projects, site-specific art works, speakers series, performances, tours, excursions and a culminating book. “Historically,” says the organizers, “New Mexico has been a place where the intersection of nature and culture is at issue. In the 1960s and ‘70s, the American Southwest was the location of the first generation of Land Art or Earthworks,” including The Lightning Field, the Star Axis, Spiral Jetty, the Sun Tunnels and Roden Crater. Details are online.

via APInews: LAND/ART Opens in New Mexico .