We have roughly 1,000 days before the seventh billion human being joins the rest of us on Planet Earth. We do not know what country she will be born in, or who her family will be, or if she will be a she or a he.  But we do know this being will join the rest of us as a citizen of this world.  Working on a welcome message to our seventh billion fellow human being provides us with a rare but overdue opportunity for introspection as well as a frank accounting of the implicit responsibilities we have toward other human beings and future generations.  What would you like to tell her about this world, about life, about your story?  What would you like to show her about the world? The 7 Billionth Person Project aims to collect creative expressions from citizens from around the world.  Visual submissions are highly encouraged.  All media accepted.

Partners for the exhibition include The Arts Council of New Haven, Proof: Media for Social Justice, the Yale Program for Recovery and Community Health, and the Yale World Fellows Program.   Website: http://www.collectiveanswers.org.

Questions? Email Valerie Belanger at info@collectiveanswers.org

via WOOLOO.ORG – 7 BILLIONTH PERSON PROJECT.

Many innovative approaches to form and content are evolving in contemporary arts practice that transcend traditional boundaries of art making. Many artists are integrating various field and research strategies borrowed from the natural sciences, geography, and other disciplines to create rich interdisciplinary works of art that are often collaborative and experimental in nature. The interdisciplinary nature of these art works encourages a diverse and varied audience.

This honors seminar course (HONORS 413 Section 02) scheduled for Fall 2010 at San Diego State University will be centered around focused readings, discussions, presentations, screenings, and field trips. Students will conceive and execute a final project proposal that may take the form of a hybrid documentary, temporary site-specific artwork or installation, digital multimedia feature, performance, text, or other work that addresses social, cultural, environmental, geographical, and/or political issues of a local or regional ecology, site, or subject. Special emphasis will be placed on projects that are collaborative, incorporate sustainable design strategies, promote environmental awareness through education, and/or directly encourage audience participation. Projects, possibly collaborative in nature, will be distilled, executed, and documented at the conclusion of the course. A background in art is not required to take this course. Students from all academic and disciplinary areas are encouraged to apply.

The course will culminate in an immersive three-day weekend field study workshop at the Salton Sea scheduled for the weekend of November 19 – 21, 2010. During this workshop students will be able to directly experience and respond to place over an embedded field research period.  Visiting artist/architect,Chris Taylor, director of Land Arts of the American West at Texas Tech, will join us for this weekend field experience. Students will be prepared before embarking on the field trip through readings and presentations on diverse topics related to the site including but not limited to regional water politics, agricultural/real estate economies, local ecologies, military presence, tourism, outsider art, fringe subcultures among others. A culminating art exhibit and publication will be organized to document student interdisciplinary projects resulting from this course and workshop.

This course will meet Wednesdays from 4 to 6:40 pm in PSFA-113 during fall semester 2010..

via Art, Environment, and Place.

Activities that are good in themselves are good for the economy, and activities that are bad in themselves are bad for the economy. The only intelligible meaning of “benefit to the economy” is the contribution – direct or indirect – the activity makes to the welfare of ordinary citizens.

Many people underestimate the contribution disease makes to the economy. In Britain, more than a million people are employed to diagnose and treat disease and care for the ill. Thousands of people build hospitals and surgeries, and many small and medium-size enterprises manufacture hospital supplies. Illness contributes about 10 per cent of the UK’s economy: the government does not do enough to promote disease.

Such reasoning is identical to that of studies sitting on my desk that purport to measure the economic contribution of sport, tourism and the arts. These studies point to the number of jobs created, and the ancillary activities needed to make the activities possible. They add up the incomes that result. Reporting the total with pride, the sponsors hope to persuade us not just that sport, tourism and the arts make life better, but that they contribute to something called “the economy”.

READ ON //>  John Kay – A good economist knows the true value of the arts.

Don’t drink and drive, but feel free to let your car party all it wants! After two years and $400,000, researchers at Edinburgh Napier University in Scotland have successfully turned whiskey into fuel. The researchers were provided with the general products needed to make whiskey as well as the byproducts that typically result from production of the alcohol. They found they were able to make a form of biobutanol — which is 30% more efficient than ethanol — with two whiskey byproducts – pot ale and draff. Finally, a discovery worthy of a toast!

via Scottish Researchers Turn Whiskey into Fuel | Inhabitat – Green Design Will Save the World.

We’ve been planning things for the future of the Green Theatre Project and we are very excited to announce our next project and our new name!

We are excited to announce a new, small-scale project that will take place in September. We hope to announce an even bigger project for the autumn taking place around October to December time. So if you can’t participate in this project, hopefully you can be involved in our autumn one.

We’ve received a bit of funding from V volunteer organisation to do a small devised outdoor performance around principles of the Olympics, namely culture and environment. Unfortunately, the funding stimulates the participants must be volunteers between the ages for 16-25. (Sorry to all our more seasoned performers, but the autumn project should be open to everyone.)

The Project:

We will be devising a piece to be performed at King Henry’s Walk Garden (www.khwgarden.org.uk) in Islington for their Flower and Produce Show on September 25th. It will be an interactive piece, spread out in the garden and forest space. It will look at celebrating the work of KHWG and urban gardening in general as well as looking at issues of food production, localism, biodiversity, beekeeping and the history of green spaces in London. We are keen to take inspiration from a variety of places including songs, games, stories, history, literature and real life accounts. We will also be experimenting with unconventional forms of theatre for this piece to really play and have fun with the audience. King Henry’s Walk Garden is a really interesting and beautiful space with loads of potential. It is all run by volunteers and set up as a community green space where people can grow their own food or just enjoy nature. This is a unique opportunity to work on an intimate but exciting new piece and explore relevant issues in a fun way.

We are looking for 5 performers/devisers as well as 3 creatives (designers, dramaturgy, etc.).

We will be able to pay travel expenses (a travel card a day) and provide refreshments at rehearsals. We also have a small set/props/costume budget as well as marketing and rehearsal space budget.

The rehearsals will be the following:

• Thursday, Sept. 2 6:30-9:30pm at KHWG
• Saturday, Sept. 4 12-3
• Tuesday, Sept. 7 6:30-9:30
• Thursday, Sept. 9 6:30-9:30
• Tuesday, Sept. 14 6:30-9:30
• Thursday, Sept. 16 6:30-9:30
• Tuesday, Sept. 21 6:30-9:30
• Thursday, Sept 23 6:30-9:30
• Performance 25th September, 11-6pm

Most of the rehearsals will take place in a meeting room at KHWG, or a location in the Islington/Hackney area.

If you are available and would like to be involved, please email us at greentheatreproject@gmail.com by FRIDAY, AUGUST 27 by 5:00pm.

In other news….

To match our new phase of development we have a new name: Green Stage! Look out for a website soon!

Thanks!

-Lisa and Rosie

“In light of these uncertain economic times—when many arts organizations are wary of taking risks or seeking to create work through unproven methods—the A-ha! Program is a beacon to draw our member theatres to experimentation,” said Teresa Eyring, executive director of TCG. “This program allows them to strive for new ways of thinking and development and testing new models, without having to shoulder all the financial responsibility.”

The A-ha! Program has two components: Think It grants ($25,000), which give theatre professionals the time and space for research and development, and Do It grants ($50,000), which support the implementation and testing of new ideas. The program aims to discover and disseminate best practices that can benefit the field by supporting risk-taking, reflection, experimentation and the development of creative strategies in theatres.

“MetLife Foundation is proud to continue its partnership with TCG to support not-for-profit theatres seeking new ways to create and develop work and practices that strengthen local communities and the field in general,” said Dennis White, president and CEO, MetLife Foundation. “We believe the A-ha! Program is essential to participants in building models of creative strategy.”

The 2010 A-ha! Program recipients are:

Think It

• Pillsbury House Theatre (Minneapolis, Minn.) will develop its transformation into a Cultural Community Hub. The project will focus on assessment and metrics planning that will define and measure organizational success.
• Curious Theatre Company (Denver, Colo.) will explore innovative opportunities for reinventing the resident artistic company model for the 21st century American theatre, by re-centering artists within producing organizations.
• Center Theatre Group (Los Angeles, Calif.) plans to conduct focus groups and interviews with students, academic administrators and theatres to explore an internship model that pairs graduate students in arts administration with Los Angeles theatres.

Do It

• Southern Rep (New Orleans, La.) will establish Youth Onstage New Orleans, LA (YO NOLA) as a pilot program to bring the arts to the underserved population at a New Orleans elementary school, via a student-run theatre company. This program includes mentoring, workshops and building life skills.
• Northlight Theatre (Skokie, Ill.) is building Northlight On Campus, a two-year, comprehensive residency program in one underserved suburban middle school featuring after-school drama programs, artist visits, student matinees and a commissioned play for students.
• Dad’s Garage Theatre Company (Atlanta, Ga.) will create their first season of online content in tandem with their live work. This ongoing initiative will be self-sustaining and will redefine them from a theatre company to a creative company.

The process and progress of these recipients will be chronicled on the TCG website, www.tcg.org, and the A-ha! blog, http://aha.tcg.org/.

The grant applications were reviewed by an independent national panel of theatre and technology professionals comprised of Polly Carl, director of artistic development, Steppenwolf Theatre Company (Chicago, Ill.); Brad Carlin, development director, Guadalupe Cultural Arts Center & board member/consultant, Salvage Vanguard Theater (New Braunfels, Texas); Ian Garrett, executive director, The Center for Sustainable Practice in the Arts (Los Angeles, Calif.); Thomas O. Kriegsmann, president, ArKtype (New York, N.Y.) and Marilyn Tokuda, arts education director, East West Players (Los Angeles, Calif.).

For more information about the MetLife Foundation, please visit its web site at www.metlife.org.

For more info about TCG, please visit www.tcg.org.

via Stage Directions.

ECOKIDS

September 24 – November 24, 2010

Opening Friday, September 24, 7-9pm

FEATURING

Cool Coventry Club; Environmental Children’s Organization (ECO); Forest Project; Help Light NJ; Kids Face; Kids Saving the Rainforest; Kids vs. Global Warming; Plant for the Planet; Project Sprout; Pump ‘Em Up; Sahabat Alam; Tree Musketeers

NEW YORK – ECOKIDS, a project of SEA (Social Environmental Aesthetics), is an exhibition that showcases the work of outstanding youth activists who are working to raise awareness and solve environmental issues.ECOKIDS demonstrates that youth movements are leading the call for positive action on environmental challenges.

From student-run organic farms to climate change awareness campaigns, the youth organizations featured in ECOKIDS are based in New York, New Jersey, Connecticut, Tennessee, California, Florida, Massachusetts, Costa Rica, Germany, Canada and Indonesia. Through the exhibition, workshops and partnerships with school groups and teaching artists, Exit Art provides a public platform for the presentation of youth environmental organizations, projects, and initiatives. Founded by youth activists from elementary to high school age, these “eco-kids” demonstrate that children have the ability to solve environmental issues in the present, andnot simply the future.

Workshops, events and tours will be hosted by The Canary Project, Wave Hill, and Solar 1.

PUBLIC EVENTS FOR KIDS

GREEN PATRIOT POSTERS: Citizen Youth Design Camp NYC
Saturdays, October 2, 9 and 16 / 2-5pm
Organized by The Canary Project
with collaborations by Tara DePorte/Lower East Side Ecology Center and the Intrepid Museum
Age: High School
FREE

GREEN PATRIOT POSTERS: Citizen Youth Design Camp NYC is connected to The Canary Project’s ongoing Green Patriot Posters concept – a campaign centered on posters that encourage citizens to take part in building a sustainable economy. In this camp, youth participants will learn about cities and sustainability from guest speakers; learn how to design and create posters; and design a campaign to get their posters and message out into the world. The posters produced by youth participants will then be included in the exhibition ECOKIDS. For more information on this program, please contact Assistant Curator Lauren Rosati atlauren@exitart.org.

The Canary Project (Ed Morris and Susannah Sayler) has commissioned posters from design leaders as part of Green Patriot Posters, and developed an on-line community for sharing and voting on original designs. The project is being featured in the Cooper Hewitt National Design Triennial Why Design Now?, and will be published in a book by Metropolis/DAP in Fall 2010. For more information on the Green Patriot Poster project, please click here.

Sustainable Design Workshop
Thursday, September 30, 4pm
Organized by Solar 1
Age: 7 and up, *Parents must be present
FREE

The Sustainable Design class will familiarize students with concepts related to architecture, community planning, and product design. Students will explore the environmental consequences and benefits of design on all scales and how it affects the environment and our health. Using recycled materials, each student will design and construct a small, sustainable building. At the end of the workshop, the students will draw a map of the city and choose a place to “build.”

Parents will be able to sign up for this program beginning September 1, 2010. To sign up, please visitwww.exitart.org. For more information on this program, please contact Assistant Curator Lauren Rosati atlauren@exitart.org.

ECOKIDS exhibition and programs organized by Lauren Rosati, Assistant Curator.

ABOUT EXIT ART
Exit Art is an independent vision of contemporary culture. We are prepared to react immediately to important issues that affect our lives. We do experimental, historical and unique presentations of aesthetic, social, political and environmental issues. We absorb cultural differences that become prototype exhibitions. We are a center for multiple disciplines. Exit Art is a 28-year-old cultural center in New York City founded by Directors Jeanette Ingberman and artist Papo Colo, that has grown from a pioneering alternative art space, into a model artistic center for the 21st century committed to supporting artists whose quality of work reflects the transformations of our culture. Exit Art is internationally recognized for its unmatched spirit of inventiveness and consistent ability to anticipate the newest trends in the culture. With a substantial reputation for curatorial innovation and depth of programming in diverse media, Exit Art is always changing.

ABOUT SEA
SEA is a unique endeavor that presents a diverse multimedia exhibition program and permanent archive of artworks that address social and environmental concerns. SEA will assemble artists, activists, scientists and scholars to address environmental issues through presentations of visual art, performances, panels and lecture series that will communicate international activities concerning environmental and social activism. SEA will occupy a permanent space in Exit Underground, a 3000 square-foot, multi-media performance, film and exhibition venue underneath Exit Art’s main gallery space. The SEA archive will be a permanent archive of information, images and videos that will be a continuous source for upcoming exhibitions and projects. Central to SEA’s mission is to provide a vehicle through which the public can be made aware of socially- and environmentally-engaged work, and to provide a fo rum for collaboration between artists, scientists, activists, scholars and the public. SEA functions as an initiative where individuals can join together in dialogue about issues that affect our daily lives. SEA conceived by Papo Colo.

EXHIBITION SUPPORT
General exhibition support provided by the Andy Warhol Foundation for the Visual Arts; Bloomberg LP; Jerome Foundation; Lambent Foundation; Pollock-Krasner Foundation; the New York City Department of Cultural Affairs and City Council Speaker Christine C. Quinn; Exit Art’s Board of Directors and our members.

GENERAL INFORMATION
Exit Art is located at 475 Tenth Avenue, corner of 36th Street. Hours: Tues. – Thurs., 10am – 6pm; Fri., 10am – 8pm; and Sat., noon – 8pm. Closed Sun. and Mon. There is a suggested donation of $5. For more information please call 212-966-7745 or visit www.exitart.org.

A theatre hand-built entirely from salvaged material is being constructed in an abandoned playground in Southwark.

The 120-seat Jellyfish Theatre will be the venue for the Oikos Project, which aims to “explore how a new sustainable society can flourish in a world altered by climate change”. To that end, two new plays have been commissioned and will be performed this autumn: Simon Wu’s OIKOS and Kay Adshead’s Protozoa.

The idea for the project came from Topher Campbell of The Red Room, and work to build the theatre began during the London Festival of Architecture earlier this summer. Constructed from scraps begged and borrowed from building sites, struck theatrical sets, and fruit ‘n veg palettes taken from New Covent Garden Market, the theatre has taken shape slowly over the past eight weeks, with the build completed by volunteers guided by German husband-and-wife architects Martin Kaltwasser and Folke Köbberling in a vaguely improvisational manner.

It will be used to host talks and workshops before the plays begin, and the whole thing will be taken down by mid-October, leaving little in its trace. Cedric Price would have been proud.

The Jellyfish Theatre, Marlborough Playground, 11 – 25 Union Street, London SE1 1LB. For more information visit the Oikos Project website.

via The Oikos Project: A Theatre Built From Junk – Londonist.

KATHRYN SPENCE Untitled (Western Screech Owls), 2009 Coats, pants, stuffed animals, sand, string, thread, wire, pins

Accumulated bits of fabric, thread, paper, and cardboard take on species-specific characteristics and inhabit space as they might in the wild.

KATHRYN SPENCE Untitled (Coyotes), 2009 Sweaters, shirts, towels, stuffed animals, wood, pins, colored paper

Kathryn Spence received her MFA from Mills College in 1993. She lives and works in San Francisco, California. Kathryn Spence: short sharp notes, rolling or churring whistles, clear phrases is curated by Stephanie Hanor.

via Current Exhibitions » Mills College Art Museum.