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Join Julie’s Bicycle for Sustaining Creativity

The Sustaining Creativity Lab LIVESTREAM will launch at 10.20am on Wednesday 28th May – stay tuned and follow the event online!

http://www.juliesbicycle.com/Sustaining-Creativity

http://www.juliesbicycle.com/Sustaining-Creativity

View agenda for Sustaining Creativity Lab

We want to understand how the creative community is thinking about the coming decade and what it perceives as the critical drivers for change. We will be making the case that environmental sustainability is a big one, and, with your help, mapping a five to ten year plan.

‘Sustaining Creativity’ is a series of conversations and events exploring environmental challenges, drivers of change, and the opportunities that transformative solutions offer to the creative community.

‘Sustainability’ generally refers to an approach that balances social, financial and environmental considerations. Julie’s Bicycle’s focus is environmental sustainability. While we recognise and seek to reinforce the synergies between social, financial and environmental wellbeing, economic and social development are ultimately contingent on a healthy planet.

Sustaining Creativity will take a holistic approach, intent on shoring up strength and wellbeing over the coming decade. It will consider the likely systemic changes already influencing mainstream thinking and put sustainability at the forefront of creative and cultural innovation.

Sustaining Creativity will:

Discover what the business critical issues are perceived to be from a wide range of representatives from the creative community.

Extend
 ambition about what is possible using real examples.

Identify some key shifts needed to develop a creative infrastructure commensurate with global challenges.

Outline what might be done over the next five to ten years to create optimal conditions for change.

Foster confident decision-making that looks beyond political and funding cycles

Produce a series of events and publications

We are working with partners including the Technology Strategy Board, Sustain RCA, RSA, Volans, Pervasive Media Studios, John Elkington, John Kieffer, John Holden, and Haworth Tompkins Architects exploring the following themes:

Value
Alternative approaches to how we measure and explore value culturally, socially and financially

Digital
Thinking about how digital connectivity and data can influence our approach to environmental change

Circularity
Developing design methodologies and partnerships to increase circular use of resources and materials within the sector and more widely

Governance

How do these key issues affect Boards and Senior Leaders in the arts?

Watch videos from the Sustaining Creativity launch event in November 2013 byclicking here.

We will be holding a conference on Wednesday 28th May 2014 to present some of the early findings from our survey, and to engage the sector in a further debate about what the next steps should be. For more information about the day, click here.

Read the Where Science Meets Art publication here

http://www.juliesbicycle.com/Sustaining-Creativity

OPEN CALL: CSPA Quarterly:  An Open Call for Essays, Artwork, and Reports 

CSPAQ 8The CSPA Quarterly has embarked on what has turned into an incredibly challenging series of publications:  four issues focused on each of the four dimensions of sustainability (as recognized by UNESCO).  Our first issue in the series on Art + Economy was published at the beginning of the year, and our issue on Environment will be released soon.

The remaining issues in the series are open for submission.  Please send us tips, projects, essays, scripts, photographs, etc that represent the two remaining dimensions:

SOCIAL EQUITY / performances, artwork, or public art projects that address issues of social equity- local or global!

CULTURE / Yes, we know this is broad.  We’re looking for essays, projects, etc that evaluate the value of culture, and the role of art and culture in a sustainable society.

Please address submissions to:  Miranda@SustainablePractice.org

For Previous editions, please CLICK HERE

Essay Competition 2014 – Leadership

This post comes to you from Cultura21

Entries are now open for the 2014 WOLFoundation essay competition.

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Whether it relates to environmental degradation, personal privacy, the functioning, or otherwise, of our democratic processes and many other issues, many people feel that we are suffering from an almost global crisis of leadership. An inability to break out of the status quo to enable societies to address some of the growing social and environmental issues that we all face.

The theme of this year’s competition is: Leadership: What are the characteristics of effective leadership in the 21st century?

Entrants to focus on the nature of leadership itself rather than the specific issues that leaders should be addressing are encouraged.

Visit the Guidelines page for more details about this year’s competition.

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

- Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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The rising waters – call for contributions to the Dark Mountain Project

This post comes to you from EcoArtScotland

Do you think about the rising waters?  Do you write about them?  Do they become images in your work?  Do overflowing rivers and flooded fields haunt you.  They haunt Paul Kingsnorth.

Dark Mountain issue five is currently at the printers, and will be hitting the streets (or our online shop, anyway) in early April. In the meantime, we are putting out a call for writing and art for book 6, which will be published this coming October.

The loose theme this time around is ‘The Rising of the Waters.’ We’re looking for writing and art which seriously engages with the likelihood of a gradual, messy winding-down of everything we take for granted. You can read more about what we’re looking for in this blog entry.

As ever, we welcome submissions from writers and artists both new and established. Please read our submissions guidelines before sending us anything. The deadline for submissions in Sunday 4th May. We look forward to seeing what floats in on the tides.

And the full blog post here

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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dot.rural internships

This post comes to you from EcoArtScotland

dot.rural Internship Scheme 2014

dot.rural is one of the three RCUK Digital Economy research hubs and brings together a team of over 80 researchers from a range of academic disciplines to explore the challenges of the rural digital economy. Activities in the Hub are organised around four rural challenges: healthcare, accessibility & mobilities, conservation of natural resources, enterprise & culture. Technology research to meet challenges in these areas is focused around natural language generation and affective communication, mechanisms to support reasoning, coordination and collaboration, intelligent information infrastructures, satellite and wireless communications. More details on the Hub its research activities and projects can be found on the website: http://www.dotrural.ac.uk

Internship Scheme

As part of its wider engagement with the academic community and impact agenda, dot.rural has introduced a summer internship scheme. This is designed to support students from outside dot.rural and the University of Aberdeen to spend time at the Hub. You will join a lively community of 23 PhD students already based in the Hub, working across a range of disciplines.

The duration of an internship is 10 weeks (full-time) and the scheme is aimed at currently registered postgraduate students, particularly PhD students. For PhD students who receive a stipend from their home university during the internship, a bursary of £300 per week will be available. For PhD students who suspend their stipend at their home university’s request, an enhanced bursary of £350 per week will be available. Internships will take place over Summer 2014.

University accommodation is available (at a cost to the intern) but is only available between 23 June and 30 August 2014.

Applications should be submitted by 5pm on 25 April 2014 by filling in the application form and uploading a CV. Applications will be considered by the Hub Directors and relevant other researchers in dot.rural. For queries relating to the scheme contact Dr Jennifer Holden (j.a.holden@abdn.ac.uk, 01224 274238).

Eligibility

Internships are only available to UK or EEA students, i.e. UK nationals at a UK university, EEA nationals at a UK university and EEA nationals at a EEA university. Unfortunately, due to the nature of the scheme and UKBA regulations, students on a Tier 4 visa at UK universities are not eligible to apply for internships.

Due to the nature of the funding for the internship scheme, students registered at the University of Aberdeen are not eligible.

Illustrative Topics

For the 2014 internships we are looking for interns to specify their own 10 week research project related to dot.rural’s current work or future priorities related to the Information Economy. Projects do not need to be rural in their focus and research areas could include (but are not limited to):

  • Social Media – Data Analytics (inc. Text-Mining), Curation
  • Internet of Things
  • Trust, Privacy & Risk
  • Digital Culture
  • Smart Cities
  • Climate Change, Risk & Vulnerability
  • Personal & Pervasive Health
  • Inclusive & Secure Societies

For more background information on the UK Government’s Information Economy strategy, see the report at https://www.gov.uk/government/publications/information-economy-strategy

Timetable

  • Deadline for Applications 25 April 2014
  • Decisions Announced 16 May 2014
  • Earliest Internship Start Date 23 June 2014

University Accommodation Available: 23 June to 30 August 2014 (Wavell House £17pppn) 14 July – 30 August (New Carnegie Court en suite £22.50 pppn) contact: hillhead.halls@abdn.ac.uk

Residential Requirement

It is expected that internship students will be physically present in the Hub everyday during the working week, except when they are away on fieldwork and other meetings away from the Hub. Part of the internship is about spending time in a large interdisciplinary Hub and making the most of the networking opportunities and mentoring opportunities from postdoctoral researchers. Short-term accommodation is can be difficult to find in Aberdeen so it is highly recommended that internship students time their internship period with when university vacation accommodation is available.

Selection Criteria

Each application will be considered on its merits, with the following criteria being used to guide the selection process: academic excellence, fit between student and internship topic, potential for impact, and feedback from referees.

To Apply

To apply for a dot.rural internship please complete the online application form at http://www.dotrural.ac.uk/content/applicationinternship. As part of the application process you will be required to upload a 2 page CV (as pdf) and to supply the names for two referees. For PhD students one of these referees should be your lead supervisor. You will also be required to outline a possible internship project including possible academics and researchers you would work with.

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ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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International Award Celebrates a Greener Edinburgh Fringe

This post comes from Creative Carbon Scotland

Applications are now open for the 2014 Fringe Sustainable Practice Award, celebrating the greenest and most sustainable shows on the Edinburgh Fringe.

This project, a partnership between Creative Carbon Scotland and the Center for Sustainable Practice in the Arts, rewards shows which engage their audiences with sustainability, take responsibility for their environmental impacts, and think big about how the arts can help to grow a sustainable world.

Applications are open from February 19th to July 18th, with a shortlist announced in The List on July 30th, and the winner announced in a ceremony at Fringe Central on August 22nd.

“We believe artists and cultural organisations are uniquely placed to address the challenges brought on by climate change,” says Ben Twist, Director of Creative Carbon Scotland.

“This major award celebrates and publicises their innovative work during the Festival Fringe.”

The award for Sustainable Production on the Fringe was first launched in 2010 at the Hollywood Fringe and Edinburgh Festival Fringe.

“We see the arts as the best driver of sustainable societies and it’s not just our opinion: data shows that performance promotes positive environmental, social, and economic impacts,” says Ian Garrett, Director of the CSPA.

“The fringe model provides an ideal platform to start working with sustainable ideas through all of the freedoms and restrictions the festival allows!”

Creative Carbon Scotland is a partnership of cultural organisations using the arts to help shape a sustainable Scotland.

The Center for Sustainable Practice in the Arts is in the Arts is a Think Tank for Sustainability in the Arts and Culture.

Shows can apply now at http://www.sustainablepractice.org/fringe/

Previous Edinburgh recipients include: The Pantry Shelf (2010), a satirical comedy that takes place in any ordinary pantry shelf, produced by Team M&M at Sweet Grassmarket; Allotment (2011) by Jules Horne and directed by Kate Nelson, produced by Nutshell Productions at the Inverleith Allotments in co-production with Assembly; The Man Who Planted Trees (2012) adapted from Jean Giono’s story by Ailie Cohen, Richard Medrington, Rick Conte and directed by Ailie Cohen, produced by the Edinburgh’s Puppet State Theatre; and How to Occupy an Oil Rig (2013), by Daniel Bye and Company, produced at Northern Stage. Awardees have gone on to future success on the Fringe and presentations around the world including as close as Cardiff for World Stage Design, and as far as New Zealand and all across the US and Canada.

Contact:

Ben Twist, Director, Creative Carbon Scotland
ben@creativecarbonscotland.com
0131 529 7909
www.creativecarbonscotland.com

www.sustainablepractice.org/fringe/

Image Credit: EFF

The post International Award Celebrates a Greener Edinburgh Fringe appeared first on Creative Carbon Scotland.

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Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

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Arts and Ecology: emerging uses for digital technologies

This post comes to you from Cultura21

Digital Creativity is a journal devoted to the intersection of the creative arts and digital technology. Concerned with both the practical and the theoretical, Digital Creativity offers a unique forum to researchers and practitioners involved in the interdisciplinary nature of making or using digital media in creative contexts. They include such disciplines as fine art, graphic design, illustration, photography,
printmaking, sculpture, 3D design, interaction design, product design, textile and fashion design, film-making, animation, games design, music, dance, drama, creative writing, poetry, interior design, architecture, and urban design.

Proposal for a special issue of Digital Creativity Vol 25 No 4

Call for papers

In this special issue, they explore the emergent practice known broadly as ‘Arts & Ecology’, a set of practices in which arts practice engages with the natural world.
Practice might be issues-based or activist in nature, or may simply have a desire to reflect upon or engage directly with nature or ecology. This special issue of the journal seeks writers, theorists, practitioners, and other researchers who can reflect on this practice and on emerging and emergent uses of digital technologies within it. Can it be said that there is a new awareness of and a newly-emergent practice of nature writing? Are ecological artists using technologies in different ways? Do
ecological pressure impact upon how we use, develop and fuel our technologies? Can renewable energy play a part in a technological arts practice? Are digital technologies changing the ways in which people can engage with the natural world? How are cultural practices remixing the digital world with the more-than-human and other-than-human worlds? We welcome philosophical and/or theoretical reflection as well as detailed descriptions of practice or critique.

Important dates:
Abstracts are due on May 1, 2014
Short/long papers are due on: July 10, 2014
Final, revised papers are due on: August 23, 2014
Expected publication: November, 2014

More Info.

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

- Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Greater Thames Marshes, Nature Improvement Area Commission Opportunity

This post comes to you from EcoArtScotland

The project provides a unique opportunity with much of the land within Hadleigh Country Park being designated as a Site of Special Scientific Interest as it is a haven for around 1,300 species of wildlife including the shrill carder bee, the emerald damselfly and the weevil hunting wasp. The local environment also supports dark-bellied Brent geese.

Public Art Online Commissions – Greater Thames Marshes, Nature Improvement Area Commission Opportunity.

(Deadline was 3 March 2014)

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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Here Comes the Sun… | Artsadmin

From Artsadmin.

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As a leader in the arts and environment field, Artsadmin is always looking for ways to make Toynbee Studios more sustainable (and are proud to have Green Tourism Silver award).

Since the studios were renovated in 2006 Artsadmin has been investigating the potential of putting solar panels on the roof. Then, back in September last year (when the sun was still shining) the group came upon Joju Solar, who thought they might be able to help.

Joju turned out to be exactly what was needed – they were able to manage the whole project – from the many conversations with surveyors about the weight of the panels, how they would be fixed and designed, and how much electricity the system might generate, to the purchase and installation of the panels. Finally last week Joju’s engineers installed 40 solar panels – which will generate up to 10 kilowatts of green energy.

The installation will also (hopefully) help make significant savings. With an estimated return of around 12% the panels will hopefully pay for themselves in around eight years – and over the next 25 years (the length of the lease we have on the whole building) Artsadmin is likely to make a significant return through its feed-in tariff.

For those who haven’t made it up to the roof to have a look, Artsadmin has also installed a digital display in the foyer which will show how much electricity it’s generating at any time, so here’s hoping for a hot summer in E1.

20140311_162738

Display in the foyer the day Artsadmin overstepped the 100 kWh mark.

ARTPORT_COOL STORIES FOR WHEN THE PLANET GETS HOT IV: WATCH AND VOTE FOR THE WINNER

From ARTPORT.

COOL STORIES FOR WHEN THE PLANET GETS HOT IV

CSIV

PLEASE WATCH & VOTE
until March 31, 2014

for your favorite artist to help them win an artist residency at Largo das Artes in Rio de Janeiro!

ARTPORT_making waves is pleased to announce the launch of COOL STORIES FOR WHEN THE PLANET GETS HOT IV, the fourth biennial competition of short art videos and animations by artists from around the globe who address climate change.COOL STORIES IV is launched on the web at www.artport-project.org and invites the public to vote for the final winner who will be awarded an artist residency at Largo das Artes, Rio de Janeiro, Brazil (largodasartes.com.br). The deadline for voting is March 31COOL STORIES IV (50′) is presented in partnership with FilmAnnex,filmannex.com, an online platform and community for independent filmmakers and video artists.
Copyright © 2014 ARTPORT_making waves, All rights reserved.