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Expanding Plastics

This post comes to you from the Broadway Green Alliance
Expanding Plastics

Mayor Bloomberg at the press launch of Broadway Goes Green.

Mayor Bloomberg at the press launch of Broadway Goes Green.

by Noah Aberlin

Get ready to add all rigid plastics to your recycling bin-

NYC has expanded the residential recycling stream.

On April 24th Mayor Bloomberg announced that NYC will now recycle all rigid plastics. These newly included items go in the same clear bag or blue bin where all glass, metal, aseptic packaging (juice boxes, soy milks), and plastic bottles currently go.

Rigid plastics include yogurt cups, toys, hangers, cookie tray inserts, plastic cups, food containers, and more. Bloomberg said at a press meeting, “Starting today, if it’s a rigid plastic – any rigid plastic – recycle it…This means that 50,000 tons of plastics that we were sending to landfills every year will now be recycled and it will save taxpayers almost $600,000 in export costs each year.”

This announcement coincides with the development of the new recycling plant being built by the Sunset Park waterfront in Brooklyn, which will be the largest household recycling plant in North America. Because it takes 70 percent less energy to make plastic from recycled plastics instead of raw materials, it’s going to help further reduce the city’s carbon footprint. New York City will not only become more sustainable but will also create 100 jobs at the new plant. Plus, it will be powered by one of the largest solar installations in the city.

Keep a lookout for new recycling decals and posters that should be mailed to residences soon and remember it is recommended that New Yorkers should rinse out all containers before sorting them in recycling bins. While these new rules do not effect commercial recycling (i.e.: at the theatres) they do include the new Solar Big Belly public recycling bins that have been sited around town. There are 30 in the Times Square area so please seek them out and use them.

To recycle plastic bags, many supermarkets and drug stores have special collection bins. Film plastic (plastic wrap) does not recycle.

For more information and a detailed list of all recyclable materials visit http://www.nyc.gov/html/nycwasteless/html/home/home.shtml

 

The Broadway Green Alliance was founded in 2008 in collaboration with the Natural Resources Defense Council. The Broadway Green Alliance (BGA) is an ad hoc committee of The Broadway League and a fiscal program of Broadway Cares/Equity Fights Aids. Along with Julie’s Bicycle in the UK, the BGA is a founding member of the International Green Theatre Alliance. The BGA has reached tens of thousands of fans through Facebook, Twitter, YouTube and other media.

At the BGA, we recognize that it is impossible to be 100% “green” while continuing activity and – as there is no litmus test for green activity – we ask instead that our members commit to being greener and doing better each day. As climate change does not result from one large negative action, but rather from the cumulative effect of billions of small actions, progress comes from millions of us doing a bit better each day. To become a member of the Broadway Green Alliance we ask only that you commit to becoming greener, that you name a point person to be our liaison, and that you will tell us about your green-er journey.

The BGA is co-chaired by Susan Sampliner, Company Manager of the Broadway company of WICKED, and Charlie Deull, Executive Vice President at Clark Transfer<. Rebekah Sale is the BGA’s full-time Coordinator.

Go to the Broadway Green Alliance

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A Greener (and easier!) Approach to Stuffers

This post comes to you from the Broadway Green Alliance

Post by Jennifer Marik, Wicked Stage Manager

Printing your own stuffers in house as needed, rather than ordering them in bulk in advance, saves a lot of money, is very eco-friendly and is very easy!  At Wicked, we have a high-speed copier, an industrial paper cutter and a cabinet full of 100% recycled paper.  With just these tools, we are able to generate a stuffer for each performance – including bios and headshots for new performers and all of the necessary cast replacements.  If it is just a bio, or two or three replacements, we are able to print eight inserts to a page (which at the Gershwin is 225 copies per show).  If we need to include more information, we can generally put it on a four-up (450 copies per show).  On very rare occasions, we need to print three stuffers to a page to accommodate multiple bios, headshots and replacements. Depending on the number of copies, we can usually print the stuffers in about ten minutes and cutting the stuffers takes less than five.  We have templates set up in the computer (which prints directly to the copier), so we are able to quickly modify the stuffer each evening when we do our paperwork at hour before half hour. Our ushers generally have the inserts in hand 15 minutes after that.

WICKED has been a partner of the BGA since its founding.

WICKED has been a partner of the BGA since its founding.

What if the copier goes down at an inopportune moment?  Or what if an actor calls out at the last minute?  We keep one show of each cast replacement option in our emergency stuffer stash, so we are able to cover these contingencies.  And if the copier were to go down on a two-show day, or over the weekend (which has happened almost never), we would use Staples or Kinko’s for subsequent shows.

In an effort to be even greener, we do not cut the emergency stuffers ahead of time.  With the paper cutter, if we need to use them, we can cut them very quickly.  If we don’t use them and the actor leaves the company, we end up recycling only a total of 200-500 pieces of paper per actor leaving the company – we can use them for printing in/outs, scrap paper, etc.  What used to happen instead was that we’d have to get rid of 7200 small pieces of paper per actor leaving – and more if they covered multiple parts.  One bonus of this system is that we no longer need to store hundreds of stacks of stuffers that might never be used.

In addition to being a greener way to do stuffers, and being much easier for the stage managers, printing your own stuffers saves money – a lot of it.  Wicked saves about $5000 a month: just by making a one-time purchase of that industrial paper cutter and a monthly rental of the high-speed copier.  And an added bonus to having the high speed copier – we can generate scripts and scores on demand in-house as well, which even saves us more money.

Broadway Shows using GREENER Stuffers:

The Broadway Green Alliance was founded in 2008 in collaboration with the Natural Resources Defense Council. The Broadway Green Alliance (BGA) is an ad hoc committee of The Broadway League and a fiscal program of Broadway Cares/Equity Fights Aids. Along with Julie’s Bicycle in the UK, the BGA is a founding member of the International Green Theatre Alliance. The BGA has reached tens of thousands of fans through Facebook, Twitter, YouTube and other media.

At the BGA, we recognize that it is impossible to be 100% “green” while continuing activity and – as there is no litmus test for green activity – we ask instead that our members commit to being greener and doing better each day. As climate change does not result from one large negative action, but rather from the cumulative effect of billions of small actions, progress comes from millions of us doing a bit better each day. To become a member of the Broadway Green Alliance we ask only that you commit to becoming greener, that you name a point person to be our liaison, and that you will tell us about your green-er journey.

The BGA is co-chaired by Susan Sampliner, Company Manager of the Broadway company of WICKED, and Charlie Deull, Executive Vice President at Clark Transfer<. Rebekah Sale is the BGA’s full-time Coordinator.

Go to the Broadway Green Alliance

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Sprit in the Air Exhibition Opening Invite

co2_eden_burgh_banner_550Creative Carbon ScotlandCollins and Goto Studio with Chris Malcolm, ecoartscotland and Art Space Nature are pleased to invite you to

Spirit In The Air

Opening: Friday 2 August 6-8pm

at the Tent Gallery, Edinburgh College of Art, Westport, Edinburgh EH3 9DF

(refreshments will be provided)

Spirit in the Air is a visual art, technology and performance project exploring the impacts of the Edinburgh Festivals on climate change. Working with ground-breaking technology generously supplied by Gas Sensing Systems and Envirologger to measure real-time carbon dioxide (CO2) levels when Edinburgh is packed to bursting with artistic activity and people, eminent environmental artists Tim Collins and Reiko Goto will work with Chris Malcolm to ask ‘Can art change the climate?’

‘Carbon Catchers’ will roam the streets and parks of Edinburgh to seek out CO2 hotspots whilst the artists at the Tent Gallery use the measurements to make the invisible comprehensible through visual and sound works.

Spirit in the Air is part of the Edinburgh Art Festival and will be open Monday to Friday, 12 noon-5pm, from 2 – 22 August at the Tent Gallery on Westport, Edinburgh EH3 9DF. For more information click here.

In addition to the exhibition, a discussion programme curated by ecoartscotland will consider questions of art, science, activism and environmentalism in a Festival-long conversation.

Wednesday 7 August 3-5pm, Tent Gallery

Bringing the emotion of the arts to bear on the rigour of the sciences

Saturday 10 August 1.30 – 4pm, Tent Gallery

Art, technology, activism and knowledge in the age of climate change (book here for this event)

Wednesday 14 August 3-5pm, Tent Gallery

Environmental monitoring: Tracking nature in pursuit of aesthetic inter-relationship?

Wednesday 21 August 3-5pm, Tent Gallery

Going beyond the material: Environment and Invisible Forces in the literary, performing and visual arts

For more information contact ben@creativecarbonscotland.com

 

Please forward this invite to anyone who might be interested.

ECOISMI 2013

12 - Dada d'Adda - Susanna BattinSunday, June 2 inaugurated Ecoismi, 2013, an international event for contemporary art in the heart of the Natural Park of the Island Borromeo in Cassano d’Adda, Province of Milan.

Ecoismi is a public art project that reflects on the processes and transformations that relate to the territory, the environment and present condition to trigger a reflection on the dynamics of ecological and sustainable.

Through the language of contemporary art, artists, architects and designers were invited to confront the issue of balance between man and nature. During the period of residence – work in progress they have created a multisensory path consisting of twelve site-specific installations realized n the area of the Natural Park.

The event, this year at its second edition, is curated by Ylbert Durishti and young artists, selected through a call, come from all over the world. They are: TheFleetGroup (Tbilisi, Georgia), AtelierFraSe (London, England), Päivi Raivio (Helsinki, Finland), Grace Zanotto (Milan, Italy), Matteo Rota (Casirate d’Adda, Italy), Julia Jamrozik (Basel, Switzerland) , Ada Kobusiewicz (Petrovaradin, Serbia), Chiara Sgaramella (Valencia, Spain), Diana Franceschin (Milan, Italy), Giacomo Zaganelli (Berlin, Germany), Selene Volpi (Senatobia, Italy), Susanna Battin (Los Angeles, USA).

Each of them has developed the themes of the project according to its own specific declination, in a variety of shades ranging from the question of energy savings that of climate change,from the action of man on the environment to the disappearance of some species.

All artworks are made with natural materials, recycled or recovered. The artists have based their poetry on the reuse of waste materials were reinserted in a cycle that brings them back to life, where nature and art have the opportunity to renew their reciprocal myth.

ARTWORKS

Radici (Roots) by AtelierFraSe (Francesco Gorni and Serena Montesissa) is an architectural intervention to “experience” the trees as living organisms, through the creation of wood niches in which visitors take their seats. Again in wood is made by The fleet Group (Vasili Macharadze and Bessa Kartlelishvili), the sculptural work Mesh, in which the two authors report an object, the foot into the wild after being initially converted into trigonometric language.

Blackout project by Ada Kobusiewicz introduces us to the theme of ongoing climate change on our planet and invites to reflect on the question of energy savings. Also Arca (Ark) by Chiara Sgaramella is focused on raising public awareness, her work aims to celebrate biodiversity by building an ark.

The intention of Grace Zanotto with Lux Flower, a photo-luminescent flower that opens to the sun, is to create an installation that speaks of art as a possibility for dialogue between the species that live on Earth, to renegotiate the rights of all living beings.

The geometry is deeply connected to both Ramificioconnessioni by Matteo Rota – which reconstructs the vascular branching of the leaves and branches of trees tie in the three spatial dimensions through the figure of the cube – and the project Kreuzungen by Giacomo Zaganelli who wants to pay homage to the relationship between man-nature representing the contemporary environment through a large installation by floral appearance, made with linen thread.

The work Un mondo sommerso (A submerged world) by Diana Franceschin want to flip up and down and the elements earth, air and water, immersing the viewer in a hypothetical dip in the middle of a group of fish. While Skyfield, by Julia Jamrozik, is based on the idea of capturing the ephemeral and changing nature of heaven, and bring it to the ground, providing a new context for its remark.

Päivi Raivio is the author of Unwind, an installation that uses the element of the wind, is composed of aeolian harps, forming a corridor 20 meters long. The project of Selene Volpi concerns sound research of natural elements, Scatole sonore (Boxes Sheet) is an artwork composed by a collection of sculptures that play with the action of the wind.

The project Dada d’Adda di Susanna Battin, is found in many parts of the park and is in direct connection with either observation of the territory of the island and with eleven works realized by other artists.

The objective of Ecoismi is indeed to activate a process of raising awareness of environmental issues by introducing principles of “urban ecology”. It also aims to bring contemporary art to diverse audiences by implementing a model of creative enhancement of externalities of the territory.

The exhibition is open every day until 22 September. Admission is free.

More Info: www.ecoismi.org or www.comune.cassanodadda.mi.it

The Foraged Book Project

220583_103475879807133_1603288737_oA collaboration between renowned forager Fergus Drennan and artist James Wood to produce a unique book made entirely from plants foraged from the wild, and to host related public events that will offer participants deeply engaging interactions with the natural world including food making and participating arts.

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Together Fergus and James will collaborate on the production of a book. Physically every material used within the book will be foraged and processed by either Fergus or James. The content of the book will include information, recipes, illustrations, tips and hints on foraging and processing materials for food and art equipment. The book will show the wonderful possibilities that lie within the natural landscapessurrounding us. It will get people interested in foraging and will offer different perspectives on derelict urban plots, parks and green spaces – revealing the potential of how these spaces can be used beyond walking spots.

Whilst Fergus and James will develop the book as collaboration, a key part of the project will be to pass on the information and techniques we learn during the research stages of the books production to a wider audience as well as allowing them to participate in a form of sustainable art. To achieve this, we will carry out a number of workshops and wildlife tours that include teaching and performing some of the recipes used within the book whilst keeping a continued focus on some combined Artistic outcomes. For more information on up and coming workshops, exhibitions and tours join our mailing list or watch our twitter and facebook pages as well as the Workshops section of this site.

http://www.theforagedbookproject.co.uk/

Foraged Book on Facebook

Trailer for Oil City – site-specific theatre by Platform

A spy thriller for the post-occupy era. 10th – 21st June 2013 | 9am | 1pm | 5pm Buy Tickets at http://platformlondon.org/p-eventnew/…

This new piece of site-specific immersive theatre by Platform takes you deep into the underbelly of London’s oil economy.

Around you the financial sector shimmers in high-rise office blocks. Behind closed doors deals are done and oil projects financed with few questions asked. Meanwhile vast swathes of Alberta, Canada, teeter on the brink of ecological disaster, as the struggle to stop tar sands mining of lands protected under the First Nations’ Treaty goes on.

By eavesdropping on business people and seeking out secret documents hidden in dead-drops, you will help piece together a puzzle that interweaves government files with financial deals. But whose truth counts? And what laws apply when lives are on the line but big profits are to be made?

Alongside the performance, a mobile website is available to explore the real story in both London and Calgary, athttp://www.oilcity.org.uk

Oil City is supported by Artists’ Project Earth.

Photos: Amy Scaife
Video: Richard Houguez
Script: Mel Evans
Director: Sam Rowe

Pop-Up Repair is opening this Saturday

cropped-Pop-Up-Repair-logo2Pop-Up Repair is opening this Saturday, June 1st! You should all receive an email from us shortly with the details. I am wondering whether you all would be willing to post on your sites/email lists/facebook pages, and generally keep spreading the word?

Just in case the email doesn’t come to you for some reason, the basic info is below. Feel free to edit as you see fit.  (Though the official email is much prettier, should come in an hour or so!)

Thank you for all your help, you guys have been amazing!

best, Sandra

Saturday June 1st, Pop-Up Repair will open at 4975 Broadway (at Isham). We will run for 4 weeks only, Tuesdays – Sundays 10 am – 7pm. 

We will fix household items of all kinds: bring your broken stuff!

 

This Saturday, we will also be at the Inwood Greenmarket, doing Free Quick Fixes: Buttons, Belts, and Books from 9:30 – 2.

We also have 3 free workshops this month: Books, Musical Instruments, and LCD Screens. Learn to fix your own stuff with an expert!

Please check www.popuprepair.com for more details!

CALL FOR PROPOSALS: COLLEGE ART ASSOCIATION CONFERENCE

ARTSPACE FORUM:  SATURDAY, FEBRUARY 15, 2014  10AM – 2 PM in Chicago
TITLE:  Designing a Better Future: A Participatory Platform for Exchange
Session Producers: Jacki Apple & Mat Rappaport

LogoArtists and designers operating as thinkers and communicators, visualizers and producers can be leaders in changing how we think, live, and act, in order to make a better world.

Are we ready to discuss cultural production and the arts as viable and meaningful practices beyond the established system of commodity trading? What potential models of an effective creative practice can we envision and develop?

Artists, designers, media producers, photographers, filmmakers, architects, writers, theorists, educators, cultural historians are invited to submit proposals for presentation and discussion that will inspire others to join them in imagining, inventing, and actualizing a more sustainable and enlightened possible future, whether it be local or global.

What would you do to effect change?  What would that look like? Do esthetics matter?

We seek provocative and challenging theoretical concepts and/or models for practical application. Visionary, daring, unconventional ideas, collaborations across fields in the arts, sciences, and  humanities that conceive different ways to address social, economic, and environmental realities are encouraged.

General topics/themes to consider

  1. Climate Change, the Environment and Sustainable Living:
    • Consumption
    • Energy
    • Waste
    •  Food
    • Water
    • Air
    • Economic & Social Consequences.
  2. The Culture of Violence:
    • social
    • political
    • cultural
    • economic manifestations
  3. Technology and Human Rights:
    • biological
    • political
    • intellectual
    • spiritual.
  4. Other

PRESENTATION FORMAT

The format for presentation will be an interactive forum of exchange between speakers and audience. There will be no podium. Speakers will be placed within the audience. Presentations may include visuals – images, texts, charts, etc.

Each speaker will be given 7 minutes to present her/his proposal. The audience will then have equal time – 7 minutes to respond and discuss. Time may be slightly less or more depending on the number of outstanding proposals selected.

SUBMISSION INSTRUCTIONS

Please send a description of your topic and the theoretical concepts and/or model that you intend to propose in approximately 300 words, plus a brief bio/CV of no more than 2 pages. The 300 word proposal must include a title, name/s of author(s), address, email, phone number. Please submit all proposal files as PDF documents. 

TO: studio@meme01.com

DEADLINE: FOR PROPOSALS: June 1, 2013                                                             

NOTIFICATION OF SELECTION: June 20, 2013

CSPA Quarterly: Issue 10

768d3b4ae902374c96e1ab8d40db54e4We see our tenth issue of the CSPA Quarterly, this very issue you have in your hands, as an opportunity to renew, refresh, and even rewind a bit. Since our first issue, the CSPA has grown in reputation; we have travelled the world with special projects, have increased our global membership, and have published well over 2,000 posts online highlighting projects, tools and reports in service of sustainability through art making practices. Our Knowledge Network is expanding quickly, and this Quarterly has been a critical tool in sharing information at conferences, in-person meetings, and with our membership.

This issue contains content from contributors who were part of Issue #1, along with a few new perspectives. We have lovingly called this issue 1.0. As an experiment in looking back, we’ve re-published Sam Goldblatt’s comprehensive report on greening events from 2009, which cites the London 2012 Sustainability Plan. We’ll check in on this plan in a later issue this year. We are also re-running a call to action from Thomas Rhodes in this issue- on renewable energies in organizations. Have we progressed as a movement since these two writings were initially published?

We’ve invited updated articles from frequent contributor Meghan Moe Beitiks, now part of a new “performance research collective” based in Chicago, as well as Olivia Campbell, writing on site-specific dance and it’s relationship to sustainability. Linda Weintraub has contributed a fantastic essay on the curator’s role within our complex arts ecosystem.

And, of course, we feature Dianna Cohen’s latest works in our issue 1.0. Since our first issue, Dianna’s work has been exhibited in several galleries and museums internationally. She has delivered one of the most memorable TED talks on plastic pollution in our oceans, and continues her work with the Plastic Pollution Coalition.

We thank our collaborators in this issue, and our membership for their ongoing support. The issue is available from MagCloud, both in print (on-demand) and as a digital reader.

CLICK HERE TO PURCHASE PRINT OR DIGITAL EDITION

Julie’s Bicycle Webinar Series

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This content is reposted from Julie’s Bicycle

In January 2012, Arts Council England made environmental reporting a funding obligation for all major revenue funded programmes (Bridge, Npo’s, Mpm’s and Mdp’s). To comply, organisations must complete an environmental policy and action plan, and report their water and energy by creating an IG Tool entry.

The first annual reporting deadline is May 31st 2013. To meet it, the reporting process must be started now.

Julie’s Bicycle are running a series of webinars to help organisations report.

Webinars are free but you must register to attend. You may attend any number of webinars.

Those organisations or individuals new to environmental reporting are advised to start with Module 1. Those with more experience may wish to begin at Module 2 or 3. Some webinars will be run multiple times to give everyone a chance to attend.

We are in the process of subtitling the webinars and improving other aspects of accessibility. In the mean time please do not hesitate to get in touch with us if you have any specific needs.

Module 1 – An Introduction

1.1. Environmental Reporting: what is it, how does it affect you and why is it important?

This webinar is for Arts Council England’s major revenue funded programmes. It is for the staff tasked with creating an environmental policy and action plan, and submitting energy and water data through the Julie’s Bicycle IG Tools.

Aim: This webinar will provide an introduction and overview of the Arts Council’s environmental reporting requirements. It will explain the necessary steps to comply and the help on offer.

The webinar will include:

  • Introduction to the Arts Council’s environmental reporting and Julie’s Bicycle.
  • Why is this happening now?
  • How does it affect you?
  • What are the benefits for your organisation?
  • What help is available?
  • What is an environmental policy and action plan?
  • What are the IG Tools?
  • Q&A

Dates: March 13th 10am – 11am | March 27th 10am – 11am

Register to attend

Module 2 – Basic Training

2.1. How to Create your Environmental Policy and Action Plan – Environmental Reporting for Creative Organisations

This webinar is for Arts Council England’s major revenue funded programmes. It is for the staff tasked with creating an environmental policy and action plan, and submitting energy and water data through the Julie’s Bicycle IG Tools.

Before attending this webinar you should begin developing your policy and action plan in line with our guidance. 

Aim: This webinar will take you through the process of creating an environmental policy and action plan in line with the Arts Council’s environmental reporting requirements.

The webinar will include:

  • Introduction to the Arts Council’s environmental reporting and Julie’s Bicycle – what is expected of you.
  • What is an environmental policy and action plan?
  • How can they benefit your organisation?
  • Top tips for creating an environmental policy and action plan.
  • What help is available?
  • Trouble shooting Q&A – your chance to ask the experts about any problems you are having with the environmental reporting process.

Dates: March 20th 10am – 11am | April 10th 10am – 11am | April 24th 11am – 12pm | May 1st 10am – 11am

Register to attend

2.2. How to Use the IG Tools - Environmental Reporting for Creative Organisations

This webinar is for Arts Council England’s major revenue funded programmes. It is for the staff tasked with creating an environmental policy and action plan, and submitting energy and water data through the Julie’s Bicycle IG Tools.

Before attending this webinar you should have created an IG Tool account.

Aim: This webinar will take you through the process of using the IG Tools in line with the Arts Council’s environmental reporting requirements.

The webinar will include:

  • Introduction to the Arts Council’s environmental reporting and Julie’s Bicycle.
  • What are the IG Tools?
  • How can they benefit your organisation?
  • Collecting data – how to ensure you have the information you need in the correct format.
  • Creating your first IG Tool entry – step by step.
  • Trouble shooting Q&A – your chance to ask the experts about any problems you are having with the environmental reporting process.

Dates: March 6th 10am – 11am | April 10th 11am – 12am | April 17th 11am – 12am | May 1st 11am – 12am

Register to attend

Module 3 – Specialist Advice

3.1. Small is Beautiful – Specialist Advice on Environmental Reporting for Organisations with Five Employees or Less

This webinar is for Arts Council England’s major revenue funded programmes with five employees or less. It is for operational staff tasked with creating an environmental policy and action plan, and completing an IG Tool entry.

Before attending this webinar you must have registered an IG Tool account and begun work on your environmental policy and action plan.

Aim: This webinar provides practical guidance for organisations with five employees or less on complying with the Arts Council’s environmental reporting requirements.

The webinar will include:

  • Introduction to the Arts Council’s environmental reporting and Julie’s Bicycle.
  • What you need to focus on as a small organization.
  • Using the IG Tools as a small organisation – where the benefits lie.
  • Creating an environmental policy and action plan for a small organisation – focusing on what counts and amplifying your efforts.
  • Industry case study.
  • Trouble shooting Q&A – your chance to ask the experts about any problems you are having with the environmental reporting process.

Dates: May 8th 11am – 12am

Register to attend

3.2. Planning, Engaging and Acting – Specialist Advice on Environmental Reporting Organisations with 100 Employees or More

This webinar is for Arts Council England’s major revenue funded programmes with 100 staff or more. It is for operational staff tasked with creating an environmental policy and action plan and completing an IG Tool entry.

Before attending this webinar you must have registered an IG Tool account and begun work on your environmental policy and action plan.

Aim: This webinar provides practical guidance for organisations with 100 employees or more on complying with the Arts Council’s environmental reporting requirements. 

The webinar will include:

  • Introduction to the Arts Council’s environmental reporting and Julie’s Bicycle.
  • Setting the scope: realistic targets and recruiting help from across your organisation.
  • Using the IG Tools as a large organisation – dealing with large amounts of data.
  • Creating an environmental policy and action plan for a large organisation – creating useful tools for use throughout your organisation.
  • Industry case study.
  • Trouble shooting Q&A – your chance to ask the experts about any problems you are having with the environmental reporting process.

Dates: April 17th 10am – 11am | May 15th 11am – 12pm

Register to attend

3.3. Finding Opportunities in Complexity – Specialist Advice on Environmental Reporting for Mpm’s and Large Multi Venue/Activity Organisations

This webinar is for large Arts Council England’s major revenue funded programmes with multiple venues and/or activities, including arts festivals. It is for operational staff  tasked with creating an environmental policy and action plan, and completing an IG Tool entry.

Before attending this webinar you must have registered an IG Tool account and begun work on your environmental policy and action plan.

Aim: This webinar provides practical guidance for Mpm’s and other large multi venue or multi event organisations on complying with the Arts Council’s environmental reporting requirements. 

The webinar will include:

  • Introduction to the Arts Council’s environmental reporting and Julie’s Bicycle.
  • Setting the scope: how to manage large estates and complex reporting structures to fulfill requirements.
  • Focus on the IG Tools: how to collect data and create an account for multiple activities, accounts and entries.
  • Focus and prioritisation – environmental policies and action plans for complex, multi activity organisations.
  • Industry case study.
  • Trouble shooting Q&A – your chance to ask the experts about any problems you are having with the environmental reporting process.

Dates: April 24th 10am – 11pm

Register to attend

Module 4 – Taking it Further

4.1. Changing Light Bulbs or Changing Minds? The Case for Sustainability and Future Proofing of the Arts

This webinar is for heads of Arts Council England’s Major Revenue Funded Programmes.

Aim: This webinar explores the issues and implications of Arts Council England’s environmental reporting requirements and builds the case for cultural leadership on sustainability.

The webinar will include:

  • Opening address by Alison Tickell, CEO of Julie’s Bicycle.
  • Introduction to the Arts Council’s environmental reporting and Julie’s Bicycle.
  • Key note and discussion from leading voices within the creative industries.
  • Q&A.

Dates: April 3rd 10am – 11am

Register to attend

4.2. Learning from Experience: Case Studies of Organisations who are leading on sustaianbility

The webinar will include:

  • Introduction to the Arts Council’s environmental reporting and Julie’s Bicycle.
  • Speakers from creative organisations leading on sustainability. Challenges faced, opportunities found and practical examples to learn from.

Dates: May 8th 10am – 11am | May 15th 10am – 11am

Register to attend

If you have any suggestions for organisations you would like to see feature in this webinar, or topics you would like covered then please let us know atsupport@juliesbicycle.com

4.3. Big ambitions for year two – What are the opportunities beyond the May 31st reporting deadline?

This webinar is for Arts Council England’s major revenue funded programmes. It is for all employees of Npo’s and Mpm’s already making progress on sustainability.

Aim: This webinar demonstrates the organisational, financial and reputational benefits of a continued commitment to sustainability.

This webinar wil include:

  • Introduction to the Arts Council’s environmental reporting and Julie’s Bicycle.
  • Sustainability benefits beyond the scope of the Arts Council reporting.
  • Communicating sustainability.
  • Measuring touring impacts.
  • Why measure audience and business travel?
  • How to be a leader on sustainability.
  • Q&A.

Dates: May 22nd 12pm – 1pm

Register to attend

4.4. Arts Council England’s Environmental Reporting 2013: Troubleshooting

Environmental experts Julie’s Bicycle host an open troubleshooting clinic on Arts Council England’s new environmental reporting requirement for Npo’s and Mpm’s. Please send any specific questions in advance to support@juliesbicycle.com.

Dates: May 22nd 10am – 12pm

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If you have any questions regarding the webinars please email ussupport@juliesbicycle.com