Apologies to our ecoartspace fans who are looking for recent posts here. Both Amy and Patricia have been flooded with a range of projects and travels the last couple months that have taken our focus away from the blog. After the benefit we will resume posts in May, promise.
We invite you to either come to the exhibition benefit at Exit Art this month or spread the word to your friends in New York who can attend. It is an affordable adventure, one that is supporting important work to help provide a platform for artists addressing environmental issues in the visual arts.
Please join us in celebrating 10 years of programming!
Go to the What Matters Most? benefit blog to get updated information HERE.
Over 225 participating artists have created an original 8 x 10″ artwork related to the NY Times Dot Earth blog question of What Matters Most? or they have donated an existing work. For more information and a complete list of artists please read our blog:
What Matters Most? began with responses to this question posted Monday, February 15th on Andrew Revkin’s NY Times Dot Earth blog by leading environmental experts, writers and readers – and is still active on the archive:
Artworks will go on sale (first come first serve) beginning on noon at April 15th and ending on April 28th at 9pm at Exit Art Underground Space, 475 10th Ave at 36th St, NYC.
Tickets are $135 in advance, $150 at the door for admission and includes a work of art. Admission Only tickets are $35 each.
If you can not attend but would like to support ecoartspace with a donation please go to this link for SEE, our fiscal sponsor:
ecoartspace invites you to participate in our first NYC benefit exhibition titled What Matters Most? The show and benefit party will be hosted by Exit Art in NYC from April 15 – 28th, 2010.
What Matters Most? will begin with responses to this question posted on Monday February 15th on Andrew Revkin’s NY Times blog, Dot Earth by leading environmental experts, writers and readers. Participating artists will have the option of creating an original artwork related to the blog entry of their choice or donating an existing work.
All proceeds from this fundraiser will support ecoartspace activities and programs. ecoartspace has been operating as a bicoastal nonprofit platform for artists addressing environmental issues since 1999. In our ten years of programming we have worked with over 400 artists, curated 38 exhibitions, 70 programs and collaborated with over 140 organizations. To celebrate our achievements as well as raise money for future programs we recently held our first benefit auction at Mina Dresden Gallery in San Francisco on December 4th, 2009.
What Matters Most? begins Thurs April 15, 2010 and ends with our Benefit Sale: Thursday, April 28th , 2010. Please click on the image above for more detailed information.
Artists participating as of 2.13.10 include:
Joan Bankemper, Andrea Reynosa, Joy Garnett, Chrysanne Stathacos, Mierle Laderman Ukeles, Diane Burko, Sandy Gellis, Fritz Haeg, Steven Siegel, Joanne Greenbaum, Lisa Hoke, Dove Bradshaw, Jaanika Peerna, Chris Kennedy, Paul Miller aka DJ Spooky, Teri Hackett, Elizabeth Demaray, Robert Lobe, Kathleen Gilje, David Schafer, Claudia Hart, Lori Nozick, Christy Rupp, Kathe Burkhart, Joanne Howard, Abigail Doan, Alan Wexler, Charles Goldman, Marion Wilson, Emily Brown, Katie Holten, Robin Kahn, Nina Yankowitz, Carter Hodgkin, Geoffrey Hendricks, Nina Katchadourian, Hunter Reynolds, Erik Hanson, Janet Pihlblad, Kunie Suguira, J.J. L’Hereux, Austin Thomas, Mikael Levin, Rhona Bitner, Michael Somoroff, Sandi Sloane, Jill Levine, Steve Keister, Alison Moritsugu, LC Armstrong, Stacy Levy, Jan Harrison, David Webster, Simon Draper, Mary Mattingly, Susan Leibovitz Steinman, Ann Rosenthal, Steffi Domike, Mary Ann Strandell.
We give thanks to the Exit Art staff for their support. This event is a continuation of our relationship with their Social-Environmental Aesthetic (SEA) program including our participation in The Drop exhibition in 2006 and EPA in 2008.
Amy Lipton and Patricia Watts
Cannot believe February is here already. Was meaning to make a post a couple weeks ago to provide an update on the ecoartspace SF Benefit fundraiser in December! We would really like to thank Jessica Resmond and Alan So with ME;D1.ATE who produce the biannual Soundwave Festival in San Francisco. It was a quick email and meeting back in September that prompted our collaborative effort to do a silent auction and performance event to help us both raise money for upcoming programs. This year’s Soundwave Festival has a green sound theme for 2010, so it made sense that we would partner. With only two months lead time to pull it together, we succeeded in bringing in over 60 donations of artworks and ephemera, located an awesome gallery space at Mina Dresden Gallery, attracted approximately 100 attendees, and rallied donations of foods from Marin French Cheese Company, Bi-Rite Market, Terra Savia, Woodbridge Winery, and Paulding & Company Kitchen. The art was inspiring, musical performances moving, and foods very delicious. We were able to raise enough (although modest) to start the new year off feeling like there is still hope in these tough economic times. And, Amy Lipton, Director of ecoartspace NYC, is now underway with plans for an East Coast fundraiser event this Spring. She will be announcing more information soon as plans start to gel (shooting for April/May).
View benefit pictures on Flickr here.
We still have a few artworks available as well here.
So far this year is promising some exciting shows including The Ins and the Outs an outdoor sculpture exhibition at Rockland Center for the Arts in Nyack, New York opening April 11th; MAKE:CRAFT which opens at the Otis College of Art and Design, Ben Maltz Gallery on October 4th. And, an invitation to participate in the Art Boom Festival in Krakow, Poland in June.
More soon on all fronts.
On Saturday December 12, 2009, New York artist Kimberley Hart gave a talk about her recent exhibition Scout at Mixed Greens in Chelsea. The event was co-sponsored by ecoartspace and NYFA.
The works in Scout contemplate specific themes surrounding self-sufficiency, sustainability, observation, labor, cultivation, exploration, defense and tenacity.
Before mentioning any of the artworks in the show, Kimberley began by explaining that her new body of work came out of major life changes involving food and her interest around issues of agricultural sustainability. In the past few years, in an effort to eat healthy locally grown foods, she decided to give up all convenience foods and made a conscious effort to eat mostly organic foods. Kimberley feels that to a large part – many current environmental problems are due to our culture’s worship of convenience. To confront this dependence, Kimberley gave up packaged foods, ate strictly whole foods and eventually consumed only local and sustainably farmed food. She instituted a “no plastic” rule in her home which began with giving up bottled water and proceeded to take out containers, plastic bags and all plastic packaging.
Kimberley was influenced by reading many current popular books on the food revolution such as Michael Pollan’s The Omnivore’s Dilemma which led her towards living a more sustainable life. She started urban homesteading, canning, composting, and cutting garbage down to one small bag a week. She joined a CSA, bought only grass fed, pastured meats and stopped eating out or ordering take-out. She is striving to have as small of a footprint as possible and is giving serious thought to starting a farm on a former cattle ranch in the South. This passion about food, sustainability, farming, and stewardship, led Kimberley to meet various people involved with permaculture and the transition movement, environmentalists and social justice advocates. She feels that as an artist she is coming from a different place but can potentially end up with similar and interrelated solutions.
In order to create this new show, Kimberley spent time contemplating a way to integrate her new outlook on life and focus on sustainability and self-sufficiency into her artwork. She decided to continue utilizing narrative and allegory as in her past bodies of work. Through drawing and sculpture, she exposes her alter ego represented as a mischievous, irreverent young girl who is self-reliant but more vulnerable and suspicious than in years past. Though noticeably absent from the work, this girl was once full of sparkles and glitter. She is no longer fantasizing about her hunting prowess or setting traps for inappropriate prey. Instead, we find her hunkered down in an austere outpost with few essentials and a concern for an unknown adversary. There are vestiges of a carefree girlhood, but the tenor has changed—a sense of uncertainty has eroded her daring as she struggles to maintain some bravery in the face of a new, foreboding reality.
The works in the exhibition reveal her alter ego’s surroundings, shelter and possessions. A “bank” holds prized, as well as scavenged, provisions and doubles as a repository for a personal currency and objects to barter in this new world. Beautifully crafted, ominous vultures skulk and spread their wings near a pivotal piece titled, The Death of Sparkle. While Kimberley’s alter ego has proven to be equally prissy and cunning in past exhibitions, she is now overwhelmed by apprehensions and threatened by the malicious marauder responsible for Sparkle’s death.
Fantasy and fine craftsmanship remain hallmarks of her work, but the tone has shifted to reflect a change—both imagined and real—in her environment. There is a marked shift in her alter ego from mischief-maker of the vernal woodlands to a menaced and solitary defender in a dystopic landscape.
“In an allegory of our shared hopes and fears, an itinerant, young heroine and an elusive, predatory force struggle for prominence. Survival for these characters is symbiotic; their lives intertwine in a closed loop of cause and effect where the lonely girl, in the face of a malicious entity and in a degrading environment, maintains an acute sense of optimism through her own perseverance. This dystopian fantasy explores an uncertain future, an existence outside of modern convenience where subsistence is the primary concern. Referencing issues ranging from institutional critique, environmental stewardship, egalitarianism and our shared literary and visual culture, this work of speculative fiction offers a potential outcome to our current socioeconomic crisis.
We are all scouts now.” Kimberley Hart, 2009
From Top Left to bottom Right: David Haley, Emily Brown, Samantha Fields, Christy Rupp, Sant Khalsa, Jason Middlebrook, Joy Garnett, Susan Leibovitz Steinman, and Sandy Gellis.
We are looking forward to some exciting shows and programs in 2010 as we venture into our 11th year working together as a bicoastal environmental art nonprofit. Please check out our website by mid-month to see updates and check back here on our blog for several upcoming posts on our activities in December and some exciting new artists/works we have been keeping an eye on.
Shall 2010 be a turning point for us all in our efforts to help others see the world around them with new eyes.
Tricia Watts and Amy Lipton
Happy Holidays from ecoartspace . . . .
On the eve of COP15 we are asking for your support!
ecoartspace has been operating as a bicoastal nonprofit platform for artists addressing environmental issues since 1999 (founded 1997 in Los Angeles). In our ten years of programming we have curated 38 exhibitions, 70 programs and have worked with over 400 artists. And, we have collaborated with over 140 organizations. To celebrate our achievements as well as raise money for future programs we recently held a benefit auction in San Francisco on December 4th. This event, although short in planning, was well attended and over twenty works of art were sold to help raise funds for projects planned in 2010. Examples include commissioning artists to create site-specific works in the public sphere, an artist in residency, development of an archive, and video editing for taped interviews with eco-artists.
There are more works available for purchase which you can view HERE and which can be purchased online through the end of this year, 2009. We invite you to consider either buying a work of art or making a donation of any size to ecoartspace today.
Thanks for your support!
Patricia Watts, founder and west coast curator
Artists who have donated include:
Amy Franceschini, Andrea Polli, Fritz Haeg, Craig Roper, Stephen Kaltenbach, Ned Kahn, Kim Abeles, Samantha Fields, Lisa Adams, Kim Stringfellow, Josh Keys, Nils-Udo, Roy Staab, Christopher Kennedy, Mark Andrew Gravel, Gary Brewer, Aline Mare, Alicia Escott, Judith Selby Lang, Vaughn Bell, Basia Irland, Besty Damon, Robin Lasser and Marguerite Pao, Abigail Doan, Beverly Naidus, Shai Zakai, Lillian Ball, Robin Lasser and Adrienne Pao, Mark Brest van Kempen, John Roloff, Ed Morris and Susannah Sayler, Tao Urban, Linda McDonald, Christy Rupp, Karen Reitzel, Philip Krohn, Jorge Bachmann, Kim Anno, Sarah Pedlow, Kathryn Miller and Michael Honer, Marksearch, Aviva Rahmani, Virginia Stearn, Ann Rosenthal, Therese Lahaie, Ruri, Raheleh Zomorodinia, Shan Wells, and Seth Kinmont.
In conjunction with ecoartspace, Miami-based artist Xavier Cortada will present a participatory artwork titled Native Flags and invites everyone attending the Verge Art Fair as well as the general public to collaborate in the creation of the work.
Melting polar sea ice has global political powers clamoring to place their flags over the Arctic to control the Northwest Passage shipping lanes and the petroleum and mineral resources beneath the ice. Cortada developed Native Flags as an eco-art project to engage people globally in a reforestation campaign to prevent the polar regions from melting. At home, participants can also plant a native tree next to Cortada’s green flag and ask their neighbors to do the same. Together, they can help to support the regrowth of the planet’s native tree canopies – one yard at a time.
On June 29th, 2008, Xavier Cortada arrived at the North Pole and planted a green flag to reclaim the landscape for nature. The trip was sponsored by New York Foundation for the Arts (NYFA) as part of Cortada’s larger 90N project. The work addresses global climate change and included the reinstallation of Cortada’s Longitudinal Installation and Endangered World projects as part of a National Science Foundation Antarctic Artist and Writers residency.
Cortada has created art installations at the Earth’s poles to generate awareness about global climate change and has developed participatory art projects to engage communities in local action at points in between. Cortada’s work created during his National Science Foundation Antarctic Residency has been exhibited in museums including: Weather Report, curated by Lucy Lippard at the Boulder Museum of Contemporary Art in 2007, and Envisioning Change, a United Nations Environment Programme-sponsored exhibition which opened in Oslo, Norway in June 2007. Cortada launched the Reclamation Project in 2006 to remind Miami Beach residents and visitors of the island’s origins as a mangrove forest by having over 2500 mangrove seedlings displayed in shop windows across the island. Annually, volunteers plant the seedlings on Biscayne Bay.