ecoartscotland

The Rare Earth Catalog (and Research Group): Tools for Reckoning with the Anthropocene

This post comes to you from EcoArtScotland

Originally posted on Discard Studies:

Posted on behalf of the Rare Earth Catalog group:

The Rare Earth Catalog will present a collection of images and short texts that illuminate the racism, classicism and eco-cidal requirements of industrial-scale life. This collection will explore the latent social and political opportunities that are emerging in the anthropocene, an era of human-induced climate change that is in the process of reconfiguring all life on earth. The catalog will pull together examples of resistance and devastation, as well as tools aimed at challenging and transforming the status quo. We aim to generate a lucid and fearless accounting of the entangled elements constituting our precarious lives on this planet.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

The NEW RURALS – research seminar for artists, curators and academics

This post comes to you from EcoArtScotland

Ian Hunter of Littoral asked us to highlight this interesting discussion,

Merz Meadow – scythers cutting hay on the meadow above Kurt Schwitters Merz Barn, Cumbria July 2011

The NEW RURALS – research seminar for artists, curators and academics

(12.00 noon – 5.00pm) Friday 25th July at the Kurt Schwitters Merz Barn site, Elterwater, Cumbria LA22 9JB

One of a series of practitioner meetings and seminars being organised in Ireland, the USA and England during the course of the summer. Partly framed in response to some recent publications and events that are proposing other challenging new critical contexts and related curatorial and cultural research agendas for artists and curators active in (non-metropolitan) regional and rural areas:

These include: Encampment #1 workshop at Kestle Barton/Field Club http://www.fieldclub.co.uk/ “..a large body of projects, practical research, and Neo-Agrosophy – a weird fusion of agriculture, futurology and contemporary philosophy”; the recent ‘Arrow Arrow’ – meeting at the Good Hatchery (Offly, Ireland) http://www.thegoodhatchery.com/ “The Good Hatchery’s main objective is to support the development of innovative, ambitious art practices that consider their own relation to [rural] place”. The Workers Symposium (18th July) which proposed to examine “..[new] contemporary modes of practice in rural contexts” (Roscommon Arts, Ireland) http://roscommonartscentre.ie/workers-symposium/; the publication of ‘A Decade of Country Hits, art on the rural frontier’ by Colorado-based M12 Collective, “..an interdisciplinary group that creates and supports experiential projects exploring the value of rural communities and their surrounding landscapes”. http://www.japsambooks.nl/en/books/all-titles/a-decade-of-country-hits/116; the Rural Cultural Forum’s revised rural cultural strategy ” ..towards a radical rethinking of arts and cultural policy from new rural and agricultural perspectives.” http://www.ruralculture.org.uk/wp-content/uploads/2012/03/ISRfinal_2012.pdf and also proposed as a response to Arts Council England’s recent Arts and Rural Communities ‘position paper’. http://www.artscouncil.org.uk/what-we-do/research-and-data/rural-positioning/.

The Seminar is being organised by the Littoral Arts Trust in partnership with Grizedale Arts http://www.grizedale.org/ and includes distinguished speakers artists and curators from Spain, Australia and UK; Fernando Garcia Dory (Campo Adentro) http://www.fernandogarciadory.com/index.php?/projects/inland/, Esther Anatolitis CEO Regional Arts Victoria, Australia http://www.rav.net.au/about/our-staff/, Nick Hunt Director Mid-Pennine Arts, http://www.midpenninearts.org.uk/home, Helen Ratcliffe/Alan Smith AllenHead Arts http://www.acart.org.uk/, Christine Ross Visual Arts in Rural Communities VARC http://varc.org.uk/, Green Close Studios http://www.greenclose.org/, Steve Messam (ex-Fold Gallery) http://www.stevemessam.co.uk/projects/sentinel.html (tbc), and Ian Hunter, Director Littoral Arts/Rural Cultural Forum www.ruralculture.org.uk.

Other speakers to be confirmed shortly.
Lunch* and seminar are free but please register to attend with:
(*Donation of £4 appreciated)
Littoral Arts Trust/Merz Barn project: e. littoral@btopenworld.com
Tel. 015394 37309
Location http://www.merzbarn.net/location.html

0clip_image002

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

Little Green Book

This post comes to you from EcoArtScotland

Originally posted on Working the Tweed:

We are delighted to be able to share this Little Green Book with you which has been imaginatively designed by Felicity Bristow of But ‘n’ Ben Bindery & Press, Maxton.  Click here to open the Little Green Book

The Little Green Book is based on our environmental policy and reflects our activities as a small rural based organisation that runs arts projects and tours performances and exhibitions both near and far. It is a simple achievable policy to help us to start to actively reduce our carbon footprint.

Please do share this Little Green Book with others and use it as a basis for writing your own.

Alongside the Little Green Book we are compiling an online directory of suppliers that we have found and used that have sustainable credentials and clear environmental policies. Please do tell us of suppliers you would like to recommend both locally within the Scottish…

View original 5 more words

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

Project Grow – design a farm for a school

This post comes to you from EcoArtScotland

Thanks to Tom Littlewood for passing this on:

Project Grow

Project Grow has been established through a joint vision between Wallscourt Farm Academy and South Gloucestershire Council to create an outdoor learning environment that explores the potential of creating a sustainable model for the active use of the academy grounds through growing and husbandry that is grounded in seasonal cultural activities.

Our aim for this project is to develop and implement a creative skills led project based on growing and learning that uses the grounds for one school year and leaves behind a model and sustainable skills for its continuation.

We are seeking an experienced and enthusiastic lead artist to work collaboratively with team and wider community to research, facilitate and implement the project.

Brief can be downloaded at www.ginkgoprojects.co.uk/opportunities

Project budget: £27,500 ex vat

Submissions to be sent in electronic format only to Tom Littlewood (tom@ginkgoprojects.co.uk) by 12 noon Mon 30th June 2014.

logo-opportunities

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

Soil Culture Forum

This post comes to you from EcoArtScotland

Layout 1Daro Montag asked us to highlight this important event taking place in the South West of England:

We are inviting all those who have an interest in soil, art and education to join us at Falmouth University for our Soil Culture Forum.

In addition to films, art events, presentations and some good local food, there will be a series of creative workshops where you will be able to touch the earth and learn about the different ways in which artists use it.

Prepare to experiment, play and get a little bit dirty!

For more information or to register for the Forum visit: Soil Culture | Using the arts to revitalise our relationship with a resource we take for granted..

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

Rosnes Benches

This post comes to you from EcoArtScotland

Rosnes Benches, Dalziel + Scullion, 2014, Otter Pool, Dumfries and Galloway (Photo: Chris Fremantle)

Rosnes Benches, Dalziel + Scullion, 2014, Otter Pool, Dumfries and Galloway
(Photo: Chris Fremantle)

Rosnes Benches.  Took Jana Weldon, Senior Public Art Project Manager for Scottsdale in Arizona, to see some of Dalziel + Scullion‘s Rosnes Benches in Dumfries and Galloway yesterday. She also came in a heard presentations from the MFA Art Space and Nature at Edinburgh College of Art earlier in the week.

The team including Dalziel + Scullion, Kenny Hunter, Wide Open and Jim Buchanan have done a fantastic job realising this project – thirty benches are installed in clusters across the Dark Skies/Biosphere area of Dumfries and Gallowa, but they look like it’s been there for a long time.  The benches themselves are really comfortable. They skim beautifully between being surfboards on land, referencing cup and ring marks, a bit hippy but really elegantly done. They speak of a different relationship with the trees.

View original 10 more words

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

Biodiversity in the Multifaceted Uncertainty of the Knowledge Economy : the case of ecoLAB

This post comes to you from EcoArtScotland

Image: Grass cutting day with green tea and humus photo by Lorena Lozano

[plastik] art & science is a mostly French language on-line journal.  Previous issues have focused on nano (#03), in vivo (#02) and la relativité générale et la physique quantique (#01).  Some essays, such as this one by Lozano are in English, Biodiversity in the Multifaceted Uncertainty of the Knowledge Economy : the case of ecoLAB.

There are lots of artists’ gardening projects, but this one, whilst transforming a bleak space, also benefits from some analysis, not least of the question of utopian ideals.  Read on…

2bf572be0057947400722a73c9b0d863

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

Living Symphonies

This post comes to you from EcoArtScotland

Living Symphonies is a sound installation based upon the forest ecosystem. The piece will tour four of England’s forests in 2014 in partnership with Forestry Commission England, Sound And Music and with support from Arts Council England.

Locations

  1. Thetford Forest (24 May — 1 June 2014)
  2. Fineshade Woods (20 — 26 June 2014)
  3. Cannock Chase (26 July — 1 August 2014)
  4. Bedgebury Pinetum (25 — 31 August 2014)

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

A cool look at climate | Red Pepper

This post comes to you from EcoArtScotland

“It is easy to focus on writing technical scientific papers, or argue that the situation is complex and therefore not so alarming. It is easy to think only about the details and not the big picture.”

Four leading UK scientists and five questions – it’s important to read this and share it.

Corinne Le Quéré is Professor of Climate Change Science and Policy at the University of East Anglia and Director of the Tyndall Centre for Climate Change Research,

Sir Robert Watson is the former Chair of the Intergovernmental Panel on Climate Change (1997-2002) who has worked on atmospheric science issues including ozone depletion and global warming since the 1980s,

Dr Simon Lewis is a Reader in Global Change Science at the University College London and the University of Leeds

Kevin Anderson is Professor of Energy and Climate Change in the School of Mechanical, Aeronautical and Civil Engineering at the University of Manchester and Deputy Director of the Tyndall Centre for Climate Change Research.

and the questions (and these are the critical questions),

What do you consider to be a safe temperature increase after which dangerous climate change occurs?

What chance do you think the world has of staying below 2°C of warming?

If adequate action is not taken on climate change, what will the world look like in 50 or 100 years in terms of global temperatures, environmental, social and economic impacts?

Can you give an idea of the level and speed of changes our governments need to make to avert catastrophic climate change?

As someone whose job gives them a deep understanding of the bleak future facing the planet and humanity, how do you personally deal with this on an emotional and psychological level?

A cool look at climate | Red Pepper.

A cool look at climate | Red Pepper

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

What is ecoart? Presentation by Mary Jo Aagerstoun

This post comes to you from EcoArtScotland

If you’ve ever wondered what ecoart is, this presentation might help.  It positions ecoart in relation to other environmental and nature based practices, social practices and working relations with ecologists and engineers.

Thanks to MJ of Ecoart South Florida for sharing this really interesting presentation on ecoart and interdisciplinarity.  The text of David Haley‘s that’s referenced is available here.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico