Cultura21

OPEN CALL: CREATIVITY IN TRANSITION PROCESSES TOWARDS SUSTAINABILITY

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Call for: Academic Papers, Artistic Expressions, Demonstration of creativity-enhancing Games, Techniques and Exercises

for the workshop: CREATIVITY IN TRANSITION PROCESSES TOWARDS SUSTAINABILITY

To be realized within the Global Cleaner Production & Sustainable Consumption Conference, Accelerating the Transition to Equitable Post Fossil-Carbon Societies,

1 – 4 November 2015, Sitges,
Barcelona, Spain, http://www.cleanerproductionconference.com/

In collaboration with Cultura21-International, Network in Cultural Fieldworks for Sustainability http://www.cultura21.net

Deadline of the Call: 29 of May 2015

This workshop focuses on creativity to accelerate the transition process towards more equitable post fossil-carbon societies, and is designed to bring together academics, artists and practitioners (trainers, educators, moderators). The workshop approaches creativity as a transdisciplinary challenge of escaping established patterns (the ‘taken-for-granted’ ways of seeing products, processes, infrastructures, organizations, ourselves) and reshaping new ones, that is best realized in non-linear processes and in non-structured spaces where multiple sources of knowing are combined, such as the sciences, the arts, design, storytelling, meditation and rituals, thus uniting cognitive, embodied and direct knowing, emotional intelligence, lateral thinking, imagination, experience and more.

The workshop format reflects the non-linear and non-structured nature of creativity and is designed as a space where the presentation of academic papers will be mixed with the presentations of artistic expressions (movies, music, performances, dance, etc.) and with the active participation in various sessions where creativity-enhancing games, techniques and exercises will engage all participant (meditation, story-telling, presencing and more). The workshop organizers will act as facilitators/catalysts/curators of this multi-dimensional event, ensuring a certain level of organization in the proposed non-linearity and non-structuration.

We invite the following type of proposals:

  • Academic papers. We welcome both theoretical papers (on the nature of creativity, creativity and complexity, organizational creativity, creativity and sustainability) as well as empirical or thematic papers (creativity in the greening of industry, creativity and innovation, creative sustainable cities, creativity in education for sustainability, art and climate change, creativity and sustainable politics). We invite authors to prepare abstracts of 500 words in English.
  • Artistic expressions. All artistic disciplines are welcome in the workshop (dance, musical performances, poetry reading, paintings, photos, sculptures, videos, documentaries and more). The artistic expressions should address creativity in general, or specific themes like art and climate change, artistic interventions in public spaces, preferably touching upon transitions towards more equitable post fossil-carbon cities. Artists are invited to prepare a proposal in the form of a portfolio with a 500 words description of the research material they created in relation to the artistic expression proposed, including as well images/multimedia files to be prepared in English, indicating the time needed for the proposed contribution/intervention.
  • Combined academic papers and artistic expressions. We especially welcome contributions in which the presentation of the academic paper is combined with other forms of artistic expressions. Authors and/or artists are invited to prepare a proposal in the form of a portfolio of max. 500 words for the paper and a description of the artistic expression to be prepared in English, indicating the time needed for the proposed contribution.
  • Creativity-enhancing games, techniques and exercises. Practitioners (trainers, educators, moderators) are invited to propose a short session in which they demonstrate a creativity-enhancing game, technique or exercise. The proposal should include a description of the proposed game, technique or exercise, a description of the conditions for executing the demonstrative session (space, time, materials, other requirements). The proposal should not exceed 500 words.

All proposals must be submitted no later than May 29, 2015, via the conference website:
http://www.cleanerproductionconference.com/

After the Conference, a scientific team will select workshop contributions to be further developed for peer review and potential publication within one of several Special Volumes of the Journal of Cleaner Production that will be developed, based primarily upon outputs from the Global Conference.

For more information, please contact the Creativity Workshop Coordinating Team:

  • Prof. Dr. Hans Dieleman, Academy of Environmental Sciences and Climate Change, Autonomous University of Mexico City, Workshop Coordinator, Co-coordinator Cultura21, Germany, France, Denmark, Mexico, Fellow at theatlas.org, (johannes.dieleman@uacm.edu.mx)
  • Prof. Dr. Donald Huisingh, Institute for a Secure and Sustainable Environment, Univ. of Tennessee, Knoxville, TN, USA; Global Conference Coordinator, Editor-in-Chief of The Journal of Cleaner Production (dhuisingh@utk.edu)
  • Prof. Dr. Nuno Guimaraes da Costa, ICN Business School Nancy-Metz, France, director of ICN’s MSc in International Management – MIEX, (nuno.guimaraes-dacosta@icn-groupe.fr)
  • Dr. Sacha Kagan, Research Associate, ISCO, Leuphana University, Lueneburg (Germany), Interim Vice-Chair of the ESA Research Network Sociology of the Arts, Founding Coordinator, Cultura21 International & Vice-President, Cultura21 Institut (Germany) sachakagan@gmail.com
  • Jeanne Bloch, artist-researcher, Paris, France (jeannebloch@gmail.com)
  • Dr. Oleg Koefoed, PhD, Action-Philosopher; Core member and co-founder, Cultura21 Nordic and International; External Lecturer, Copenhagen Business School, mezomian@gmail.com

For more information on the conference, please also watch: https://www.youtube.com/watch?v=7yqOM7WD98Y

PDF-version: + Call for Proposals — Workshop Creativity in Transition Porcesses Global Conference Barcelona nov 2015

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Call for proposals: RE-DO

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RE-DO. Conference on Sustainability and Culture’s role in Sustainable Futures

October 28-31, 2015 in Aarhus, Denmark.

At MOMU (Moesgaard Museum http://www.moesgaardmuseum.dk/english/– a splendid new museum in the middle of the woods around Aarhus).

RE-DO is the second of a series of conferences organised by Aarhus University in cooperation with Aarhus 2017 (Aarhus Capital of Culture in 2017). The conference invites academics, practitioners, artists and activists to take part in the dialogue about sustainable cultures.
RE-DO indicates that sustainability has been, is and has to become something people do as part of their everyday practices and living in order to matter. In this sense cultural sustainability is viewed not just as an add-on to environmental agendas, but as the very precondition for their long-term success.

Conference website: http://conferences.au.dk/re-do/

Call:

Presenters are invited to address questions related to cultural sustainability and
the role of culture in sustainable futures, including, but not limited to the
following questions:

  • What role does culture play in the three-legged eco-centric model – with environmental, economic and politico-social dimensions – of sustainability? What understandings of “culture” are relevant or perhaps even necessary for us to work towards cultural sustainability?
  • Is it preferable to challenge the three-legged consensual model of sustainability, disputed by critics to be post-political, by a four-legged (environment, economy, social and cultural sustainability) differential model? What would such a widening of categories translate to on the practical (i.e. “doing”) level?
  • How could culture – worldviews, every-day practices and living togetherness, pasts, costumes, food, identity-constructions and understandings, aesthetic and ethical values, artistic representations and performances – become an important and measurable part of a sustainability agenda of its own? Is that desirable?
  • In what ways does a focus on cultural sustainability change well-known agenda-setting power geometries between North and South, East and West for example due to climate change adaption and mitigation necessities?
  • How to conceptualize culture in the new forms of connectivity between humans and non-humans that we see in post-human-oriented theories and what new connections are to be made between deep ecology and ecological indigenous livelihoods and post-human paradigms?
  • What do the temporal and spatial expansions implied in the concept of sustainability mean for culture? What role do future generations and non-human actors play in forging materiality?

Proposals due by June 1.

Call for papers: CFP_RE-DO

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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WATERWASH and the Zen Art of Sustainability

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Workshop with the New York artist Lillian Ball (in English)

March 1st 2015, from 2:30pm to around 6pm
Künstlerhaus Hannover, Maestrosaal, Sophienstraße 2, 30159 Hanover (Germany)

lillian-ballParticipation is free of charge but only by pre-registration (limited to 26 persons) at  janika.millan@hannover–stadt.de

Organized by the Department of Cultural Organization at the Leuphana University Lueneburg, in collaboration with the Cultural Office of the City of Hanover

Workshop description by the artist:

„Working to have a positive effect as an environmental artist and activist, I have thought long and hard about potential ways to make an impact that encourages stakeholder action. How can appreciation of place engender public involvement? What kind of visual strategies reinforce the scientific and ethical values protecting natural spaces? The need for a sustainable approach to erosion control and revitalization of areas challenged by climate change is urgent in waterfront areas worldwide.

The WATERWASH® series is one effort to ask and answer these questions. Both of the completed WATERWASH projects merge public art, social practice, and storm water pollution remediation. This workshop will present recent work, screen Bronx River WATERWASH (a 50 minute documentary by Reorient Films) and discuss the options available to us all as citizens.

How can we possibly measure a place’s value to its inhabitants? What kind of place making experience or philosophy encourages people towards ecosystem protection? Landscape can activate the gap between form and function, inspiring opportunities for artists, scientists, and public officials to restore human as well as natural environments.”

“A garden is never finished” Shunryu Suzuki

 

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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“I have a Dream” at Vancouver Biennale 2014-16

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Shweta Bhattad, a visual Artist from India, has been invited for Vancouver Biennale 2014-2016. The broader theme of this Biennale is Martin Luther’s King’s speech “I have a dream”. For this Biennale programme, she decided to stay and work in rural Canada, as she isworking with rural women and farmers in India too and want to collaborate with Artists and Farmers around the world to bring them altogether on one global stage.

For the project “I Have a Dream”, she is inviting artists around the globe to collaborate who can further collaborate with farmers of their respective countries to grow some grains or vegetables in fields or gardens in form of the sentence which means “I have a dream” in their own language and font which can be captured by aerial view.

CONCEPT: As farmland is being reduced around the globe, “I Have A Dream” Global Community Project hopes to draw attention to farming practices and communities by inviting artists to collaborate with farmers to sow fields or grow gardens in the shape of “I Have a Dream” in their own language. This community-based project takes art out of the studio and into the community and use art to empower communities through farming and gardening.

Trubia, Spain Project: Reflecting on the situation in the countryside and contemporary agriculture and its relationship with the city and increasing urbanization of the territory.

Overview

The project calls for moments of collective sowing, and documentation and several meetings with the local community and other local artists and local regional groups. These meetings serve to exchange knowledge, memories and create internal links to the local community. They serve to reflect on the situation in the countryside and contemporary agriculture and its relationship with the city and increasing urbanization of the territory, we will discuss about landscape, understood as a cultural construction in constant transformation that we are all artifices and therefore responsible. Each of the phases of the project will be published through the website, the facebook page and other digital media. Some of the meetings will be held within the framework of the Agricultural Landscape in Veranes, project designed by Virginia Lopez in collaboration with Lorena Lozano and ecoNodos which is subsidized by the Municipal Foundation of Culture and Popular University of Gijón.

Links:

> Ihaveadream_TRUBIA
> Vancouver Biennale      
> I Have A Dream Project 

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Biophilia – Biology for Artists

This post comes to you from Cultura21

Call for applications. Deadline March 3rd.

Biolophilia is the urge to affiliate with other living forces. The term literally means the love of life or living systems.

Biophilia is a residency for Canadian and international artists interested in ecology, nature and life sciences to study, research and experience themes of interacting with the living natural world. It will take place over a week in Gatineau, Quebec, Canada in the spring 2015. The residency will facilitate daily excursions into natural habitats for collection of materials, exploration of and production within a wide range of Canadian wildlife. Daily expeditions into forests, wildlife sanctuaries, farms and research labs will be enriched by biologists, naturalists and experts.

Ayatana workshops focus on experience, research and brainstorming by visual and conceptual artists. Writers, poets, musicians and dancers are also invited to apply. Preference will be given to artists working with natural materials, bio art, performance, intervention, site specific installation, interactive or nomadic work, interdisciplinary research and collaboration. Although it is not necessary for a resident to produce work during the program, collaboration with each other and the non-artist community of biologists and nature observers is encouraged. All participants will be invited to give a short public artist talk, and to contribute to the residency catalogue. It is hoped that the residency will facilitate connection between participants and lead to collaborations or international shows.

The organizers are looking for adventurous artists with enthusiasm for daily brainstorming and creation and a willingness to share the development of early-stage work with a small group. Like-minded artists will be grouped together to encourage collaboration and skill share. The workshop will instigate the experimentation and sharing of new materials and artistic ideas in a supportive, analytical and critical context.

Outline:

Mycology:

Hike and forage with a mushroom expert in the Gatineau forest: Residents will be invited to step off the path to experience making decisions with intuition and their senses to see, smell and taste the forest from a new perspective. Guided by a mycology expert the goal of this walk will be to appreciate and be inspired by the wild life with an emphasis on wild mushrooms. While enjoying the forest and collecting natural materials you will learn about the life cycles of mushrooms and some of their practical uses and industrial applications, including dye and ink making and print making.

Dinner with foraged wild mushrooms depending on what the group found that day.

Sterile technique workshop:

During a demonstration of sterile tek for home biology experiments, grain with bioluminescent mushrooms will be inoculated for residents to grow at home.

Herpetology:

Guided tour of the frogs, snakes and turtles of the Ottawa Valley. Visit from Reptiles Rock, Ottawa’s Herpetological Center.

Botany:

The Ottawa area is covered in lush trees. Be guided by local arborist in the magic of local trees and plants on a hike through the forest.

Entomology:

According to physics, bee flight is impossible. Still, we will visit a honey farm to witness the magic of bees. A moth lure with UV light will be set up to observe the local moths.

Ornothology:

Learn about wild bird rehabilitation and the natural history of the birds of Canada and the magic of feathers through a guided tour of the Wild Bird Sanctuary. An up close look at ostriches, emu, peacocks, turkeys, ducks, geese and some other favorites of this local farmer and bird lover.

Local University Laboratory:

A guided visit to the Andrew Pelling Research Laboratory for Biophysical Manipulation to learn about synthetic biology. Residents will get expirience with lab equipment and working with human HeLa cells.

Location:

Residents will be picked up in Ottawa, Canada and driven to the residency house where you will stay in the small town of Wakefield in Quebec. The culturally vibrant town, surrounded by mountains is nestled between the Gatineau Provincial Park and the Gatineau River and is home to many scientists and artists.

Cost 

$1200.
Residency places are limited to 6 artists. Official invites will be given to accepted applicants to help in the procuration of grants and funding.

What is included: 

  • Accommodation with bedding in the Birch and Pine Ranch. Indoor and outdoor work spaces
  • All activities
  • Ground travel to all activities
  • Most meals will be provided, cooked by the resident chef. *Residents will be responsible for paying for their own meals from restaurants
  • Workshops by members of local community
  • Introductions to sites and contexts
  • Facilitators / production assistants
  • Participation in residency catalogue

How to apply

Send the following material to ArtLovesScience [at] gmail [dot] com (digitalucid [at] gmail [dot] com) before March 3rd 2015
  1. Artist CV
  2. Artist statement (about 200 words)
  3. Ayatana form
  4. Portfolio 5 – 10 images

More info: http://www.artayatana.com/biophilia%20ottawa.html

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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“Ghosts of the Gulf” by Brandon Ballengée

This post comes to you from Cultura21

Currently on view at the Beacon Institute for Rivers and Estuaries is an exhibition by artist/biologist Brandon Ballengée, co-organized by Amy Lipton of ecoartspace. The exhibition titled Ghosts of the Gulf includes several stark and brilliantly colorful images of marine species collected in the Gulf of Mexico directly following the deadly 2010 Deep Water Horizons (DWH) oil spill disaster.

Ballengée’s artistic and scientific inquiry has focused on the rapid decline of amphibian populations around the world and the occurrence of developmental deformities among amphibians. He has received international attention for this work as well as his scientific research publications. Ballengée’s work as a biologist looks at amphibians as bio-indicator species, particularly their development in complex ecosystems and the proximate causes for developmental deformities among wild populations. “Understanding amphibians at this point in history is very important as they are suffering from rapid wide-spread population declines at over 40% in less than half a century” said Ballengée. Though the Gulf of Mexico species depicted in Ghosts of the Gulf do not appear to show deformities, Ballengée, hypothesizes as to why; “The subjects in Ghosts were found shortly after the spill so do not have any obvious morphological abnormalities, however we don’t know what the long term impacts of the spill yet will be, on these species or even our own”. These images of species once common to the Gulf, represents a creative process that blurs the lines between art and biology. Ballengée’s specimen-subjects transition from their once living state to brightly colored x-rays revealing the complex architectural anatomy of these beautiful and vanishing species.

Beacon Institute is proud to welcome artist/biologist Brandon Ballengée to its gallery at 199 Main Street in Beacon, NY for a new show that will be on display through March 8, 2015.

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Powered by WPeMatico

Navjot Altaf at Kochi Muziris Biennale 2014/15

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Navjot Altaf is known for her sustained engagement with interactive / collaborative art practices. Since 1997 she has also been working in collaboration with indigenous artists and community members of Bastar in Chhattisgarh, Central India on Nalpar (hand pump sites) and Pilla Gudi/Temples for children projects that seek to situate artistic production within the fabric of community life. An early encounter with Marxism leading to her interest in feminism has been instrumental in shaping Altaf’s sensibilities as an artist.

Altaf’s interactive installation at the Kochi- Muziris Biennale titled ‘Mary wants to read a book’ (2014) is a built up space / a library,  to recognize significance of the literacy movement and library culture in Kerala. The work is based on the visual of ‘Study Charts 2,000 Years of Continental Climate Changes’.  This work is to be viewed from an ecological perspective / the web of life of which we are a part, a critique of hyper production and consumption which has continued to grow and led civilizations to estrangement from life-world experiences – resulting in climatic catastrophe.

Library that documents global rise in temperatures in the last 2000 years. Weaved into this narrative is an homage to Kerala’s library movement. Closely linked to left cultural activism, The library movement along with the state’s drive towards full literacy is widely considered a key ingredient in the success of the ‘Kerala-model of development’; marked by high social indicators and political participation despite comparatively low levels of industrialization and per capita income. The installation takes its form- that of a library from this history.  Comprised of more than two thousands of multi-coloured books made from recycled paper each with text from Altaf’s research. Work also includes audio and video.  the  library is the three dimensional model of a chart depicting 2000 years of continental temperature change on earth.Coded to correspond to a colour spectrum (with red and blue indicating the highest and lowest temperatures respectively), The chart documents temperature changes including the alarming rise of the last decades. By cross referencing this chronicle of an impending ecological disaster with an idealized version of a social progress within the largely unindustrialized state of Kerala, Altaf is perhaps suggesting / asking for an alternative, less ecologically punishing mode of development.

The books that are part of the installation can be taken away by the audience in the last two weeks of the biennale.

The biennale will be taking place from Dec 2014 – March 2015.

More info at: http://kochimuzirisbiennale.org/.

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Powered by WPeMatico

Dirt? – Call for Entries

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Scientists, Book Artists, and Poets Reflect on Soil and Our Environment

Exhibition dates:    August 6, 2015 to December 30, 2015

Exhibition venue:  Collins Memorial Library, University of Puget Sound,

Tacoma, Washington, USA 98416

Entry Deadline: April 29, 2015

THEME – 2015 is the United Nations International Year of the Soil.  Poets and book artists can join soil scientists in making the soil visible! Soil is the Earth’s delicately structured biological skin—something far more complex than dirt, which is what we buy at garden-supply stores or sweep out of our houses. A multilayered resource that is essential to the water cycle, soil anchors and feeds forests, prairies, and farmed fields. Every terrestrial ecosystem and all our foods sprout from soil, and soil supports many burrowing animals and an amazing biodiversity of microbes, insects, arthropods, and worms—many yet to be scientifically described. For many, soil is sacred ground.  As essential as soil is, few people appreciate this crucial resource or promote its health. Many human practices, such as industrial lead and arsenic pollution threaten human and soil health.  We are seeking book artists and poets who can offer fresh, intriguing perspectives on soil’s value.

BOOK ARTISTS AND POETS:  This exhibition is open to poets and book artists worldwide.

RESOURCES:  We hope that participating in this exhibit will offer book artists and poets a chance to learn more about soil.  Please use the links and resources on this page to learn more about dirt and soil.

ARTIST BOOK ENTRIES: We welcome book and paper arts works created either as an edition or as one-of-a-kind. Artist books, sculptural books, book objects, altered books, zines, broadsides, and sculptural pieces are all encouraged.  We welcome collaborative works between poets, scientists, and book artists.  Because this exhibition will be held in the Collins Memorial library, books that contain living organisms (such as mold, fungus, or loose soil) will not be accepted. Flat fine art prints and photographs are not appropriate for this show, unless they are sculptural or apply some type of book arts process. All artist books are limited to 24 inches in any direction when displayed.

POETRY ENTRIES:  Poems are limited to 25 lines; the total includes the title, 2 blank lines before the body of the poem, epigraphs, and so on. Simultaneous submissions are acceptable, but previously published poems are not eligible. We encourage you to write in your preferred language but, if you do so, to also provide an English translation. If you are submitting an artist book containing one or more of your own poems, the book will be juried only by the book arts jurors unless you also separately submit the poetry for the poetry jurors’ consideration. If you do so, the artist book would be considered one of your possible total of three entries for this exhibition, and each poem would be considered another entry. (If you do not separately submit an original poem that’s in one of your artist books, the poem—which will not be judged—may be a previously published one.)

JURYING:  The Book Arts entries will be juried by Lucia Harrison, PhD, Book Artist, Emeritus Faculty The Evergreen State College and founding member of Puget Sound Book Artists; Susan Aurand, MFA, Visual Artist, Emeritus Faculty The Evergreen State College and recipient of Washington State Arts Commission Art in Public Places Commissions; and Abir Biswas, PhD, Earth Scientist and Member of the Faculty at The Evergreen State College.  The Poetry entries will be juried by William Kupinse, PhD, Associate Professor and Chair of the English Department at The University of Puget Sound;  Sharon A. Sharp, PhD, Poet, Book Artist, Editor, and past-president of the North Carolina Poetry Society, from Boone, North Carolina; and Peggy Burge, MA, MLS, Humanities Librarian at The University of Puget Sound Collins Memorial Library.

ONLINE AND PRINT CATALOGS: The University of Puget Sound will publish a complete online catalog, plus a full-color print catalog of the artist books and poems included in this exhibition. In an effort to avoid entry fees, all submitting artists will be encouraged but not required to purchase a print catalog, via online ordering. Information about the ordering process for the print catalog and its price will be provided at a later date.

DISPLAY OF ARTIST BOOKS AND POETRY: This exhibition will be displayed at The University of Puget Sound Collins Memorial Library and will include the work of book artists, poets, scientists and environmental educators.  We will reproduce the poems as computer-printed broadsides and display them on the walls and in cases.  If the poem is written in a language other than English, both the original poem and the English translation will be displayed.  Due to the public nature of this exhibition space, the artist books will be in locked display cases, unless other arrangements have been made with the artist. Since we feel artist books need to be handled to be fully appreciated, we will be open to artists’ requests for book displays outside of cases, as space allows.

ENTRIES: A maximum of three works total may be submitted by each poet or book artist.  If the entry is an artist book that includes an original poem and the poem is also submitted separately, this will be considered two entries.  Entries must be received online no later than midnight on April 29, 2015.  Artists and poets submitting to this exhibition will be notified via email. The curator reserves the right to decline any accepted artist books upon delivery if the condition or quality is other than represented in the electronic entry.

ONLINE SUBMISSION: All submissions will be made online.https://Dirt.formstack.com/forms/dirt_entry_form  ( please note, if the link does not open, please cut and paste into your browser)

FEES: No Entry Fee

More Info

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Sustainable Build Weeks

This post comes to you from Cultura21

Learn techniques to help you create your own sustainable building

9th – 13th February, 2nd – 6th March, 7th – 10th April 2015

In additional to the ongoing construction of our beautiful new Linhay, the Land Based Learning Centre, there are a number of other exciting building projects taking shape or about to get underway at Embercombe.

Come and be part of the story of this wonderful place. You will learn new skills that will help you realise the dream of creating your own sustainable build!

A sustainable self-build is a project in which a group of people come together to build a structure (home, barn, bench, stove, etc.) that is built using sustainable building practices and will function in harmony with its environment once built.

No previous experience is needed, but any you have will be welcome.

Tasks for the Week:

The building projects will incorporate and celebrate traditional building techniques at their very best: Frames will always be wood; many are oak, with cob and straw bale walls. Roofs will be examples of reciprocated wood, recycled tiles and green roof practices. Finishes will be sustainable insulation and traditional plaster. This is complimented by a host of environmental features that you will learn about over the week.

You are invited to join the team of master craftsmen and building experts undertaking the techniques and tasks required to complete a number of exciting projects.

The following are examples of techniques that will be undertaken at different stages of different builds. Please note that they suggest you contact the embercombe office on 01647 252983 or email clare [at] embercombe [dot] co [dot] uk to get the specific breakdown of techniques and tasks for each of the dates below. If you are interested in learning a specific skill please contact them for more information.

Cob Building, Straw Bale Lime Render, Lime Washing

Reciprocated Roofing, Green Roof Finishes

Green Oak Carpentry, Wood Carving, Traditional Stone Walling, Sustainable Landscaping

Preliminary Finishing Techniques

Your tutors for the week will teach you new skills, working alongside you to create different elements of the fabulous buildings.

Likely activities (please check with the office foir full course specification)

Green Oak work, Straw Bale Walling, Reciprocal Roofing, Wood Carving, Stone Walling, Pounding, Lime Rendering, Floor Laying, Cobbing, Landscaping, Preliminary Finishing Techniques.

For a detailed outline of the weeks activities and the project that you will be working on please email clare [at] embercombe [dot] co [dot] uk

Programmes for Adults and Children 16 years +

Day and Residential participants welcome. Accommodation is in yurts. Please bring your own bedding (including lots of warm blankets)

Monday 2pm – Friday 4.30pm

If you are joining them on Monday please arrive by 12.00, in time to settle into your yurts. Lunch will at 1pm and we will start at 2pm.

Lunch, hot drinks and snacks will be provided for day volunteers.

Breakfast, lunch and evening meal, hot drinks and snacks will be provided for residential volunteers.

All food is organic, vegetarian, home-cooked and sourced from our site wherever possible.

Costs

PLEASE NOTE that the Sustainable Build Course running from1st – 5th December is FREE OF CHARGE for POOSH MEMBERS please indicate this on your booking form.

A contribution to the cost of meals for those participating in the week is requested.

Day participants: £10 (to include lunch).

Residential participants: £35 per 24 hours (to include full bed and board).

If you would like to and can afford to, they always welcome additional donations to help subsidise the low-cost places we provide and help us with the costs of our work.

Booking

You are welcome to come for just one day or for the full week.

Places are limited: Booking is essential for both day and residential places.

Sustainable Build Week

Please click here to book your place

More Info

———-

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Culture(s) in Sustainable Futures: theories, policies, practices

This post comes to you from Cultura21

International Transdisciplinary Conference

May 6-8, 2015 | Helsinki, Finland

Is culture the fourth pillar of sustainability alongside the ecological, economic and social aspects? How does culture act as a catalyst for ecological sustainability, human well-being and economic viability?  What would our futures look like if sustainability was embedded in the multiple dimensions of culture?
This landmark conference explores the roles and meanings of culture in sustainable development. The new ideas generated in the conference will inform and advance understandings of sustainability with cultural studies and practices, and vice versa. The invited speakers of the conference are internationally well-known scholars and actors in this field:http://www.culturalsustainability.eu/helsinki2015/speakers
Find out more about the sessions planned

A session of particular interest will be the session Artistic urban interventions: A sustainable heritage?

This session was organized by the Centre for Regional Science at Umeå University (CERUM), Sweden (a, b); Institute of Sociology and Cultural Organization (ISKO) at Leuphana University, Germany (c).

This session will address urban culture(s) in sustainable futures, with hindsight on a heritage of artistic urban interventions. How do artists problematize public space, private space and urban commons? Which experiences of place do artistic interventions bring? Which potentials do artistic interventions hold for relating urban cultural practices to the ecological, social, economic and cultural dimensions of sustainability? Where are the limits, risks and potential perverse effects of artistic interventions addressing issues of (un)sustainability?

Papers from scholars and practitioners are invited, who focus, investigate and problematize the heritage of artistic interventions into urban cultures, and who address future policy orientations. What do we know about the effects and impact of such interventions? Do they remain as monuments, as traces, as memories, as visions, as heterotopian islands, or as drivers for sustainability transformation?

CALL FOR PAPERS

Call For Papers open October 20 to December 5, 2014

The organizers are inviting proposals for paper presentations in 19 sessions within the following four thematic streams:
THEORIES, CONCEPTUAL APPROACHES AND METHODOLOGIES

  • Linking cultural and natural: Cultural ecosystem services, biocultural diversity, capabilities
  • Framing culture(s) in sustainable development: Breaking the boundaries
  • Developing assessment tools for measuring culture in sustainable development: Theoretical and practical approaches
  • Landscape as heritage: A central idea for the role of culture in sustainability?
  • The role of participative and perceptive maps in building and preserving sustainable culture(s)

INCORPORATING CULTURE IN SUSTAINABLE DEVELOPMENT POLICIES

  • Operationalizing culture in the sustainable development of cities
  • Culture and politics of development: Ethical challenges
  • Cultural and creative industries and sustainable development: Miracle or myth?
  • The role of cultural policy/ies in sustainable development
  • Governing cultural heritage – Governing the future? The role of cultural heritage in sustainable development

CULTURAL AND ECOLOGICAL TRANSITIONS AND TRANSFORMATIONS

  • Values in place: The interior dimension of sustainability
  • Local movements in sustainable transitions
  • Local museums and heritage sites: What roles in community transitions?
  • The roles of design in the quest for sustainable futures
  • Cultures of using and disposing

CRAFTING AND GRAFTING URBAN AND RURAL ENVIRONMENTS

  • The nature-culture nexus for more sustainable and just protected areas
  • Strategic gardening: Mobilizing cultural aspects of gardening in sustainable development
  • The transformative potential of cultural and artistic endeavours for sustainable rural futures
  • Artistic urban interventions: A sustainable urban heritage?

For further information about the individual sessions within these thematic streams, please see:
http://www.culturalsustainability.eu/helsinki2015/sessions-1
Proposals from all disciplines will be considered, provided they make an original academic contribution to the study of culture and sustainability and explicitly analyse multiple dimensions of culture in sustainable development. The abstracts (250-300 words) should be submitted through an online submission system.

SEE ALSO:

  • Call for transdisciplinary panels for debates on a specific theme among scientists, policymakers, and practitioners.
  • Call for contributions for posters, artistic expressions and performances to explore the relationship between culture and sustainability through different presentational forms, employing the methods of science and/or arts.

For further information, please see:
http://www.culturalsustainability.eu/helsinki2015/Call-for-proposals

Selected full papers and other contributions will be published in conference proceedings and in a book within the recently launched book series “Routledge Studies in Culture and Sustainable Development.”
The conference is organised by the COST Action “Investigating Cultural Sustainability” (www.culturalsustainability.eu) and hosted by the University of Jyväskylä, Department of Social Sciences and Philosophy.
Submit your proposal and join the dialogue!

———-

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Powered by WPeMatico