| February 11th, 2011 | In a blog a couple of weeks ago, Matthew Taylor called for ideas for a new RSA project on manufacturing. Given the RSA’s commitment to practical project work, he suggested that heavy industrial projects would be impractical for us and that worthy reports on the future of manufacturing in the UK are two-a-penny.
The rise
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| February 9th, 2011 | It’s an exciting moment in the Area Based Curriculum project in Peterborough. We’re at the point where we try to move away from bothering busy people with important jobs, asking them to do things they wouldn’t normally do, and towards a role supporting people moving ahead with their own projects. Where the RSA stops being
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| February 5th, 2011 | One of the component parts of Citizen Power (a two year programme of innovation, participation and place-making in Peterborough) aims to spark and support local people’s ideas that could make “green” behaviour easier throughout the city. When planning the project we were inspired by insights into what can influence people’s behaviour and decision-making (such as the
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| November 11th, 2010 | Although many would consider art that has been composed within the last few years as modern, that is incorrect. Art that is being or has been created since 1960-1970 is considered Contemporary Art. Modern Art is art that was created from around the late 1860′s until the 1960′s or 1970′s.
Dubbed “Modern Art” due to
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| June 30th, 2010 |
It’s been the story that has covered the financial press for weeks. BP’s involvement in the oil spill in the Gulf of Mexico has dominated the news, sent its share price plummeting, and erupted a row of diplomacy between the US
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| April 9th, 2010 | Tomorrow, the Dutch artist Marjolijn Dijkman arrives in the UK to begin her residency atClare Cottage in Helpston, near Peterborough. Her stay marks a shift in focus for Arts & Ecology, towards exploring how the arts may engage people locally with environmental change and sustainability. As part of this, Marjolijn has been
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| March 30th, 2010 | Heart of Darkness by Cornelia Parker, 2004 from Earth: art of a changing world, London 2009
This is Climate Action on Cultural Hertitage week – it’s an initiative championed by Bridget McKenzie as a response to the growing number of individuals and organisations calling for a more clearly defined sense of purpose
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| March 28th, 2010 |
As Sterling’s blog Beyond the Beyond points out, artist Sergio Cezar makes huge models of the Brazilian favelas out of cardboard.
There is something disturbing about scale. The 200 dolls houses of Rachel Whiteread’s Place(2008) – part of Psycho Buildings at the Hayward – were downright creepy. Maybe it’s because there’s something unsettling about the way
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| March 16th, 2010 |
Nice to see Bruce Sterling picking up on the excellent media arts collective furtherfield.org’s Zero Dollar Laptop project.
Working with clients from St Mungo’s homeless charity, they’re helping people break up old laptops and build new ones, adding free opensource software to help them build new computers for themselves
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| March 1st, 2010 |
Earlier this week the papers were full of stories of Ridgemont House in Devon – a house bought for £150,000 by auction, only to see its garden plummet down towards Oddicombe Beach.
The story brought together the national obsession with house prices with the fact of increasing coastal
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Welcome to the CSPA Quarterly 7 is now available
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Sustainability in Theater
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