Yearly Archives: 2018

Open Call: Artist Residency in New Orleans

New Orleans and the region are frequently invoked as one of the areas most vulnerable to the effects of environmental change. Our highly manipulated landscape can be seen as a microcosm of the global environment, manifesting both the challenges and possibilities inherent in the ways humans interact with urban and natural ecosystems. With nearly half of the world’s population living within 40 miles of a coastline with rising seas, the concerns of Southern Louisiana resonate globally.

Photo Credit, Isabelle Hayeur, Underworlds Series, 2013

Adaptations Residencies invite artists to examine how climate driven adaptations – large and small, historic and contemporary, cultural and scientific – are shaping our future. Adaptations Residencies will provide artists with time, space, scholarship and staff support to foster critical thinking and creation of new works.

The call is open to: artists of all disciplines who have demonstrated an established dialogue with environmental and culturally related issues and a commitment to seeking and plumbing new depths.

We ask artists to: describe in detail how the region will affect their work, to propose a public component to their residency and to suggest ways in which they will engage with the local community.

Visit our website for more details. A full description including all important dates and the application for our Adaptations Residencies can be found here.

Proposals are due April 16th, 2018 and residencies will be awarded by May 25th, 2018.

Please send questions to info@astudiointhewoods.org

 



These residencies are sponsored in part thanks to generous support of the Lambent Foundation Fund of Tides Foundation, The Keller Family Foundation, and with support of the Bywater Institute at Tulane University.  Supported by a grant from the Louisiana Division of the Arts, Office of Cultural Development, Department of Culture, Recreation and Tourism in cooperation with the Louisiana State Arts Council as administered  by the Arts Council New Orleans. This program is supported in part by a Community Arts Grant made possible by the City of New Orleans and administered by the Arts Council New Orleans. Funding has also been provided by the National Endowment for the Arts, Art Works. To find out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov

Training Series: Managing Carbon

This post comes from Creative Carbon Scotland

Creative Carbon Scotland has announced a series of training opportunities to help Creative Scotland’s Regularly Funded Organisations create their Carbon Management Plans.

Carbon Management Planning in the Creative Sector 1Creative Scotland’s announcement about Regular Funding re-iterated that each RFO will be required to develop a Carbon Management Plan by September 2018 to reduce its carbon emissions over the Regular Funding period.

Creative Scotland will require all Regularly Funded Organisations 2018-21, as part of their funding agreements, to produce plans to reduce the carbon emissions related to at least one aspect of their activities. Organisations supported through Open Project Funding and Targeted Funding are also encouraged to do the same.

Page 5, Creative Scotland – Regular Funding 2018-21: The Network

To support this, from the 20th of February to the 20th of March we are continuing our nationwide series of workshops and webinars for senior management and Green Champions, on how organisations can use our Carbon Management spreadsheet to develop their carbon reduction plans.

Senior management has a key role to play in ensuring that plans are developed and implemented by the whole organisation. We strongly encourage at least one member of the senior management team in each organisation to attend a Workshop sessionalongside other Green Team members or Green Champions.

Workshop sessions
These face to face sessions over 2 hours provide an opportunity for discussion to explore how to use the Carbon Management spreadsheet in more detail as well as:

  • Discuss and share how to turn your plans into actions
  • Provide an overview on Carbon reporting for new Regularly Funded Organisations

Webinars
These popular online sessions provide an overview of how to use our Carbon Management spreadsheet to develop emissions reductions plans:

  • How to evaluate your current carbon footprint
  • How to develop your plans and projects to reduce emissions
  • How to evaluate the emissions impact and cost of your chosen project with our easy to use Carbon Management Tool

Workshops are being held in Edinburgh, Glasgow, Aberdeen, Dundee and Inverness and there are regular webinars planned. See the full list of training and find the dates that work for you.

Photo by Malte Bickel on Unsplash


The post Training for Carbon Management Planning announced appeared first on Creative Carbon Scotland.



Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland

10 Pioneering Initiatives in Taiwan

This post comes from the Artists and Climate Change Blog

Taiwan, the mountainous island off the southeastern coast of China, is officially known as the Republic of China (ROC). It was given the name Formosa by the Portuguese in the 16th century based on the expression Ilha Formosa, meaning  “beautiful island.” And it still lives up to its name. With its subtropical North and a hot, tropical South, it is home to a great diversity of flora and fauna, and colorful temples around almost every corner.

Taiwan has been one of the “Four Asian Dragons” since the 1980s: it has undergone rapid industrialization and become advanced in service and capital-intensive manufacturing. Electronic and computer parts are the production cornerstones in Taiwan, while labor-intensive manufacturing, such as garment manufacturing, have moved to cheaper locations like China. Many people still mainly know of Taiwan because of the “Made in Taiwan” label on their t-shirt. Unfortunately, Taiwan’s rapid economic transformation took place without much concern for the environment.

A big environmental challenge in Taiwan is the contamination of soil, water, and air by heavy industries, mostly from the petrochemical sector. Taiwan didn’t start building an environmental protection system until the late 1980s. By that time, artists had started taking initiatives in addressing environmental issues and today, many of them are engaged as activists. Central to their practice is the use of natural materials such as bamboo.

Here are my ten favorite art initiatives in Taiwan that engage with nature in different ways. If you visit, make sure not to miss these gems!

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1.  Bamboo Curtain Studio

Website: bambooculture.com
Founded: 1995
Type: Residency, independent art space
Who for: Artists, writers, curators, policymakers, environmentalists, communities and scientists from across the globe who are keen to engage in social and environmental projects and want to network in Taiwan

Art has the unique power to foster conversation and be a catalyst for change. We believe art can create social change and provide an alternative perspective to understanding the world. With our previous collaborative artists, we could really feel and witness behavior change through the engagement process. Our practice aims to promote cross-cultural exchanges by providing art and cultural workers with a creative environment and assisting them in carrying out their productions.
—Iris Hung, Director

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2.  Name: Bio-Art.tw

Website: bioart.tw
Founded: 2012
Type: Experimental art space
Who for: Biologists, scientists, artists, (bio) hackers

We are part of biodiversity and we can’t even be responsible for our own survival. We can’t “save” other things, species, as we don’t know what they have in mind, what is good for them. Can we say we have a better life? We only have the ability to judge ourselves. A lot of environmentalists are trying to save the earth or some animal. I recently read that less cute looking animals get less research funding. Everyone should be engaged in this conversation, but I think artists can show us how to observe and think, teach us how to have our own opinion.
—Pei-Ying Lin

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3.  Cheng Long Wetlands Environmental Art Program

Website: artproject4wetland.wordpress.com
Founded: 2010
Type: Annual art program, residency
Who for: Artists, environmentalists, locals, craftsmen, children

In the past, villagers were cutting the trees but now they are protecting the forest. The project did work; villagers now think their land is beautiful. Maybe they cannot solve the problem of the land sinking, but they have learned to live with it and still appreciate it. There is so much participation from the villagers now.
—Zhao Mei Wang

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4.  TAIWAN East Coast land Arts Festival

Website: teclandart.tw/en/author/tecart_people/
Founded: 2015
Type: Festival
Who for: Anyone interested in the East Coast of Taiwan and aboriginal culture, artists, locals, environmentalists

On the East Coast, there are a lot of protests as the government is taking all the nuclear waste to Taitung and Orchid Island. There is a huge gap between communities and the government, and the government is often just making secret (illegal) deals when it comes to nuclear waste or development projects. It’s mostly local people and artists who fight against this. They need lawyers as the government currently has 33 development projects planned on the East Coast, mostly in public areas such as beaches. Now there are people fishing there, in the future they might not even be allowed to go there anymore because of the hotels being built. But it’s their resource. With the East Coast Land Arts Festival, I raise awareness about these issues.
—Shu Lun Wu

guandu

5.  Guandu International Outdoor Sculpture festival

Website: gd-park.org.tw/en/festival
Founded: 2005
Type: Festival, nature park
Who for: Everyone young and old who enjoys nature and/or sculpture

It’s our mission to change peoples’ attitude towards nature (…) The park was initially set up because birdwatchers from the Bird Society were noticing the bird population was declining and they suggested to create a conservation area. When the festival opened at the nature park in 2015, it had more than 20.000 visitors. Even though we don’t have art backgrounds, we are keen to learn more, about land art for instance. However, our starting point is nature and an artists’ starting point will be the arts. But the artwork here will always be eco-friendly.
—Nelson Chen and Yi-Fen Jan

Rethink

6.  RE-THINK (重新思考)

Website: rethinktw.blogspot.tw/
Founded: 2013
Type: RE-THINK is a non-profit campaign which operates with other foundations and organizations to cultivate an environment that inspires people to take action to achieve healthy ecosystems; to teach children the importance of environment friendly practices through education programs; to advocate a single-use, non-biodegradable plastic bag ban; and to raise awareness in communities about coastal preservation, ecosystem protection and water quality.
Who for: Children and adults who want to do something creative and care about the natural environment, or just want to learn about it

Our mission is to educate people through real action. “Environmental protection” can hardly be taught through words, so our job is to guide people to the nature and see the pollution and reality through their own eyes. We’ve all been educated on what “environmental friendly” is, from reuse/reduce/recycle, to the aspects of environmental science. It also has become a cliché and only few people pay attention to it in the real life. So, what we’re doing at RE-THINK is to reverse the image of environmental by recreating its design. We design eye-catching or even humorous posts and let people know environmental issues can be fun, stylish, or interesting.
—Daniel Gruber

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7.  Outsiders Factory

Website: outsidersfactory.web.fc2.com/workers_101.html
Founded: 2012
Type: Platform
Who for: Artists, curators, writers, anthropologists, historians, activists and anyone interested in both contemporary art and South-East Asia

I’m tired with “exchanges” and I am advocating for deeper engagement in Asian art, including looking at art history and art theory. There is no real knowledge of the history. This is a big problem in the region.
—Nobuo Takamori, Curator KMFA, Outsiders Factory

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8.  Taitung Dawn Artist Village

Website: dawnartistvillage.com
Founded: 2012
Type: Dawn Artist Village is a non-profit organization that promotes the arts both locally and internationally through art residencies, exhibitions, workshops, and participating in festivals.
Who for: Artists and anyone interested in aboriginal cultures and the East Coast of Taiwan

Taipei business style sits uncomfortably with the Taitung style. Think of a mall versus a grocery store – you need to have passion of the local, otherwise your initiative will not survive in the long term. In the beginning some people might come, but it will not survive if you can’t feel the area.
—Shu Lun Wu, Founder

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9.  Taipei Artist Village & Treasure Hill

Website: artistvillage.org
Founded: 2010
Type: Artist residency
Who for: Artists, locals

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10.  TheCube

Website: thecubespace.com/en/
Founded: 2010
Type: Gallery, exhibition space, curatorial program
Who for: Artists, curators, students

Currently, the Cube is very much focusing on the Asian region and particularly South-East Asia, for instance with a one-year lecture program on multitudes, social movements in Asia. We are interested in social and political changes and how they influence culture change. In addition, we look at the local and work with local artists who are looking at modern history.
—Amy Cheng

AND ONE EXTRA! You don’t want to miss out on this great arts magazine…

White Fungus

11.  White Fungus

Website: whitefungus.com/
Founded: 2004
Type: Bilingual arts magazine
Who for: Anyone interested in contemporary art, new music, history and politics

The surface of politics doesn’t explain why we can’t deal with our problems. But artists aren’t doing a better job. Being an artist comes with a very narrow range of career opportunities decided by a very small group of people. The oil and tobacco companies are also involved. We all deserve to work hard and be rewarded and we all want a future. When you don’t buy into the illusion, it’s not looking good for you. Also, it depends on luck. If we were working class or peasants, we wouldn’t have the luxury to make a magazine.
—Ron Hanson

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Curator Yasmine Ostendorf (MA) has worked extensively on international cultural mobility programs and on the topic of art and environment for expert organizations such as Julie’s Bicycle (UK), Bamboo Curtain Studio (TW) Cape Farewell (UK) and Trans Artists (NL). She founded the Green Art Lab Alliance, a network of 35 cultural organizations in Europe and Asia that addresses our social and environmental responsibility, and is the author of the series of guides “Creative Responses to Sustainability.” She is the Head of Nature Research at the Van Eyck Academy (NL), a lab that enables artists to consider nature in relation to ecological and landscape development issues.


 

Artists and Climate Change is a blog that tracks artistic responses from all disciplines to the problem of climate change. It is both a study about what is being done, and a resource for anyone interested in the subject. Art has the power to reframe the conversation about our environmental crisis so it is inclusive, constructive, and conducive to action. Art can, and should, shape our values and behavior so we are better equipped to face the formidable challenge in front of us.

Go to the Artists and Climate Change Blog

Opportunity: Free Wildflower Seed Kits to Transform Urban or Unloved Spaces

This post comes from Creative Carbon Scotland

Where will your seed kit take you?

Apply now to transform a shared urban or unloved space near you!

Grow Wild is working across the UK to change lives and transform spaces with UK native wildflowers. It is the biggest initiative of its kind and you can be a part of it!

Your group is invited to find an urban or unloved space and turn it into a colourful wildflower haven for the whole community to enjoy and benefit from.

You don’t need growing experience; rather you need enthusiasm, a shared space to transform and a group of people to help make it happen!

Apply now using their online form:
www.growwilduk.com/apply
Or visit the Grow Wild website to find out more:
www.growwilduk.com

Making an even bigger difference in 2018

This year, Grow Wild is asking people to share the ‘before’ pictures of their space: to see and celebrate how UK native wildflowers can turn grey into green, red, blue and all the colours of nature.

Bringing people together, getting active and growing as a group, giving back through volunteering: all of these things can improve health and wellbeing. And by creating these pockets of wild beauty for your neighbours and friends, you will be contributing to their wellbeing too.

Applications close at the end of February, and Grow Wild will let you know if your application is successful a few days later in time for the sowing season.

What’s in the Grow Wild seed kit?

• Successful applicants will all receive an ‘essential’ seed kit, which has extra help and guidance on planning and realising your transformation project.

• Successful applicants will also receive one, two or three ‘participant’ kits, depending on how many people you expect to be part of the project. These kits have extra seeds and other resources to engage more people.

• Wildflower seeds native to England, Scotland, Wales and Northern Ireland that have been tested by the scientists at the Royal Botanic Gardens, Kew.
• Lots of ideas on how to involve people in your transformation project and keep them engaged.

For more information about our work, and to sign up to our newsletter, visit the Grow Wild website.

Deadline 19 February 2018

 


The post Opportunity: Free Wildflower Seed Kits to Transform Urban or Unloved Spaces appeared first on Creative Carbon Scotland.


 

Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.

In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.

We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.

Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:

Changing their own behaviour;
Communicating with their audiences;
Engaging the public’s emotions, values and ideas.

Go to Creative Carbon Scotland