Yearly Archives: 2013

Culture’s role in environmental change

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This post comes to you from Culture|Futures

The British newspaper The Guardian asks: What have the cultural and creative industries got to do with climate change?

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“Climate change is not just about the climate – it will have huge knock-on effects on human rights, economics, democracy, equality and social and civil justice landscapes.The cultural and creative industries already make work that reflects implicitly and explicitly on these issues listed above. We already stir the imaginations, minds, emotions, spirits and souls of audiences on these subjects. So why is environmental sustainability the topic so often missing from the list? The window for averting climate change is narrow. If we want to choose our own path, not have one forced upon us, we need to take responsibility and act now. We must have the courage to programme much more work about environmental issues…”

Guardian Culture Professionals Network – 15 July 2013:
Culture’s role in environmental change The live and digital work of the cultural and creative industries is key to a low carbon transition and future, says Hannah Rudman

Guardian Culture Professionals Network’s Facebook page

Newsletter from The Guardian Culture Professionals Network
Date: 16 July 2013
Subject: Culture’s role in environmental change | Sustainability should be at the heart of our artistic vision 

What have arts and culture got to do with climate change?

“As a sector we are a powerful collective imagination and a trusted voice” – so starts consultant Hannah Rudman in her piece for us on the role the culture sector must play in making positive environmental change. “We must tell stories of hope and warning about what the future holds.”

There’s no doubt about the capability of the arts to create life-changing experiences — and life will change quite significantly if we don’t look after our planet.

The facts and figures might speak for themselves, but the arts can make them speak louder. “Our disruptive, audacious thinking can get people engaged,” adds Hannah. “Our stories about ecological sustainability and greener living will be essential to preparing us all for a new ecosystem. Statistics cannot motivate us in the same way stories can.”

And for more stories on sustainability in the arts, read these from director of Julie’s Bicycle, Alison Tickell: why sustainability should be at the heart of our collective artistic vision; and

why reporting data will give the arts confidence to act.

Matthew Caines | Journalist | matthew.caines@guardian.co.uk

What’s new this week

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.

Go toThis post comes to you from Culture|Futures

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Two sustainable art shows

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This post comes to you from Cultura21

August 3nd – October 30th, Arte SusteMobile, Hamburg / RE-ART t(W)oo, Otterndorf (Germany)

Arte SusteMobile  is an art and design exhibition which focuses on sustainable traffic and mobility. Some of the themes exhibited are : art in public transport, innovative means of public transport, human powered vehicles, flying and driving with hydrogen and solar power, solar airships, bionic structured airplanes, one world transport, energy efficient and noise reductive technologies and much more… In total over 70 artists, designers and university teams from 20 nations are involved.

RE-ART t(W)oo – shows art and design in the context of recycling, waste and social development. 55 artists from 15 nations exhibiting their works made from all kind of waste and scrap plus other positions pointing onto social and ecological problems and challenges.

Both exhibitions are curated by Samuel J. Fleiner.

For more information about the project : click here and here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Open Call: ARTIST IN RESIDENCE – ARTIST OR CREATIVE PRACTITIONER

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This post comes to you from EcoArtScotland

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Corgarff, 2013, Photo: Chris Fremantle

This has a deadline of 10 August 2013

ARTIST IN RESIDENCE – ARTIST OR CREATIVE PRACTITIONER

The Forestry Commission is inviting tenders for ‘A Breath of Fresh Air’ which will see two artists or teams of artists appointed to support the development of a new woodland park encourage local residents to get involved, get active and be inspired by their local woodland green space.

As part of the Creative Scotland and Scottish Natural Heritage funding for Year of Natural Scotland 2013, Forestry Commission Scotland has been awarded funding to support two unique Artist In Residence opportunities which will form part of an exciting project to develop a new inner city woodland park as part of the 2014 Commonwealth Games Legacy.

A Breath of Fresh Air will see two artists or teams of artists, with a passion for the natural environment, appointed to support the development of a new woodland park and raise awareness within the local community of what benefits access to woodlands green space can bring.

The artists will work closely with staff from both Forestry Commission Scotland and Clyde Gateway to understand the aspirations of the project and with local residents and organisations to ensure the works produced reflect their views.

There are two contracts available. Contract 1 will require the contract holder to:

  • Organise and deliver a range of interactive / participatory workshops with local community members from across the city linked to the Commonwealth Woodlands Games Legacy project.
  • Create a range of concept proposals (Minimum 4) for two permanent installations and a series of linking sculptural interventions, including models and visual representations where appropriate, inspired by those communities and the partner organisations ethos and ambitions for the project.
  • Produce a public display of the options to allow feedback on the preferred option.
  • Work with the project board to identify the preferred option for development,
  • Work with the design and construction team to develop tender documents and installation requirements to allow the chosen works to be fabricated and installed as part of the wider project (to be funded out with the residency).
  • Ensure that the proposed installations are designed in a way which is durable, requires minimal ongoing maintenance and reduces the opportunity for vandalism or miss-use

Contract 2 will require the contract holder to:

  • Organise and deliver a range of interactive / participatory workshops with local community members and identified groups.
  • Create a range of temporary works which are inspired by the local community.
  • Showcase the work of both the artist themselves and those who contributed to the workshops in a range of locations which will draw attention to the project and raise the profile of the benefits of access to woodland green space.
  • Both residencies must relate their works to the unique offering of the new Cuningar Woodland Park as a flagship Commonwealth Woodland and the role access to woodland green space can play in encouraging healthy lifestyles.

The estimated total value of the contract is around £8k for contract 1 and around £6k for contract 2. This excludes t&s costs which will also be paid to the successful bidders.

The anticipated contract start date will be:

Contract 1: 1st September to be completed by 1st January

Contract 2: 1st November to be completed by 1st February

For further enquiries regarding this contract please contact Tom Wallace no later than 10th August 2013

To express your interest and to request more information please contact Tom Wallace no later than 10th August 2013 with submission by 14th August @16:00hrs

Tom.wallace@forestry.gsi.gov.uk

Or

Cuningar Loop, Clyde Gateway URC, Bridgeton Cross, Bridgeton, Glasgow Deadline for submissions: 4pm, 14th August

Artist Brief: finalairbrief

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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100 Thousand Poets for Change

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This post comes to you from Cultura21

September 28th 2013

100-Thousand-Poets-for-Change-logoPoets around the USA, and across the planet, gathered in a celebration of poetry to promote serious social, environmental, and political change : ” The first change is for poets, writers, musicians, artists, anybody, to actually get together to create and perform, educate and demonstrate, simultaneously, with other communities around the world.”

The idea is to change how people see the global society : ” We have all become incredibly alienated in recent years. We hardly know our neighbors down the street let alone our creative allies who live and share our concerns in other countries. We need to feel this kind of global solidarity.”

It appears that transformation towards a more sustainable world is a major concern and could be a global guiding principle for this event.  There is an increasing sense that need to move forward and stop moving backwards : “Together we can develop our ideas of the change/transformation”. Each community group will decide their own specific area of focus for change for their particular event. 100 Thousand Poets for Change will organize “participants” by local region, city, or state, and find individuals in each area who would like to organize their local event.

For more information about the event : click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Seminar : “Cities, culture and future”

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This post comes to you from Cultura21

September 2-6, 2013, in Buenos Aires, Argentina

culture21-logo-300x100The city of Buenos Aires, co-president of the Committee on culture of UCLG, organises an international seminar to discuss and to update the conceptual bases of our work. The seminar considers the current contents of Agenda 21 for culture, and will analyse the challenges laid out by the global community: the UN Post-2015 Development Agenda, the Global Taskforce of Local and Regional Governments, the Sustainable Development Goals, the Declaration of Hangzhou (UNESCO) on culture and sustainable development, Habitat III in 2016. The seminar will develop the following subjects :

1. The pillars of sustainable development and Agenda 21 for culture

2. The basis of local, regional and international cultural development

3. Local governance as key for sustainable development.

4. Territory, identity and social inclusion

5. Creation, creativity and local cultural production

 For more information : http://www.agenda21culture.net/index.php?lang=en

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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THE COMMUNITY CANOE CROWDFUNDING CAMPAIGN

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BOYlJD-CQAERVO9What’s a Community Canoe Garden? As part of the David Suzuki Foundation’s Homegrown National Park Project, our plan is to take old canoes that are no longer seaworthy and repurpose them as bee-friendly garden planters.

The Community Canoe Gardens will be installed in parks along the corridor of the old Garrison Creek. And they will be filled with native flowers that are really good for birds, bees and butterflies. Listen to our interview on CBC’s Metro Morning.

Our Goal

Our goal is to raise $5,000 so we can establish a network of 12 Community Canoe gardens. This money will be used to buy old canoes, plus soil, plants, mulch and other materials.

And we need your help. Not only will you be helping to change the landscape of the city, check out the amazing perks for your generous support!

Why are we doing this?

Well, we love canoes. And not only do they look awesome filled with native plants and flowers, the Community Canoe Garden network will support local bees, butterflies and other pollinators that help ensure our fruits, veggies and herbs are abundant and healthy.

Please join us in this project. Together, we can build the Community Canoe Network.
And please note that the Community Canoe Garden Network is just the beginning. Working with residents, community groups, the city, and local paddling businesses, our grand ambition is to establish Community Canoe as a service similar to bixi bikes, but for canoes. We want to help make it easier for residents to explore Toronto’s waterfront and waterways. Imagine adding a paddle down the Humber or the Don to your commute, or taking a canoe trip along the waterfront!

Please help bring canoes back to the city by showing your support for Community Canoe – a “park service” of the Homegrown National Park.

Warmly,

Ranger Aidan
Homegrown National Park Project

Check out our Facebook and Twitter pages.

Video footage provided by Greg Francis and Marianna Angotti

A Greener (and easier!) Approach to Stuffers

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This post comes to you from the Broadway Green Alliance

Post by Jennifer Marik, Wicked Stage Manager

Printing your own stuffers in house as needed, rather than ordering them in bulk in advance, saves a lot of money, is very eco-friendly and is very easy!  At Wicked, we have a high-speed copier, an industrial paper cutter and a cabinet full of 100% recycled paper.  With just these tools, we are able to generate a stuffer for each performance – including bios and headshots for new performers and all of the necessary cast replacements.  If it is just a bio, or two or three replacements, we are able to print eight inserts to a page (which at the Gershwin is 225 copies per show).  If we need to include more information, we can generally put it on a four-up (450 copies per show).  On very rare occasions, we need to print three stuffers to a page to accommodate multiple bios, headshots and replacements. Depending on the number of copies, we can usually print the stuffers in about ten minutes and cutting the stuffers takes less than five.  We have templates set up in the computer (which prints directly to the copier), so we are able to quickly modify the stuffer each evening when we do our paperwork at hour before half hour. Our ushers generally have the inserts in hand 15 minutes after that.

WICKED has been a partner of the BGA since its founding.

WICKED has been a partner of the BGA since its founding.

What if the copier goes down at an inopportune moment?  Or what if an actor calls out at the last minute?  We keep one show of each cast replacement option in our emergency stuffer stash, so we are able to cover these contingencies.  And if the copier were to go down on a two-show day, or over the weekend (which has happened almost never), we would use Staples or Kinko’s for subsequent shows.

In an effort to be even greener, we do not cut the emergency stuffers ahead of time.  With the paper cutter, if we need to use them, we can cut them very quickly.  If we don’t use them and the actor leaves the company, we end up recycling only a total of 200-500 pieces of paper per actor leaving the company – we can use them for printing in/outs, scrap paper, etc.  What used to happen instead was that we’d have to get rid of 7200 small pieces of paper per actor leaving – and more if they covered multiple parts.  One bonus of this system is that we no longer need to store hundreds of stacks of stuffers that might never be used.

In addition to being a greener way to do stuffers, and being much easier for the stage managers, printing your own stuffers saves money – a lot of it.  Wicked saves about $5000 a month: just by making a one-time purchase of that industrial paper cutter and a monthly rental of the high-speed copier.  And an added bonus to having the high speed copier – we can generate scripts and scores on demand in-house as well, which even saves us more money.

Broadway Shows using GREENER Stuffers:

The Broadway Green Alliance was founded in 2008 in collaboration with the Natural Resources Defense Council. The Broadway Green Alliance (BGA) is an ad hoc committee of The Broadway League and a fiscal program of Broadway Cares/Equity Fights Aids. Along with Julie’s Bicycle in the UK, the BGA is a founding member of the International Green Theatre Alliance. The BGA has reached tens of thousands of fans through Facebook, Twitter, YouTube and other media.

At the BGA, we recognize that it is impossible to be 100% “green” while continuing activity and – as there is no litmus test for green activity – we ask instead that our members commit to being greener and doing better each day. As climate change does not result from one large negative action, but rather from the cumulative effect of billions of small actions, progress comes from millions of us doing a bit better each day. To become a member of the Broadway Green Alliance we ask only that you commit to becoming greener, that you name a point person to be our liaison, and that you will tell us about your green-er journey.

The BGA is co-chaired by Susan Sampliner, Company Manager of the Broadway company of WICKED, and Charlie Deull, Executive Vice President at Clark Transfer<. Rebekah Sale is the BGA’s full-time Coordinator.

Go to the Broadway Green Alliance

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Call for papers: Dreams, Revolution and Process : Spatial & temporal approaches to rural sustainability and regeneration

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This post comes to you from Cultura21

handmadecabin02Deadline = August 9th

5th October 2013, Dreams, Revolution and Process : Spatial & temporal approaches to rural sustainability and regeneration, at fforest, Cilgerran, Ceredigion (UK)

This interdisciplinary conference aims to respond to a range of material that addresses rural sustainability and regeneration, with a focus on how and why decisions are made at individual, local, community and government level. Bringing together perspectives from geography, history, policy-making, regeneration practitioners and the arts, the conference will open up the gaps between individual and collective aspiration and reality.

Since the development of the urban, the rural has been a place of both harmony and negativism. It switches from radical, alternative (anti-industrialist) space where we can renegotiate a relationship with ‘nature’, to uncultured backwater, representing little more than material resource. Such perspectives are formed in relation to history and space and need to be considered when reaching an understanding of, as well as approaches to, rural regeneration, in order to ask : Who is regenerating, and for whom?

Submissions are invited from any discipline – sciences, humanities, regeneration practice, arts – which, within the overall theme of a temporal/spatial understanding of rural sustainability and regeneration.

More details on the website : click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Carbon 14: Climate is Culture Exhibition + Festival

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logo-cf-c14-transThe Cape Farewell Foundation in Canada announced details today of a unique, visionary and powerful four-month cultural engagement on one of the most pressing issues of our time— climate change.

The Carbon 14: Climate is Culture Exhibition + Festival will take place between October 2013 and February 2014, encompassing multifaceted programs, including a major exhibition at the Royal Ontario Museum’s (ROM) Centre for Contemporary Culture, a performing arts festival with The Theatre Centre, and a rich series of public programs and events.

As the centrepiece, the Carbon 14: Climate is Culture exhibition at the ROM opens October 19, 2013 – February 2, 2014. The exhibition will include bold collaborative projects by: Zacharias Kunuk + Ian Mauro, Myfanwy MacLeod + Janna Levitt, Mel Chin, Lisa Steele + Kim Tomczak, Sharon Switzer, Minerva Cuevas, Melanie Gilligan + Tom Ackers, Donald Weber, David Buckland + Tom Rand, and Jaco Ishulutaq.

The Carbon 14: Climate is Culture exhibition was produced by Cape Farewell Foundation in partnership with ROM Contemporary Culture and is curated by David Buckland and Claire Sykes.

“Confronting the facts around global climate change, the artists participating in Carbon 14: Climate is Culture are all responding to different aspects of this climate challenge, in poignant, nuanced, subversive, often humorous, and always passionately human ways. Subjects include explorations of a changing Arctic, the health of the oceans, bio-diversity and extinction, sustainability and new, clean technologies; and centrally questions of politics, economics, and ethics.”

– Claire Sykes, Curator and Programming Director for Cape Farewell Foundation

For 12 years, Cape Farewell has successfully brought together artists and scientists—some of the most creative and insightful minds available to us— to interrogate the reality of climate change, to address causes and envision solutions, and to imagine, design, and communicate on an emotional and human scale what a resilient and exciting future might look like. Working internationally through a rich program of expeditions, research, exhibitions, public art projects, books, films and performances, Cape Farewell, as creative agent for change and the leading cultural catalyst on climate, has successfully inspired some of our greatest storytellers to address humanity’s greatest challenge. Now Cape Farewell has a North American base in Toronto.

“The people of the City of Toronto will be proud to be the first North American city to host a Cape Farewell Festival, and to have an opportunity to present the global issue of climate change through a Canadian lens. Torontonians are concerned about their environment and the effects of climate change, and we hope that the Carbon 14: Climate is Culture Exhibition + Festival will become an important part of the Toronto calendar.”

– David Miller, Chair of Cape Farewell Foundation, Toronto

“In November 2011, on the shores of Lake Ontario, we invited twenty-five North American visual artists, film makers, musicians, writers, and advertising directors to gather in Toronto to interrogate eight ‘informers’ drawn from across the professional spectrum of climate engagement; climate scientists, economists, new energy technologists, and social scientists; on the facts of climate change. The ask from the creative minds was to engage and through a process of action-based research make artworks, plays, music, poetry that would form the basis of an exhibition at the ROM. Two years later, they have triumphed! Fourteen collaborative works will be presented as part of the Carbon 14: Climate is Culture exhibition and surrounding festival.”

– David Buckland, artist, and Founder and International Director of Cape Farewell

For further information, interview requests, or media passes to events, please contact:

Debby de Groot, MDG & Associates
647.295.2970
debby@mdgassociates.com

Click here to download the Carbon 14: Climate is Culture Exhibition + Festival Press Release.

Sprit in the Air Exhibition Opening Invite

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co2_eden_burgh_banner_550Creative Carbon Scotland, Collins and Goto Studio with Chris Malcolm, ecoartscotland and Art Space Nature are pleased to invite you to

Spirit In The Air

Opening: Friday 2 August 6-8pm

at the Tent Gallery, Edinburgh College of Art, Westport, Edinburgh EH3 9DF

(refreshments will be provided)

Spirit in the Air is a visual art, technology and performance project exploring the impacts of the Edinburgh Festivals on climate change. Working with ground-breaking technology generously supplied by Gas Sensing Systems and Envirologger to measure real-time carbon dioxide (CO2) levels when Edinburgh is packed to bursting with artistic activity and people, eminent environmental artists Tim Collins and Reiko Goto will work with Chris Malcolm to ask ‘Can art change the climate?’

‘Carbon Catchers’ will roam the streets and parks of Edinburgh to seek out CO2 hotspots whilst the artists at the Tent Gallery use the measurements to make the invisible comprehensible through visual and sound works.

Spirit in the Air is part of the Edinburgh Art Festival and will be open Monday to Friday, 12 noon-5pm, from 2 – 22 August at the Tent Gallery on Westport, Edinburgh EH3 9DF. For more information click here.

In addition to the exhibition, a discussion programme curated by ecoartscotland will consider questions of art, science, activism and environmentalism in a Festival-long conversation.

Wednesday 7 August 3-5pm, Tent Gallery

Bringing the emotion of the arts to bear on the rigour of the sciences

Saturday 10 August 1.30 – 4pm, Tent Gallery

Art, technology, activism and knowledge in the age of climate change (book here for this event)

Wednesday 14 August 3-5pm, Tent Gallery

Environmental monitoring: Tracking nature in pursuit of aesthetic inter-relationship?

Wednesday 21 August 3-5pm, Tent Gallery

Going beyond the material: Environment and Invisible Forces in the literary, performing and visual arts

For more information contact ben@creativecarbonscotland.com

 

Please forward this invite to anyone who might be interested.