Yearly Archives: 2013

Maya Lin: Here and There

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Apr 26, 2013 – Jun 22, 2013, at Pace Gallery, in New York (USA)

New work by Maya Lin exploring her longtime interest in environmental issues, including rising currents and climate change, and expanding her engagement with natural and geographic forms.Click here for the gallery’s website

An article on the exhibition was published in the New York Times (on April 25th):

“…in a sense, Hurricane Sandy also woke up Ms. Lin. Soon after the floodwaters receded, she decided she wanted her latest show at Pace — her first conceived specifically for a commercial gallery — to fix on Manhattan and its surrounding landscape, environmental history and waterways.“I really wanted people to understand more about literally what’s right under their feet,” she said. “I wanted to really focus on revealing aspects of New York, which we might not be thinking about from a natural, topographic, environmental point of view.”

Read the full article here, by Carol Kino.

Her website, mentioned below, is well worth visiting:

“…the show’s most unexpected aspect is a space devoted to her Web site What Is Missing?(whatismissing.net), begun in 2011 as part of a larger memorial to vanishing species and habitats worldwide. “I see it as a guerilla artwork,” she said.”

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Artists, Art Communities and Creative Initiatives in the Urban Spaces of Russia and Europe

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9224Open Interdisciplinary Seminar series “Scientific Environment”, 6th meeting of the 2013 spring session

 May 14th 2013, Faculty of Sociology, St. Petersburg State University (Russia), ul. Smolnogo 1/3, entrance 9, room 229, 18:00

Speakers:

  •  Sacha Kagan (Leuphana University Lueneburg, and Cultura21): “Creative cities and the challenge of sustainability”
  • Nikita Basov and Anisya Khokhlova (St. Petersburg State University, Faculty of sociology): “Communication Practices of Knowledge Generation: Comparing Creative Communities in St. Petersburg”
  • Anna Zhelnina (Higher School of Economics at St. Petersburg, St. Petersburg State University, Faculty of Liberal Arts and Sciences) and Alexandra Nenko (Higher School of Economics at St. Petersburg): “Self-Organizing Urban Initiatives: Actors and Practices of Creative Transformation of the City”

This event is organized by the Center for German and European Studies (a collaboration between the St. Petersburg State University in Russia and the University of Bielefeld in Germany).

Website (with abstracts): click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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New Directions in Social Ecology: From Climate Action to Housing Justice

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New Directions in Social Ecology: From Climate Action to Housing Justice

owaIRpI

An Intensive Seminar for All Levels

Each year, the Institute for Social Ecology hosts intensive seminars for students, activists, and community leaders to come together to explore sets of dynamic and urgent social and ecological issues. This year, the Institute for Social Ecology is thrilled to offer, for the first time, a seminar right in the heart of San Francisco.

We will be partnering with the California Institute for Integral Studies based in the SOMA district and on major transit lines. Classes will include the politics and philosophy of Social Ecology, international social movements for direct democracy, alternatives to capitalism, climate justice with a focus and emphasis on urban housing and land struggles. We have designed this intensive to be a bit longer than previous programs so as to secure time for local field trips that will allow us to get to know the community and history in which we are studying.

APPLY HERE! for the San Francisco Intensive

What is Social Ecology?

Social Ecology is an interdisciplinary perspective that  weaves together aspects of ecology, philosophy,  anthropology, and political theory. As a body of ideas, social ecology favors a moral economy over a market  economy, while striving to foster human and biological   diversity in a directly democratic world.

The Institute for Social Ecology (ISE) was founded in 1974 as an educational institution dedicated to the exploration of social ecology and its relationship to fields  including philosophy, history, economics, the natural sciences, post-colonialism, and feminism. Historically, the ISE has been a pioneer in community-based approaches to alternative technologies, directly democratic organizing, and ecological urban design. ISE faculty, students, and alumna have played key roles in movements to challenge nuclear power, environmental racism, agricultural biotechnology, climate crisis, and global injustice.

What is an ISE Intensive?

The ISE organizes educational ‘intensive seminars’ that deepen students’ understanding of  human/nature relationships, directly democratic movements, climate change, and the historical unfolding of Left politics. At ISE intensives, students establish links between their current political work on the ground to the ‘grounded theory’ of social ecology.  In that spirit, the ISE has organized intensive seminars to among core Occupy NYC organizers while also fostering strategic ongoing movement-building in the New York area.

APPLY HERE! for the San Francisco Intensive

check out the event on Facebook!

**

“I was able to attend two of these [Intensives] in NYC and would love to go again!” – Jose Whelan

“I am enormously happy that the Institute for Social Ecology is coming to SF!!! Radical, coherent and powerful body of ideas taught by talented and dedicated teachers that can transform your perspective of politics, evolution, nature, revolution, environmentalism, climate change, capitalism, power and hierarchy.” -Liana Sweeney, past Intensive student

**

Dates: June 12th – 22nd, 2013

Location: California Institute for Integral Studies, 1453 Mission Street, San Francisco CA

Scholarships: Available, please inquire.

Tuition: $250 – $400 sliding scale or $50 per class. To secure your spot in the seminar, a deposit (30% of your fee) is required. To make your deposit, click on the donate button (up and to the right of this text) and describe your donation as “SF Intensive.”

Readings: coming soon!

**

Intensive Seminar Instructors

Dan Chodorkoff: What is Social Ecology/the Utopian Tradition

Dan Chodorkoff is a cultural anthropologist and co-founder of the Institute for Social Ecology. He recently published his first novel,Loisaida, a reflection on the rich history of people’s struggles in New York’s Lower East Side.

Chaia Heller: Direct Democracy and Dual Power / The Alter Left (History of the Left)

Chaia Heller is a cultural anthropologist and a professor of gender studies at Mt. Holyoke College. She is the author of Ecology of Everyday Life: Rethinking the Desire for Nature, and just released her second book, Food Farms and Solidarity: French Farmers Challenge Industrial Agriculture and Genetically Modified Crops.

Peter Staudenmaier: What is Capitalism?/A Moral Economy:  Around the world, people dissatisfied with global capitalism face challenging questions about what kind of society could replace the present one: How can we build amoral economy in the wreckage of a market economy? This course will explore how capitalism works and how a fundamentally different economic system can be both possible and practical.

Peter Staudenmaier is a historian, and a professor of modern German history at Marquette University in Milwaukee, WI. He co-wrote the book Ecofascism: Lessons from the German Experience with Janet Beihl.

Brooke Lehman: Building Transformative movements: How can we build democratic organizations and movements powerful enough to shift systemic power and grounded enough to evolve the very nature how we relate to each other and to our own deepest sense of purpose? In this class students will develop their own personal mission and vision statements; practice communication skills for effective leadership; and learn how to design healthy organizational
structures and coalitions.

Brian Tokar: Social Justice and Climate Action

Brian Tokar is currently the director of the Institute for Social Ecology and a lecturer of Environmental Studies at the University of Vermont. His most recent book is Toward Climate Justice: Perspectives on the Climate Crisis and Social Change.

Hilary Moore with James Tracy: Solidarity and Alliance Building

Hilary Moore is a founding member of Mobilization for Climate Justice- West in the Bay Area. She co-wrote the booklet Organizing Cools the Planet: Tools and Reflections to Navigate the Climate Crisis with Joshua Kahn Russell.

James Tracy is an organizer with the San Francisco Community Land Trust and author of Hillbilly Nationalist, Urban Race Rebels , and Black Power: Community Organizing in Radical Times with Amy Sonnie.

Andrej Grubacic: International Movements for Democracy: What is democracy? This class will focus on several historical instances of direct democracy. From the Cossak “krug,” to the pirate ship, and from the runnaway “palenque” of Maroons, to the Chiapas village assembly.

Andrej Grubacic is a member of the International Council of the World Social Forum, the Industrial Workers of the World, and the Global Balkans Network. His most recent work is Don’t Mourn, Balkanize! Essays After Yugoslavia.

*More teachers and evening speakers TBA. The Intensive will also offer a field trip to explore urban land straggles. 

*Schedule and full class descriptions coming soon

For more information, email seminar@social-ecology.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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WHYLD

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Flyer (A5) Whyld

Join the Masters students of Art, Space, and Nature (ECA) for a private viewing of our exciting final show. WHYLD is an exhibition of works that manifest our various interpretations of the concept of wilderness. The show opens 23rd of May from 5pm to 8pm at Patriot Hall Gallery. Speak with the artists and enjoy food and refreshments. 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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Uranium Film Festival starts soon in Rio de Janeiro

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uranium_convite-eletronico_port-714x102451 films from 20 different countries will be screened between May 16th and May 26th 2013 in the cinema of Rio de Janeiro´s famous Modern Art Museum (MAM). The International Uranium Film Festival is an annual festival dedicated to all films, short and feature documentaries, movies and animated films about nuclear energy, atomic bombs, nuclear accidents, uranium mining, depleted uranium weapons and radioactive risks. The best short, feature and animated films of the festival are awarded with the “Yellow Oscar”.

Two important new films of the Festival are for example: The feature documentary film “Uranium – To Die For – (HaZman Hatzahov)” by Shany Haziza from Israel about the most dangerous black market of radioactive uranium from the Congo. And “Nuclear Savage: The Islands of Secret Project” by Adam Jonas Horowitz: A documentary about nuclear bomb tests in the Marshall Islands.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Paddling Theater on the Minnesota River

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Theater in canoes as part of the Minnesota River History Weekend &Minnesota State Water Trails 50th Anniversary

On May 18, 2013, PlaceBase Productions and performers from the Upper Minnesota River Valley area (in the USA) will stage a Paddling Theater Production on the Minnesota River as part ofMinnesota River History Weekend and Minnesota State Water Trails 50th Anniversary. From their canoes, the audience will engage with stories, songs and characters from local river lore, presented both as live theatre and live-action radio drama in the original production: With the Future on the Line: Paddling Theater from Granite Falls to Yellow Medicine. Characters from throughout history will emerge on the river’s banks, to lead the audience on an interactive journey into the past, bringing the stories of the Minnesota River Valley.

The production is based on historical research and interviews with local residents, historians, and naturalists and written, produced and directed by Ashley Hanson & Andrew Gaylord of PlaceBase Productions. Guided 10-person voyageur canoes and a plethora of private canoes and kayaks will paddle from Kinney’s Landing, just South of Granite Falls, to the confluence of the Minnesota and Yellow Medicine Rivers. Along the way paddlers will meet with a host of explorers, scientists, river reprobates and prairie politicians, and learn about the ecology, stories, and history of the stretch of river between Granite Falls and the Upper Sioux Agency State Park. Hanson states, “the performance is a starting point for deeper discussion and connection with each other and with the place… by watching our history and stories unfold before us through interaction with lively characters and playful scenes, we learn about who we are and where we came from; then we can begin to envision our future together in a way that is creative and joyful.”

Clean Up the River Environment (CURE) and the Department of Natural Resources (DNR) have partnered with PlaceBase Productions (PBP) and Wilderness Inquiry (WI) to produce the Paddling Theater Production, as part of a larger weekend festival, Minnesota River History Weekend and Minnesota State Water Trails 50th Anniversary. The full event runs from May 17-19. For more festival information and schedule of events, visit www.cureriver.org.

Event Details:

Starting Location: K.K. Berge Building (807 Prentice Street, Granite Falls)

Starting Time: Event Welcome 10:00am; Final scene at Memorial Park, Granite Falls at 7:30pm

Cost: $10 for a spot on Wilderness Inquiry Voyageur Canoes in advance and $15 on-site

Ages: ALL ages and abilities welcome to participate; Shuttle service provided.

Register at: www.wildernessinquiry.org/cure

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Exhibition: Trouble the Water

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Nathalie-Meibach-_-ShesComingOnStrong-400x416Legion Arts, 1103 Third Street SE Cedar Rapids, IA (USA), May 3 – June 16 2013

Legion Arts presents an exhibit in which a dozen contemporary artists from around the world explore issues related to water: droughts and floods, climate events and climate change, as well as the economics, distribution, uses and scarcity of this incomparable commodity. Trouble the Water is curated by Diane Barber, Houston, Texas.

Featured artists include Janet Biggs (New York), Erika Blumenfeld (Qatar), Maarten Demmink (Netherlands), Chris Turner with Helen Friel & Jess Deacon (UK), Sant Khalsa (California), Mark Klett (Arizona) & Byron Wolfe (California), Nathalie Miebach (Massachusetts), Carlos Montani (Argentina), Yuka Nakajima (Japan), Lori Nix (New York), Susannah Sayler & Edward Morris (New York), Dustin Yager (Minnesota).

Public reception from 5 to 7 pm on Friday May 3. Read more here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Call for participants: Case Pyhäjoki – Artistic reflections on nuclear influence

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nuclearCase Pyhäjoki – Artistic reflections on nuclear influence
Transdisciplinary expedition, production workshop and events

Location: Pyhäjoki, Finland
Time: 31.7. – 12.8.2013
For whom: artists, activists, scientists, thinkers and doers + everything or opinion in between.
Deadline to apply: 5.5.2013

‘Case Pyhäjoki: Artistic reflections on nuclear influence’ is a transdisciplinary artistic expedition, production workshop and presentation events in Pyhäjoki, North Ostrobothnia, Finland 31st of July to 12th of August 2013. The sixth nuclear power plant of Finland is planned to be built at Hanhikivi Cape in Pyhäjoki.

The aim of the project is to explore artistic perspectives on the vast changes planned in Pyhäjoki, through the planning of a nuclear power plant at the site, and this way of considering energy production and consuming in the world. Artists can not only reflect upon and depict social phenomena and socio-economical relations, but can also situate themselves in between politics, activism and science. Can art make changes? If so, what would be the creative tools of activism? Life itself has become increasingly politicised in the new millennium and obviously this reflects on us all. There are plenty of art works that comment on issues seen unethical or wrong, revealing different kinds of world views. Also, there are community art projects that comment for example social condition that involve participants from different fields. But can the border in between art and activism be blurred more? Could it be involving yet aesthetical? Aren’t we all activists? What are other ways of activism in addition what we are used to think? And what is the change we are after? The nuclear power plant in Pyhäjoki is a concrete project that connects many aspects from NGO-activity, politics, local and global economical situation to energy production and consumption expectations as well as decreasing natural resources.

The local situation in Pyhäjoki, and the planned nuclear power plant, is a case example for the workshop. People have formed strong opinions about the plant. The small community in the area has divided into those who are for and those who are against the power plant project. The aim of the expedition is to familiarise well with the current conditions in Pyhäjoki and try to collaborate with the local community, although many questions may be raised with are not easy. What kind of political process leads to the power plant plan? What does it mean to a small, agricultural community like Pyhäjoki or Ostrobothnia area? What does it mean at the national and global level? Can nuclear power mitigate climate change? What are the alternatives to nuclear power i.e. zero growth or new means of renewable energy production etc? Pyhäjoki is an excellent case study during the times of continuing ecological, social and economical crisis of the different path choices which humankind can take in order to flourish.

The first days of the expedition are for discussions, presentations (both local, national and international researchers, activists and artists), getting to know the area and its’ people with trips and excursions. The rest of the days are dedicated for independent or group work that can lead to e.g. a project demo, plan, performance, artistic action tools, discussion event, intervention etc. locally or creating overall action structures that can be implemented elsewhere. There will be a final public presentation and if needed a small exhibition for demos, ideas and documentations in the end of this production workshop. The aim is to have something concrete in our hands in the end to continue the work in the future.

PRACTICAL DETAILS

Please send your letter of motivation to Mari Keski-Korsu mkk[-at-]katastro.fi by 5th of May 2013.

Case Pyhäjoki -project covers the participants travel, accommodation and per diems. There is also a possibility for documentation fee in the end. We will accommodate in a cozy Holiday Village Kielosaari and utilise some other spaces in Pyhäjoki.

The travel dates are 31st of July and 12th of August.

The selected participants will be contacted in May 2013.

ORGANISERS AND SUPPORT

Case Pyhäjoki was initiated by artist Mari Keski-Korsu and is now a collaboration in between artist-organiser and researcher Andrew Paterson/Pixelache, musician and artist Antye Greie-Ripatti/Hai Art and Finnish Bioart Society. Please read more about the organisers in the end of this post.

Case Pyhäjoki is funded by Kone Foundation and Arts Promotion Centre of Finland.

BACKGROUND INFO

The actual building location of the nuclear power plant is Hanhikivi Cape. 65% of the area is nature preservation with rich marine flora and fauna. It is also a rare land lifting shore where the land is still rising up from the sea due to processes of the last Ice age. There is no industry or energy production at the cape. The infrastructure for the nuclear power plant will be build as new in a so called greenfield location. Even thought the building of the plant will last for years, we are living the last moments to experience Hanhikivi as it is now. More information www.hanhikivi.net

The nuclear power plant is hoped to bring prosperity to the local community but there are still many people against the building plan. People are scared to loose their land, homes and all the risks the nuclear power production brings. Recently, the company responsible of the project Fennovoima Oy announced the plan to store the nuclear waste materials also at the Pyhäjoki plant, as the Finnish long-term nuclear waste material storage ‘Olkiluoto/Onkalo’ may not be able to store all the country’s nuclear waste. In autumn 2012, the German energy company E-on resigned from the Pyhäjoki Nuclear Power Plant project. It was the biggest investor in the project and was considered to have the best know-how of the building process. Other international nuclear energy partners have been approached to replace E-on.

The biggest town close to Pyhäjoki is Raahe and the neighbouring municipalities including Pyhäjoki have been very much dependent on one big employer, steel factory Rautaruukki Oy, established in Raahe in 1960. It was seen as an answer to economical despair after the local shipping companies declined, and now that Rautaruukki has been laying off people. Hence, the nuclear power plant is seen to bring new jobs and basically repeat the economic promise that Rautaruukki brought to the area previously. Another point of view is also that the plant can produce energy for the needs of the steel factory.
www.raahe.fi
www.pyhajoki.fi

MORE INFO ABOUT THE ORGANISERS AND PARTNERS

Mari Keski-Korsu (Artist, initiator of the project, organiser, born in Raahe)
Mari Keski-Korsu (mkk) is an transdisciplinary artist. She explores how ecological and socio-economical changes manifest in people’s everyday life. Her works have a political nature with a humorous twist. The basis of the work is in location, a place and people’s relations to it. Keski-Korsu started her artistic career with photography and then started to work with internet live streaming in the mid 1990′. This lead her to work with live video visualisations as well as net and video art, interventions, documentary, installations and location based art. She is interested in relations in between art, politics and science. The works has been exhibited in Europe and in several other countries around the world. She collaborates with artist groups, researchers as well as organises and curates different types of projects.

Pixelache (Contact person and participating artist Andrew Paterson)
Pixelache, based in Helsinki, is a transdisciplinary platform for experimental art, design, research and activism. Amongst our fields of interest are: experimental interaction and electronics; renewable energy production/use; bioarts and art-science culture; grassroot organising and networks; politics and economics of media/technology; alternative economy cultures; VJ culture and audiovisual performances; media literacy and engaging environmental issues. Pixelversity, its outreach and education programme since 2010, aims to be a ‘learning bridge’ between practitioners, cultural and non-profit organisations, interested individuals and larger institutions, and an outreach programme extending beyond Helsinki. Consideration is given to the relationships between the different activities, and how they may build up accumulative knowledge and skills towards future Pixelache events. The CasePyhäjoki project is part of the Pixelversity 2013 programme’s ‘Techno-ecologies’ theme.
pixelache.ac/pixelversity

Hai Art (Contact person and participating artist Antye Greie-Ripatti, director of Hai Art)
Hai Art is an artist ran international art platform with focus on contemporary art forms such as new media, sound art, environmental, ecological and participatory arts with crossover to science and education to intertwine international and local programs in Hailuoto/ Finland. The main activities of Hai Art include public sound choir KAIKU, international The Wilderness Art Conference, national and international artist residencies as well as courses and workshops for children and youth. Hai Art occupies unused spaces, beaches, a ferry, forests, fields and public spaces etc. in Hailuoto.
www.haiart.net

The Finnish Bioart Society (Contact person Erich Berger)
The Finnish Bioart Society, established May 2008 in Kilpisjärvi, is an organisation supporting, producing and creating activities around art and natural sciences, especially biology. The Finnish Bioart Society is creating public discussions about biosciences, biotechnologies and bioethics. Additionally it is the Finnish contact node in international networks of bioart and art&science.
The Finnish Bioart Society has currently 60 members, representing different art and research fields and other expertise – bioart, theatre, film, music, video, performance art, art&science, fine arts, media art, sculpture, environmental art, design, zoology, botany, ecology, environmental sciences, animal physiology, genetics, philosophy, cultural production, art history, engineering, etc.
www.bioartsociety.fi

Pro Hanhikivi Ry (Contact person Hanna Halmeenpää)
Pro Hanhikivi is a non-governmental organisation found in 2007 at Parhalahti village to preserve Hanhikivi Bay as a nuclear power free nature and amenity area. The organisation has 300 members (autumn 2012). Pro Hanhikivi activists collaborate with the officials both in Finland and in EU, organise Hanhikivi Days festival and other smaller event as well as try to affect in many ways to stop the nuclear power plant plan in Pyhäjoki.
www.prohanhikivi.net

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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