This post comes from the Artists and Climate Change Blog

The seventh in a year-long series on artists who are making the topic of water a focus of their work and on the growing number of exhibitions, performances and publications that are popping up in museums, galleries and public spaces around the world with water as a theme.

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Music reflects the cultural mood of a society and, at the same time, is a powerful medium for promoting change and encouraging action. Throughout American history, songs of dissent have influenced the outcome of wars and social movements. During the 1960s and 1970s, voices like Woody Guthrie, Sam Cooke, Bob Dylan, Pete Seeger, Phil Ochs, Joan Baez, Jimi Hendrix, Nina Simone, James Brown, Marvin Gaye and numerous others engaged an entire generation in protesting against an undeclared war with no end in sight and for civil rights with songs like We Shall Overcome, The Times They Are a Changing, Ohio, What’s Going On, Change Gonna Come and We Shall Not Be Moved, etc. Outside the United States, inspiring songs such as L’Internationale, a 19^th century anthem of revolution worldwide, continues to call to the oppressed to rise up against tyranny. Today, artists like Beyoncé (Freedom) and Kendrick Lamar (Alright) are reaching global audiences with current anthems of discontent against racial and social injustice. By embedding a message in music, a single voice can inspire millions.

Understanding just how effectively music can shape public opinion and behavior, the government of Cape Town, South Africa, in partnership with the finance firm Sanlam, has sponsored an innovative project that directly impacts the conservation of the city’s critically diminishing supply of water. They commissioned ten of South Africa’s leading musical stars to adapt their existing songs into a 2-minute format to help residents limit their daily showers to exactly 120 seconds in compliance with current regulations. The 2-minute songs were consolidated into an album that is free and easily accessible for downloading on a dedicated website and on YouTube. According to instructions on the 2-Minute Shower Song website: “start the song and turn up the volume…when the song ends, so should the shower.”

South African rapper Kwesta recording a song for the “2-Minute Shower Songs” album. Courtesy of Sanlam.

The 2-Minute Shower Songs are not merely a response to the abstract concept of conserving water for a shortage projected to occur sometime in the distant future. Cape Town is on the verge of becoming the first major city in the world to completely run out of water within a few months. Day Zero, the date when the city’s reservoirs fall to 13.5 % capacity, is currently set to occur on July 15, 2018. The city’s drastically reduced water supply is the result of three consecutive years of very low rainfall. Of the 50 liters or about 13 gallons of water a day that is the recommended allotment to residents, 20 liters or 40% of the daily water limit is consumed during a 2-minute shower. Without severe conservation and significant rainfall, the taps will be turned off on Day Zero, forcing the entire population of 4 million to line up for daily water rations.

Theewaterskloof Dam, a major source of water for Cape Town on January 25, 2018, in Villiersdorp, South Africa. Courtesy of Brenton Geach, Gallo Images, Getty Images.

The 2-Minute Shower Song project is the brainchild of the King James Group, a creative team that developed the original concept of a billboard campaign into a way of “tapping into almost everyone’s hidden pleasure of singing in the shower.” In a February 8, 2018 interview for the South African on-line publication, Bizcommunity, Susan van Rooyen and Moe Kekana of King James Group explained the creative process behind how the campaign was devised:

The project originally began as a billboard brief, trying to figure out how we could communicate or give people a way to save water. And when the City of Cape Town urged everyone to cut down water in the bathroom specifically, we found our insight: Many of us, whether we like to admit it or not, sing in the shower. And if we could use that to manage how long people spent in the shower, we could help save water. But an idea that size wasn’t going to fit on a billboard. And so, the #2minuteshowersongs were born: Songs you can sing along to, but that also tell you when your shower time is up.

Rooyen and Kekana noted that the artists’ commitment to the project was “phenomenal.” In response to a question about the recording process and the results of the campaign, they summarized:

In just four days they recorded the ten songs and produced an album in under two weeks. The sense of urgency in the songs, the urgency to make it happen, was a reflection of the crisis. There is something so pure, yet so powerful about music. And that’s what we needed to really make our message heard.

Our campaign spread further than we anticipated. Not only were Capetonians singing along to shorten their showers, but they were singing on the radio, and even created their own versions of our shower songs in an effort to keep water use down. Word also spread across international waters with our campaign being featured on the climate change section of Time.com and on BBC radio.

The ten artists and their songs include: Kwesta (Boom Shaka Laka); Mi Casa (Nana); Good Luck (Taking it Easy); Fifi Cooper (Power of Gold); Francis Van Coke (Dit raak beter); Jimmy Nevis (Day Dream); Rouge (Déjà vu); Desmond & and the Tutus (Teenagers); Youngsta (Wes Kaap); and Springbok Nude Girls (Bubblegum on My Boots).

Promotional photos of artists, courtesy of Sanlam.

The 2-Minute Shower Song website includes all of the songs and a “Behind the Scenes” video showing a brief excerpt of the recording process. Musician Good Luck expressed his motivation for participating in the project by stating, “I worry that if everyone stays nonchalant about the seriousness of the situation, then they’re going to wake up one day and realize there’s no water coming out of the taps.”


(Top image: Courtesy Associated Press.)

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Susan Hoffman Fishman is a painter, public artist, writer, and educator whose work has been exhibited in numerous museums and galleries throughout the U.S. Her latest bodies of work focus on the threat of rising tides caused by climate change, the trillions of pieces of plastic in our oceans and the wars that are predicted to occur in the future over access to clean water. She is also the co-creator of two interactive public art projects: The Wave, which addresses our mutual need for and interdependence on water and Home, which calls attention to homelessness and the lack of affordable housing in our cities and towns.

 

Artists and Climate Change is a blog that tracks artistic responses from all disciplines to the problem of climate change. It is both a study about what is being done, and a resource for anyone interested in the subject. Art has the power to reframe the conversation about our environmental crisis so it is inclusive, constructive, and conducive to action. Art can, and should, shape our values and behavior so we are better equipped to face the formidable challenge in front of us.

Go to the Artists and Climate Change Blog

This post comes from the Artists and Climate Change Blog

Through Persistent Acts, I look at the intersection of performance, climate, and politics. How does hope come to fruition, even in the most dire circumstances? What are tangible alternatives to the oppressive status quo? My Persistent Acts series considers questions of this nature to motivate conversations and actions on climate issues that reverberate through politics and theatre. The Persistent Acts series continues, juxtaposing questions from Naomi Klein’s recent book No Is Not Enough with Blake Sugarman’s solo performance, Prelude to the Apocalypse (For What It’s Worth).

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Climate change. Refugee crisis. Gun control. Globalization. Reproductive rights. Hunger. Poverty. Obviously, this isn’t the first time in history that systems have gone awry. As I consider our current political climate and the facts of climate science, I wonder what the tipping point will be: when the higher education bubble will burst, when Social Security will run out, when racial and economic divides will become full-on civil wars, when the Earth will no longer sustain life as we know it. When will the systems that have gotten us to where we are collapse, or, ideally, when will power and resources become equitably and sustainably redistributed? I wonder when my society will utter a collective “enough” with the destructive status quo, and the work of activists and progressive organizers will become the norm.

I also think about “enough” in terms of what I do to thwart the daunting “when” questions. Am I doing enough? In the midst of the current political shitshow, I’ve turned to Naomi Klein’s No Is Not Enough: Resisting the New Shock Politics and Winning the World We Need. In addition to outlining the atrocities of the current US administration, and therefore justifying my anger, Klein highlights successful resistances to oppressive and pollutive systems, including instances of unionizing laborers, countering exploitative globalization, and more. She combines her experiences in journalism and activism to unpack the power dynamics that led us to our current socio-political system. Klein especially criticizes neoliberalism, an ideological project which, as she describes, “holds that the market is always right, regulation is always wrong, private is good and public is bad, and taxes that support public services are the worst of all.” As a major influencer on global policy, neoliberalism has structured cultural and political values around capital, which is to say not ecosystems and especially not sustainable energy. The thesis of No Is Not Enough posits that in undoing the damage of hierarchical ideologies like neoliberalism, we must not only say “No,” we must forge realistic alternative value systems – a series of “Yeses” to rally behind.

Illustration © Oliver Stafford from “Naomi Klein’s Guide to Resisting Power” on Huck Magazine.

Klein offers an option, composed by activists and union organizers, called The Leap Manifesto: A Call for a Canada Based on Caring for the Earth and One Another. A project spearheaded by sixty movement leaders in Canada, The Leap Manifesto is focused on “building a world based on caring for the earth and one another.” It looks to restructure cultural values, prioritizing Indigenous sovereignty, clean energy, and public infrastructure. Jobs that are already low-carbon, such as teachers, nurses, social workers are valuable in our culture and should be treated as such. This looks like, in one of my favorite examples, the expanding purpose and value of a postal worker, who is not only responsible for delivering mail in a green vehicle, but can also deliver fresh meals to the sick and elderly. Taking a step further, The Leap, an ongoing project that has grown out of The Leap Manifesto, seeks to build places like post offices as community hubs, “where residents can recharge electric vehicles; individuals and businesses can do an end run around the big banks and get a loan to start an energy co-op.” The Leap Manifesto, by placing value on jobs outside of the carbon economy, lays out realistic ways to leap Western culture into sustainable systems, because we don’t have the time for incremental change. This is where my theatre practice comes in, because I utilize and participate in theatre to instigate difficult conversations and practice alternative, sustainable realities, which The Leap exemplifies and offers. My introduction to The Leap is juxtaposed by my recent theatregoing experience at Prelude to the Apocalypse (For What It’s Worth) by Blake Sugarman.

I met Blake working on Theater In Asylum’s The Debates. Blake is an artist and activist who uses his solo performances to interrogate dominant ideologies, similar to the ones dissected in No Is Not Enough. I am continually motivated by the ways in which he brings his activism to his art, and vice versa. For Prelude to the Apocalypse, Blake’s activism is heavily featured, as his program note shouts out to Sunrise, a burgeoning movement of young people fighting for climate action. Knowing that Sunrise was in the context of the show, I was curious to see what stories, questions, and feelings would arise.

Part of the show dropped me into despair, as Blake juxtaposes stories of climate deniers with the hard facts of climate science. Tackling climate issues raises all kinds of questions, which Blake posits throughout the show – from how we relate to one another, to what effect time has on us, to whether we’re paying attention. By the end of the performance, Blake fully breaks the fourth wall, coming into the audience, offering a “penny for our thoughts” in response to the question “What is enough?” This was at once a vulnerable and powerful position to be in: the opportunity to voice my politicized view with a room of strangers.

I shared that my go-to thought of “enough” is life off the grid. That “doing enough” looks like “unplugging” myself from our current energy grid, living without a cell phone, or any other mode of digital communication. In other words, to do “enough” on climate change is to forgo my life as I know it. But would taking my own life off the grid have an impact on our national or global energy policy? To me, the disaster of capitalism is the underlying factor in human-caused climate change, and so my individual choices won’t undo such a deeply ingrained system that puts economic profits over people’s lives. So, is it enough to take an ideological stance against a capitalist structure? If such an ideology is backed up by realistic alternatives, then yes, in my mind that is enough to get us started on the work of publicizing and modeling a more equitable way of life.

Yes, it does feel like we’re presently in a prelude to the apocalypse. But as Blake illuminates, that’s only for what it’s worth, not an end-all-be-all outlook. Something is happening here, and it’s up to the people – not greedy governments – to build the world we need, one that is equitable for all beings, one that is sustainable for future generations. This work is happening, especially in grass-roots organizing, so that whether or not that tipping point or the apocalypse arrives, people are working to take the future into their own hands.

Take Action
Learn more about and support The Sunrise Movement
Get involved in The Leap

(Top image: Blake Sugarman.)

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Julia Levine is a creative collaborator and vegetarian. Originally from St. Louis, Julia is now planted in the New York City downtown theatre realm. As a director, Julia has worked on various projects with companies that consider political and cultural topics, including Theater In Asylum, Honest Accomplice Theatre, and Superhero Clubhouse. She is on the Marketing team at HERE Arts Center and is Artistic Producer of The Arctic Cycle. Julia writes and devises with her performance-based initiative to bring questions of food, climate, and justice into everyday life.

Artists and Climate Change is a blog that tracks artistic responses from all disciplines to the problem of climate change. It is both a study about what is being done, and a resource for anyone interested in the subject. Art has the power to reframe the conversation about our environmental crisis so it is inclusive, constructive, and conducive to action. Art can, and should, shape our values and behavior so we are better equipped to face the formidable challenge in front of us.

Go to the Artists and Climate Change Blog