The WetlandLIFE Research Team is looking for artists whose work can contribute to our knowledge and appreciation of wetlands and mosquitoes. By this we mean artworks, in any medium, that seek to influence our awareness, understanding, attitudes, emotions, values or behaviour towards them, and the ecological and social interactions that have brought them into being. This might be done by communicating the findings of researchers about wetlands and mosquitoes to new audiences, challenging how we think about them, or changing how we feel about them – perhaps helping us connect with them in new ways.
This is an exciting opportunity for artists to work alongside local communities and a diverse team of environmental researchers to show how art can influence how we value nature and ecosystem services. The focus of work will be on the Somerset Levels, Humber Levels and Thames Estuary, although reference will also be made to a broad range of inland and marine wetlands across England to capture the diversity of these places.
We are offering three bursaries of £5,000 each (total of £15,000). Artists can apply for the total amount – and create work that relates to the project’s three case study sites or to wetlands in general – or for one bursary worth £5000 – perhaps focusing specifically on one of the sites. We welcome applications from consortiums of artists working together to address all three sites. The bursaries cover the artist(s) fees, accommodation and travel, and all costs associated with the production and display of the artworks.
Artworks by the successful artist/s will be included in a final touring exhibition, planned in early/mid 2019, which will visit each of the three case study sites.
The full brief is available on the WetlandLIFE website.
WetlandLIFE is one of the projects funded through the multi-Research Council Valuing Nature Programme.
ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.