Fueled by Fury: Finding the Language to Fix Us

This Post Comes From HowlRound:

This week on HowlRound, we continue our exploration of Theatre in the Age of Climate Change with more urgency than ever. With the looming eradication of climate science data from US government websites and the appointment of Scott Pruitt as head of the Environmental Protection Agency, Trump has indicated in no uncertain terms that the health of the planet and its inhabitants are of no concern to him. As theatre artists, how do we respond? Playwright Tira Palmquist and dramaturg Heather Helinsky offer their respective point-of-view on the writing and production of Two Degrees, a world premiere at the Denver Center, season 2016-2017, and how the elections impacted the development of the play.—Chantal Bilodeau

 Tira Palmquist: The notion that I would write a play in which someone discovers the solution to climate change was never the point of Two Degrees (though I believe that climate change is a fixable, solvable problem). After all, there is no silver bullet, no singular, magical solution for this issue.

More to the point, how to fix climate change wasn’t really the question. To fix climate change, we have to move people from inaction to action, from doubt to conviction. Finding the language and the arguments to do this is clearly important, but in order to do that we have to ask the more important question: How do we fix us?